| Metro-Goldwyn-Mayer (MGM) | Release Date: August 13, 2021 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
23
Mixed:
19
Negative:
1
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Critic Reviews
Respect is filled with memorable supporting turns, including Audra McDonald as Aretha’s mother and Saycon Sengbloh and Hailey Kilgore as her sisters, who were often in the background in more ways than one — but an old-fashioned show-business biopic such as this rises and falls on the talents of the lead, and it’s hard to imagine anyone in the world doing more justice to the legacy of Aretha Franklin than Jennifer Hudson.
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Director Liesl Tommy and co-writer Tracy Scott Wilson provide a shocking backdrop for Franklin’s life, and Hudson balances all this with a skill that’s worthy of a second Oscar nomination. It feels more like a Broadway-ready musical than a biopic, but that doesn’t take away from the impact of the performances.
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Director Liesl Tommy and screenwriter Tracey Scott Wilson do not let reverence for the legend trap them in an unimaginative limbo. In following Franklin from ages 8 to 29, they place a musically expressive yet interpersonally mysterious woman within multiple vital contexts, and with visual and sonic specificity and flair.
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A powerful account of self-actualization spanning 20 formative years, Liesl Tommy’s biopic is also an intimate gift of love, rich in complexity, spirituality, Black pride and feminist grit rooted not in didactic speeches but in authentic experience. The ageless music, of course, is the galvanizing force, but it’s the personal struggle behind it that makes the story so affecting.
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RogerEbert.comAug 13, 2021
While it’s easy to quibble about the choices of omission and inclusion made by screenwriter Tracey Scott Wilson and whether a more adventurous, unconventional approach might have been a better fit for the central character’s personality, Hudson renders such criticism moot. Her performance as Aretha Franklin is more than worth the price of admission.
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Respect runs into trouble when its own respect toward Aretha Franklin, the woman who gave us the voice of a century, settles for garden-variety adoration. But longtime stage director Liesl Tommy’s debut feature, working from a screenplay by dramatist and screenwriter Tracey Scott Wilson, offers plenty of compensations amid its biopic conventions.
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