She-Devil

The casting is a real coup, with Barr going her everywoman TV persona one better by breaking the big screen heroine mold, and Streep blowing away any notion that she can’t be funny. Read full review

Barr could have made an easy, predictable and dumb comedy at any point in the last couple of years. Instead, she took her chances with an ambitious project - a real movie. It pays off, in that Barr demonstrates that there is a core of reality inside her TV persona, a core of identifiable human feelings like jealousy and pride, and they provide a sound foundation for her comic acting. Read full review

She-Devil is a witty picture that's not afraid to stoop for a punch line. [8 Dec 1989, p.E1]

Director Susan Seidelman becomes heavy-handed on occasion, but mostly the comedy works to perfection. [10 Dec 1989, p.7DZ]

If She-Devil is (at best) ragged, it's also a must for Streep fans. [8 Dec 1989, p.1D]

I found a great deal to like about She-Devil, especially Streep's performance, but it's easy to figure out why it didn't find an audience. It deals with just about everything American film-goers traditionally don't want to think about: old people, fat people, ugly people, nursing homes, class, money, and the ever-present specter of death. Also, it involves a dog dying. Read full review

As feminist polemic, She-Devil is dubious indeed. Read full review

Miss Streep dives into this thimble-sized comedy and makes one believe - at least, while she is on the screen - that it is an Olympic-sized swimming pool of wit. Read full review

She-Devil has its moments, thanks chiefly to Meryl Streep's way with the comic role of a la-de-da writer of romance novels. But devilishness is precisely what it lacks. Unlike "The War of the Roses," the other marital vendetta comedy opening today, She-Devil hasn't got the courage of its nasty convictions. [8 Dec 1989, p.59]

Vulgarity, of course, has its honored place in comedy, but in She-Devil such moments merely seem grim and desperate - substitutes for the real laughs the film has failed to discover. Read full review

Director Seidelman thrashes about in search of a tone: there's no weight to her images; the plot twists seem arbitrary and contrived. By the end you've lost interest in Ruth's revenge and can't wait until Streep gets back on screen. Watching her prod her face into new shapes in the mirror, contemplating a face-lift, you momentarily forget you're watching a mediocre movie and marvel at real comic witchcraft. [11 Dec 1989, p.88]

Director Susan Seidelman takes aim at the box office with the team of movie queen Meryl Streep and TV slob queen Roseanne Barr. She misfires. Streep gets all the jokes, and Barr, looking stranded, plays it straight. Worse, nobody’s bothered to write them a big scene together. But for a while you can see the possibilities. Read full review

An all-star lineup with some kookie moments, but a bit limp overall. Read full review

Streep's tentative foray into comedy is deliberately mannered, but the breathy delivery and constant fluttering of hands are nevertheless excessive. And in her film debut, Barr just isn't imposing enough to inspire notions of devilish vengeance. The film-makers have opted for frothy satire, but as comedies go this is lamentably short on laughs. Read full review

This has to be one of the greatest casting coups and consequently blown opportunities of recent years...Streep isn't that funny in what is a frivolous role, and Barr is only mildly successful in her angry moments. [8 Dec 1989, p.A]

And once these two curiosities are addressed, with 90 of the film's 99 minutes left to go, the plodding, gimmicky She- Devil becomes sheer hell. It's a comedy sketch inflated into a movie, a clunkily directed idea that follows a predictable path to an unsurprising conclusion. [8 Dec 1989, p.G5]

Seidelman isn't that exclusive - any cliche will do, the cruder the better. [8 Dec 1989]

Seidelman, Strugatz and Burns are so busy systematically constructing Barr's revenge and keeping her smugly vindicated, they fail to realize they've bulldozed all comical landmarks in sight. So it ultimately doesn't matter whether or not Streep is redeemed, Barr is vindicated, Begley is punished -- or whether or not they all go to hell in a handbasket. They're all buried under the rubble. Read full review

The movie's message is murky and out of whack. Seidelman's style of comedy trashes everyone. The movie's jokes, which cover everything from dead rodents to geriatric incontinence, are cartoony and sour and misanthropic. And the flukiest thing is that they're misogynic too. It's hard to imagine that a man could have been as ruthlessly coldblooded as Seidelman has been about Ruth's unattractiveness. The network of women workers that Ruth establishes to help her nail her husband runs on pettiness and rancor -- it's a coalition of resentment. In "She-Devil," Seidelman divides the world of women between the envied and the envious. She has a message for the Ruths of the world, and it's not a pretty one. She tells them that the best they can hope for is payback. Read full review

Seidelman has succeeded in making a sow's ear out of a silk purse. Weldon's novel is witty, wacky, and wonderfully way out; the film is none of those things. The problem lies with Barr in the pivotal role of Ruth. Once the part was hers, the whole script had to be rewritten around her monotonous delivery and limited acting ability, much to the detriment of the plot. Read full review

She-Devil is insipid. It is a hustle-bustle comic fantasy that insists on shoveling forced humor down viewers' throats. The movie is devoid of charm. [8 Dec 1989, p.6]