| Warner Bros. | Release Date: April 18, 2025 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
51
Mixed:
4
Negative:
0
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Critic Reviews
Even the greatest general will lose some control when marching an entire division over hostile highlands. But, far from feeling indulgent, the picture is positively economical in the way it addresses so many ideas – sociological, cultural, historical – while forwarding its rattling, viscera-soaked yarn.
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The Film StageApr 10, 2025
Coogler doesn’t reinvent the vampire movie with Sinners, but in a current era of American cinema where messages are force-fed, a thoughtful social satire which gives viewers time to dissect––and never lets its loftier thematic aims get in the way of its junky thrills––is a breath of fresh air. I can’t remember the last time I had this much fun, nor felt so reinvigorated by, a major studio genre movie.
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Sinners, which the filmmaker himself has been touting as his first wholly original feature (Fruitvale Station, his debut, was based on a real-life tragedy), is both Coogler’s most fantastical and most closely rooted in the history of American racism. It’s pulp from the heart and the gut.
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With Sinners, Coogler confirms that he has a real talent for exploring and reinventing genres, while still telling a story that feels wholly original. There are a few points where characters make dumb decisions — much like real-life humans do — but execution-wise, the movie is quite the roller coaster, a ride worth taking.
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Screen RantApr 15, 2025
If “Sinners” commits one sin (forgive me), it’s a tendency to overexplain itself during the film’s climax. Still, Coogler and his excellent cast have created a sexy, funny, boisterous, and very bloody crowd pleaser, one that features a mid-credits sequence that adds another wrinkle to its intriguing mythology.
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PolygonApr 10, 2025
As Sinners accelerates toward its climax, none of it feels wasted. Its action is explosive, and while Coogler’s vicious momentum can be visually disorienting at times, the adrenaline and the way he tethers each character to a distinctly spiritual question ensure that the movie’s strengths far outweigh its flaws.
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The way the film swims through the contradictions, considerations, and cultural reverie of the rural South is genuinely enlivening. Sinners, festooned with intriguing ideas and even more beguiling characters, grabs the hem of greatness even if it never takes hold, hobbled as it is by a desire to hold more than it can properly contain in its over-two-hour run time, leading to a story that feels misshapen after the setup.
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You’ll get several movies for the price of a single ticket in Ryan Coogler’s (Creed) period drama-thriller-romance-musical Sinners. And while some of these disparate elements are more successful than others, the combination is audacious enough to leave you simultaneously awed and overwhelmed by his outsized ambitions.
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Movie NationApr 18, 2025
Coogler introduces themes, agendas and histories in collision with this film. But once “Sinners” transitions from Black history at a crossroads into straight-up horror, nothing much is made of the Big Ideas in this ungainly mashup of “Ma Rainey’s Black Bottom,” “Crossroads” and “From Dust Til Dawn.”
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