| Paramount Pictures | Release Date: October 10, 2025 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
23
Mixed:
14
Negative:
0
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Critic Reviews
Next Best PictureSep 7, 2025
Roofman is another standout film from Cianfrance who continues to pull us in with fascinating character studies and explorations of humanity. Tatum delivers on every level, giving one of his very best performances thus far in his career, and Dunst gives so much through her subtle, emotional work.
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Movie NationOct 14, 2025
It pairs up the graceful, athletic and best-in-comedic roles Channing Tatum and Kirsten Dunst, an earthy actress who easily summons up wary, wounded and beguiling with just a dimpled smile and a twinkle in her eye. Throw in the deadpan delight Lakeith Stanfield, June Temple who brings more to trashy-funny than any of her peers, Peter Dinklage at his most irritable and veteran Oz-villain Ben Mendelsohn — cast against type as a good-hearted pastor — and you’ve got yourself a winner.
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Watching Tatum flex both his comedic muscles (especially when it comes to slapstick) and dramatic chops is utterly endearing and he deserves kudos for this performance. Cianfrance takes a daring swerve away from his usual melancholic working- class love stories, such as the powerful anti-romance Blue Valentine, to deliver a comedy that delivers big laughs and the occasional thrill.
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It’s a movie that stumbles every so often, overplays its hand numerous time, and relies on an oddball true-story premise and 1000-watt star power to pave over some of the rougher spots. It would also give you its coat if you needed it without asking, and the big takeaway from Roofman, we’d argue, is its emphasis not on sympathy for the “devil” here but a palpable sense of empathy for everyone involved. Given the scarcity of this particular quality today, that’s no small feat.
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The film succeeds in doing what it aimed for: Presenting a humane portrait of a guy who will be serving most of his life behind bars, in crowd-pleasing packaging. But what, ultimately, is the point of using the charming parts and ignoring the unsavory ones? For a filmmaker who has never shied away from the rough edges of reality, “Roofman” feels a bit dishonest.
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