| Universal Pictures | Release Date: July 13, 2018 | CRITIC SCORE DISTRIBUTION | ||
|
Positive:
13
Mixed:
26
Negative:
4
|
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Critic Reviews
There are intermittent pleasures, including Ms. Campbell, who seems ready to transition to a new career phase playing hard-hitting maternal types with Mona Lisa smiles. Mostly, though, Skyscraper is about the movie’s other, far more towering figure: Mr. Johnson, a performer whose colossal physicality is strikingly complemented by a delicate expressivity too rarely seen in contemporary blockbusters.
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Rawson Marshall Thurber's Skyscraper is one of the most idiotic action movies to come down the pike in some time. It's also a lot of fun if you're willing to go with it, and getting viewers to go with things is one of several fronts on which The Rock routinely earns the money he gets paid.
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It’s slow getting off the ground, and never completely achieves flight, at least not in the sense of transport. It remains a series of sequences, some terrific and some less so, but at least the movie keeps finding new ways for people to fall off a building while on fire. So there’s that.
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Skyscraper, which lacks the lunkheaded charm of “Rampage,” isn’t the ideal vehicle — its special effects are murky (I saw it in 2D; it’s probably even muddier in 3D), and a bit of wit wouldn’t have been unwelcome. Nobody in this film has a personality; they’re just evil, stoic, mildly badass (particularly Neve Campbell, as Will’s resourceful wife) or The Rock.
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The big difference between this kind of video game movie and an actual video game is that you’re not playing it — you’re just passively consuming it, and you know how it will end before it gets going. So any surprise or intrigue comes from just seeing how our mighty protagonist will get himself out of this scrape. That’s just enough for a couple hours of fairly mindless entertainment.
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Anyone expecting a shred of originality from this Dwayne Johnson vehicle will be disappointed, but writer-director Rawson Marshall Thurber tries his best to compensate by amping up the over-the-top spectacle, hoping sheer gusto will keep viewers from minding his film’s shaky foundation.
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No one churns out big-budget action mediocrity these days as regularly as Dwayne Johnson. So now, just three months after his giant gorilla-a-go-go Rampage, we have Skyscraper — a film that suggests what would happen if you took The Towering Inferno and Die Hard and stripped them of the qualities that made both work.
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