Rialto Pictures | Release Date: July 21, 2000
8.4
USER SCORE
Universal acclaim based on 45 Ratings
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Positive:
39
Mixed:
4
Negative:
2
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8
ryancarroll88Sep 29, 2010
"Rififi" is often considered the landmark film that modernized heist movies, and it shines brilliantly as a suave, sexy crime noir (that happens to be French). There are flashes of expressionism throughout - the tantalizing 'Rififi' nightclub"Rififi" is often considered the landmark film that modernized heist movies, and it shines brilliantly as a suave, sexy crime noir (that happens to be French). There are flashes of expressionism throughout - the tantalizing 'Rififi' nightclub song sequence and the shadowy night shots, but the classic quick-slung dialogue and refined criminal setting really give the movie its stride. Of course, it would be impossible to review this movie without mentioning the heist - a complex suspense sequence that takes up a full 28 minutes of running time and has no audio other than the slightest tap of a hammer or patter of a footstep. You can hear your own heartbeat race as each new step of their setup is revealed, bringing a new fear that it won't work or they may be discovered. Even though they carry the stride of first-class cons (they break into the jewelry store wearing complete suits), the characters express both confidence and doubt in their maneuvers, making every second of the continuity exhilarating. When it is finally over, you breathe a sigh of relief for these guys. Even though the heist is the pinnacle of the film, it only takes place halfway through. The second half is a moralist plug that chronicles the downfall of the cons after their perfect crime. Though it has some great scenes and completes the circle of development of each of the characters, it feels like the movie blew off most of its steam by the end. Even though the tension has all but left, there is a strange sense of loss seeing all the characters you cheered for in the first half take their inevitable fall. It's a classic tale, but told with complexity and craft that was completely new for its time, and served as a basis for every other heist-crime movie, from "Reservoir Dogs" to "Ocean's Eleven." Expand
3 of 3 users found this helpful30
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9
EpicLadySpongeMar 21, 2016
Rififi just seems legendarily enjoyable just by me and critics. If you're a user, please don't forget to check on this movie and give it a positive score if you loved it.
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10
StevieGJDSep 13, 2015
This is an amazing film. Extraordinary cinematography and acting (especially for 1955). The shots of 1955 Paris are amazing. A few of the camera shots have been oft repeated in lesser films. The script is tight and interesting. The bestThis is an amazing film. Extraordinary cinematography and acting (especially for 1955). The shots of 1955 Paris are amazing. A few of the camera shots have been oft repeated in lesser films. The script is tight and interesting. The best heist scene in film history, and without a word spoken. I'd never seen Rififi before and it is a classic film. Human frailty can lead to disaster and this film embodies that notion. Expand
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9
gracjanskiJul 13, 2020
Great movie for such an age. There are some great scenes in it, especially the long situation, where no one is talking. The background to this movie are very interesting also. The director was already popular but have been denunciated by aGreat movie for such an age. There are some great scenes in it, especially the long situation, where no one is talking. The background to this movie are very interesting also. The director was already popular but have been denunciated by a colleague as a communist (McCarthy time) and needed to flee to Europe. There he has been mobbed also and been broke. This movie was a desperate move to get some money Expand
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10
zlatanmazuidiApr 1, 2018
The blueprint for all modern heist films, Rififi is still a marvel for its central caper, a meticulous jewelry store burglary that occupies about a quarter of the running time and is conducted in almost complete silence, without dialogue orThe blueprint for all modern heist films, Rififi is still a marvel for its central caper, a meticulous jewelry store burglary that occupies about a quarter of the running time and is conducted in almost complete silence, without dialogue or music. (Indeed, some real-life thieves have supposedly used Rififi as a how-to.) Part of the great cross-breeding of American and French crime movies that took place between 1945 and 1960 (from the film noir era in Hollywood to the dawn of the French New Wave), Rififi is a French-made film by an American expatriate director, Jules Dassin.

Its crooks, like the ones who appeared later in films by Jean-Pierre Melville and Jean-Luc Godard, had one foot in postwar French existential anomie and the other in American gangster cool learned from Humphrey Bogart. As so often happens in heist movies, the team pulls off the robbery with aplomb but get tripped up later by each member’s greed and envy and other human frailties. It was a formula so successful that it was soon parodied, by Mario Monicelli’s 1958 Big Deal on Madonna Street (where the thieves are much more inept) and, in turn, by Woody Allen in 2000’s Small Time Crooks.
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7
bataguilaDec 19, 2018
Muy buena, la astucia de los personajes para robar. Sin efectos especiales se logra asombrar a la audiencia, puede cojear un poco en el final
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