| Miramax Films | Release Date: October 14, 1994 | CRITIC SCORE DISTRIBUTION | ||
|
Positive:
26
Mixed:
1
Negative:
0
|
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Critic Reviews
Pulp Fiction isn't just funny. It's outrageously funny. [14 Oct 1994]
For a brutal black comedy about L.A. hitmen, Pulp Fiction bursts out of its binding with loopy delights. [14 Oct 1994]
A spectacularly entertaining piece of pop culture, Pulp Fiction is the "American Graffiti" of violent crime pictures.
Tarantino's mock-tough narrative--which derives most of its titillation from farcical mayhem, drugs, deadpan macho monologues, evocations of anal penetration, and terms of racial abuse--resembles a wet dream for 14-year-old male closet queens (or, perhaps more accurately, the 14-year-old male closet queen in each of us), and his command of this smart-alecky mode is so sure that this nervy movie sparkles throughout with canny twists and turns.
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A triumphant, cleverly disorienting journey through a demimonde that springs entirely from Mr. Tarantino's ripe imagination, a landscape of danger, shock, hilarity, and vibrant local color. Nothing is predictable or familiar within this irresistably bizarre world. You don't merely enter a theater to see Pulp Fiction; you go down a rabbit hole.
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It towers over the year's other movies as majestically and menacingly as a gang lord at a preschool. [10 Oct 1994]
There isn't a scene or a character in the film that plays just one way. Bloody bits turn hysterically funny, relief gets riddled with tension, and the lurking question marks are as intriguing as the story resolutions -- rec.arts.movies has been filled for months with theories about what was in the briefcase.
The most imaginative movie to come along in ages. [18 Oct 1994, p.A14(W)]
In 1994, all the talk was of former video store clerk Tarantino's indifference to traditional culture. That patronised his sophisticated cinephilia, and in fact, twenty years on, the writerly influences of Edward Bunker, Elmore Leonard, and Jim Thompson seem very prominent. Don DeLillo began the '90s by warning that the U.S. is the only country in the world with funny violence. Maybe Pulp Fiction was the kind of thing he had in mind. Unmissable.
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Quentin Tarantino's latest movie puts an epic spin on a favorite genre, taking it to time-tripping levels rarely tested by its forerunners.
The architecture of Pulp Fiction may look skewed and strained, but the decoration is a lot of fun. [10 Oct 1994, p.95]
But the way that this picture has been so widely ravened up and drooled over verges on the disgusting. Pulp Fiction nourishes, abets, cultural slumming. [14 Nov 1994]
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