School Ties

School Ties is surprisingly effective. Read full review

David's habit of grabbing, berating or otherwise challenging anyone who insults him gives School Ties a muscular quality not usually found in films about this subject. Read full review

The boys put in fine performances but sadly the script lacks the depth of what could have been a challenging story. Read full review

As these films go, School Ties is more simplistic and has its dice more loaded than usual. Read full review

This superman approach to character doesn't jibe with David's crisis of conscience. His smothering of his Jewish identity may make dramatic sense, but, the way it's enacted, it doesn't make much psychological sense. As Fraser plays him, David has such a robust sense of identity that his covertness isn't really believable. We keep hoping the film will turn into a movie about a kid who declared his Jewishness and fought the consequences. Read full review

More notable perhaps for a roster of future stars and Oscar winners than for its unexceptional plot, this well executed film nevertheless has its charms. Read full review

There's a dramatic imbalance to Dick Wolf and Darryl Ponicsan's screenplay. By making David a saint, they make his bigoted tormentors ultra-despicable. It's so easy to identify who's in the right that it's hard to remember this wrong may exist in us. Read full review

Playing Mr. Perfect, Brendan Fraser — yes, Encino Man — proves a smart and likable actor, alive to what’s going on around him. Sidney Poitier proved you could keep your integrity even in a role like this, and Fraser does too. Read full review

Nobly intended and about half baked, School Ties is a slightly glorified ``Afterschool Special`` that might function as an introduction to the evils of anti-Semitism for sheltered teens. Read full review

A bewildering mixture of fairly accomplished storytelling (I enjoyed it more than Dead Poets Society, which isn't saying a lot), awkward contrivances in the script, and lies in the overall conception so egregious they undercut any pretensions the film might have to social seriousness. Read full review

Doubtless better than it deserves to be, thanks to Fraser, whose Costner-esque dash serves as an antidote to the dated material. Director Robert Mandel, best known for the flashy techno-thriller "F/X," brings a surprisingly sensitive touch to this earnest story of intolerance. Meant to serve as a "Gentleman's Agreement" for the '90s, it's actually got much more in common with "The Outsiders" or even "Pretty in Pink." The moral is the same whether you're a greaser, a tomboy, a gentile or a Jew. You've got to be you. Read full review

Mandel and producer Sherry Lansing have obviously put their whole into the creation of what ought to have been a riveting and powerful film. Instead, School Ties ends up about as memorable as a plate of gefilte fish. Read full review

In illuminating how upper-class bigotry can encompass both the actively fascist and the politely passive, School Ties is actually one of the more realistic — and least insufferable — entries in the recent prep-school genre. Read full review

School Ties might have been more potent if it were set in the present instead of 1955; still, it's richly drawn, strongly felt, handsomely produced, with a smoldering performance by Brendan Fraser. [18 Sept 1992, p.56]

School Ties is powerful, but it cheats, too -- and the inspiring climax is telegraphed well in advance. What seems worse, though, is the movie's timidity on ground that has been well tested since A Gentleman's Agreement almost 50 years ago. [18 Sept 1992, p.G4]

It's a good movie not because it says the right things but because it says those things well. [18 Sept 1992, p.C3]

Earnest, well-acted and occasionally compelling, School Ties gets an A for effort and a C-plus for achievement. At best, it's like a well-mounted, feature-length afterschool special about prep-school anti-Semitism in the mid-1950s. With hate crimes on the rise, it's unfortunately timely now, and its heart is always in the right place. At worst, it's a single-minded exploration of the subject, with too many aspects left untouched. [18 Sept 1992, p.26]

School Ties is a completely satisfying entertainment with an authentic sense of period, characterization and compelling drama. If there is any justice in this world, this affecting tale of injustice will find a wide audience to share its magic. [18 Sept 1992, p.8]

It's a rare movie that prefers a moral victory over a rah-rah one. [18 Sept 1992, p.5D]

School Ties offers a moving and uncompromising look at religious intolerance, narrow-mindedness and hatred. And although this movie is set in a prep school, it has more in common with ''Gentlemen's Agreement'' than with ''Dead Poets Society.'' [19 Sept 1992, p.7D]

School Ties doesn't offer much fresh insight on its subject, but it tells its familiar tale well, adapting the straight-forward virtues of '50s storytelling to evoke that mythical era to which Pat Buchanan and friends would like us all to return. Mandel isn't a bludgeoner; his young, fresh cast is mighty good; and, to its credit, the movie resists the impulse to wrap everything up with a smiley ending. Anti-Semitism didn't go away in the '50s; it just lowered its voice for a while.[21 Sept 1992, p.78]