| Paramount Pictures | Release Date: December 25, 1981 | CRITIC SCORE DISTRIBUTION | ||
|
Positive:
12
Mixed:
4
Negative:
0
|
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Critic Reviews
Warren Beatty's shapely 1981 epic, based on the life of radical journalist John Reed, is a stunningly successful application of a novelistic aesthetic—a film that makes full and thoughtful use of its three-and-a-half-hour length to develop characters, ideas, and motifs with a depth seldom seen in movies.
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This is an epic you have to listen to--it's about people who trade in words, who make revolutions in their heads, and Beatty and Trevor Griffiths's script is full of some of the best talk in any movie this year. [7 Dec 1981, p.83]
Reds is about the personal and the political and the intermingling of the two—what it meant for Reed and Bryant as a couple and, for Bryant particularly, separately. Both performances support the movie’s overall project: to demonstrate that these “reds” were real people, with good intentions, brave convictions, naive expectations, and—first and foremost—complicated hearts.
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As for Beatty, Reds is his bravura turn. He got the idea, nurtured it for a decade, found the financing, wrote most of the script, produced, and directed and starred and still found enough artistic detachment to make his Reed into a flawed, fascinating enigma instead of a boring archetypal hero. I liked this movie. I felt a real fondness for it.
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The film's chief attribute, however, is also one of its major flaws. In presenting an up-close, personal look at the lives of its famous figures--particularly Reed and Bryant in their love affair and marriage--the film sometimes gives short shrift to the world-shaking events that are its unique subject. Nonetheless, the brilliantly designed and photographed REDS is a beautiful, passionate film, both in its stunningly recreated action scenes and its quietest moments.
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Ambitious but hokey melodrama...It's a beautiful looking film, but only the supporting characters are believable. Beatty and Diane Keaton are miscast and never disappear into their characters. [25 Dec 1981]
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