| Twentieth Century Fox | Release Date: August 23, 1996 | CRITIC SCORE DISTRIBUTION | ||
|
Positive:
9
Mixed:
14
Negative:
3
|
Critic Reviews
There's charm to burn in "She's the One," Ed Burns' sophomore romantic comedy. Very much in the vein of his award-winning "The Brothers McMullen," outing is a decided step forward artistically and technically. Endowed with a refreshing honesty and poignancy, the film should score well with audiences and rack up upbeat theatrical returns.
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Ultimately, She's The One is about less than it seems -- Burns is quite willing to trade off emotional credibility to an easy gag and a neat resolution. Yes, the film's apparent sensitivity comes with a high commercial gloss, but so what -- the lightness is breezy enough to cool our objections. Burns may well be an unabashed entertainer in the guise of an auteur, yet that's an awfully potent combination. Just ask a certain Woody Allen. [23 Aug 1996]
Credit McGlone for humanizing and even making funny one of the
most insufferable big-screen boors in recent memory. Cheating
on his wife, doing what he can to undermine his older brother's
already rocky marriage, McGlone is setting himself up for a fall.
Burns' lower-key acting style makes him a cool straight man during
their frequent bandyings, into which dad Mahoney (also abandoned
by his wife) always adds his own two cents. You probably have
to love a guy who claims that his failure to believe in God isn't
enough to keep him from being a good Catholic. [23 Aug 1996]
This time, he takes no great risks, nor does he break new ground in the 20-something serial-small-talk genre. (Currently, Nicole Holofcener's sprightly "Walking and Talking" does it better.) But Burns emphatically avoids sophomore slump with an inviting, ruefully funny film that lives up to his initial promise.
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She’s the One, Edward Burns’s swift follow up to "The Brothers McMullen," may not have the primitive charm of its predecessor, but it retains the humorous spirit. It’s also graced with returning cast-members Burns, Mike McGlone and Maxine Bahns, whose bright comic interplay makes an enjoyable family reunion.
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It all comes down to what Francis Fitzpatrick considers the division of life: those people who are miserable and those who are dissatisfied. She's the One has enough fine moments to keep an audience out of the first category. Fans of Burns' first film will fit squarely in the second.
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