| Sony Pictures Classics | Release Date: November 23, 2012 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
33
Mixed:
5
Negative:
1
|
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Critic Reviews
One of the year's best films precisely because it can't be boiled down to a message or synopsis. It's an exercise in style that risks trashiness in search of transcendence, and it's a sizzling celebration of the power of music, the power of images, and the electric, destructive power of the human body.
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The filmmaker has created a haunting movie, one that connects on a visceral level that defies easy explication. The unembellished performances by Cotillard and Schoenaerts exude a raw authenticity that anchor the film's grander melodrama and embed the characters in the viewer's memory.
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Absorbing if somewhat predictable in its dramatic trajectory, Jacques Audiard's follow-up to his powerhouse prison yarn "A Prophet" benefits from unvarnished, forthright performances from Marion Cotillard and Bullhead hunk Matthias Schoenaerts, as well as from the utterly convincing representation of the former's paraplegic state.
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Proving again that her Best Actress Academy Award for playing Edith Piaf in "La Vie en Rose" was no fluke, the marvellously sensual Marion Cotillard, with her wounded doe eyes and look of permanent unfulfilled longing, delivers another kidney punch as a double amputee in love with an illegal bare-knuckle fighter in the French shocker Rust and Bone.
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Cotillard, with stringy long hair and a coal fire of severity in her eyes, has what it takes to play a woman who feels that she's lost everything. But she's forced to flail and mood-swing from scene to scene. In an insult to the disabled, there is never much to her but her hellacious injury.
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Though Rust and Bone aims for a blasé attitude toward disabled drama - in a far more artificial way than another French film, "The Intouchables," did earlier this year - it's underwritten characters and hoary approach plunk it into mediocrity. As wheelchair-bound Stephanie practices her whale-training motions to Katy Perry's "Firework," it's eye-rollingly obvious.
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