Sex and the City 2
Warner Bros. Pictures | Release Date: May 27, 2010 CRITIC SCORE DISTRIBUTION
27
METASCORE
Generally unfavorable reviews based on 39 Critic Reviews
Positive:
5
Mixed:
15
Negative:
19
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Critic Reviews

Critic scorePublicationBy date
38
Boston GlobeTy Burr
A dunderheaded comic melodrama with clothes to die for and dialogue to shrink from. It’s downright depressing. Read full review
38
USA TodayClaudia Puig
An insult to the memory of the cleverly written show and its celebration of friendship, it's a slap in the face for the four gal pals (often photographed at unflattering angles) and an affront to Muslims. Read full review
30
Austin ChronicleMarjorie Baumgarten
The problem lies with the unimaginative story premise and the quip/reverse quip dialogue that just may be better-suited to half-hour television shows than this nearly 2½-hour movie feature. Read full review
30
New York Magazine (Vulture)David Edelstein
The most depressing thing about Sex and the City 2 is that it seems to justify every nasty thing said and written about the series and first feature film. Read full review
30
Village VoiceElla Taylor
Like its predecessor, SATC2--with a script that's basically a sack full of not very funny gag-lines wrapped in strung-together episodic mini-scenes--is not suited to be a movie. Read full review
25
Chicago Sun-TimesRoger Ebert
Some of these people make my skin crawl. The characters of Sex and the City 2 are flyweight bubbleheads living in a world which rarely requires three sentences in a row. Read full review
25
New York PostKyle Smith
The transformation of the girls from winsome wisecrackers into whiny bling-obsessed chuckleheads is complete. Read full review
25
Washington PostAnn Hornaday
The biggest sin of Sex and the City 2 is its lack of beauty. It's garish when it should be sumptuous, tacky when it should be luxe, wafer-thin when it should be whip-smart and sophisticated. Read full review
25
MovielineStephanie Zacharek
Hits a new low of idiocy and crassness. Read full review
25
The A.V. ClubGenevieve Koski
Sex And The City 2 panders to that audience to the point of self-destruction, squandering whatever goodwill the franchise had left after the first so-so movie by plopping its beloved characters into a series of garish vignettes that throw their shallowness into sharp relief. Read full review
25
ReelViewsJames Berardinelli
It's astounding how a movie this long could accomplish so little. Read full review
25
San Francisco ChronicleMick LaSalle
Twenty minutes in, the movie is already operating at a deficit, and it never recovers. Read full review
12
The Globe and Mail (Toronto)Rick Groen
But the best, most irrefutable reason why Sex and the City 2 deserves one-half a shining star. It’s worse than Sex and the City 1, and that alone is a remarkable achievement. Read full review
12
PremiereJohn DeVore
Sarah Jessica Parker’s Carrie should be a cautionary tale of perpetual adolescence; her character should be out dating any number of Hollywood’s graying beer bellied frat boys. But no. Instead, we are asked to identify and sympathize with a person who gets everything she wants, but complains anyway. Read full review
10
The New York TimesA.O. Scott
The ugly smell of unexamined privilege hangs over this film like the smoke from cheap incense. Read full review
10
Chicago ReaderCliff Doerksen
Thanks to writer-director Michael Patrick King, I now have a fair idea how it might feel to be stoned to death with scented candles. Read full review
10
SalonAndrew O'Hehir
Indeed, this movie's offensive on many levels, but Arabs and Muslims don't get to feel special. It relies on stupid stereotypes because it's a stupid movie that's offensive to virtually everyone. Read full review
10
Wall Street JournalJoe Morgenstern
Real feelings lurk just below the surface--Samantha's terror of growing old, Carrie's fear of eventual tedium in a childless marriage. Yet the surface is where the movie stays, like an old submarine with dead batteries. Read full review
10
SlateDana Stevens
And it's true that this movie's absolute tone-deafness, its complete disconnection from our current economic and geopolitical reality, by moments achieves a perverse Warholian profundity. Read full review
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