Share
HBO Films | Release Date (Streaming): July 27, 2019 CRITIC SCORE DISTRIBUTION
73
METASCORE
Generally favorable reviews based on 8 Critic Reviews
Positive:
6
Mixed:
2
Negative:
0
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Critic Reviews

Critic scorePublicationBy date
100
RogerEbert.comMatt FagerholmJul 26, 2019
Share is a relatively restrained work. Nothing is made explicit aside from the internal agony of its heroine, whose headspace we occupy so fully, we can’t help sharing in every tremulous emotion that ripples across her face. Read full review
100
The PlaylistJason BaileyFeb 2, 2019
An uncommonly knotty and fiercely intelligent story of assault and blame in the social media age. Read full review
75
IndieWireDavid EhrlichFeb 4, 2019
Share can be so traumatized and detached that it risks losing its grasp on reality, but few movies have so boldly confronted the complexities of sexual assault, and even fewer have had the courage to privilege a victim’s truth above the judgements she inspires. Read full review
75
The Film StageJake HowellFeb 2, 2019
[It] deftly mines morose, intelligent drama from its entirely real scenario. Read full review
70
The Hollywood ReporterBeandrea JulyFeb 2, 2019
Aided by down-to-earth portrayals and a compelling cinematographic throughline that echoes the both ordinary and complex nature of this kind of violence, Share blurs genre lines between coming-of-age drama and thriller. It’s psycho-drama lite, grounded in a quietly intense portrait of how a girl, her family and a small town grapple with the ugliness of sexual violence. Read full review
70
Screen DailyTim GriersonFeb 2, 2019
If nothing else, this intimate, well-observed drama should prove to be a nice calling card for its first-time feature filmmaker. Read full review
60
The GuardianBenjamin LeeJul 24, 2019
Even though Share wraps up within a slim 90 minutes, Bianco does struggle to sustain her premise until the end, especially in the final act, as beats start to feel repeated and our investment starts to waver. Read full review
60
VarietyAmy NicholsonFeb 2, 2019
Share is fragmented and disorienting, though one suspects that confusion is perhaps Bianco’s point. Read full review
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