Protocol

The first hour of Protocol is so much fun, and the Goldie Hawn character is such an engaging original, that at first I couldn't believe they were going to throw away all that work by going for a standard Hollywood ending. But they did. Read full review

Snoozeworthy diplomatic lark. Read full review

Hawn has the right screen persona to carry it off, but her character is lost in a barrage of weak comic moments and absurd action. Read full review

With a script full of flyaway one-liners by Buck Henry and some tightly edited visual stabs at media news by director Herbert Ross, Protocol is good for about an hour of fast-paced fun, until it starts mushing about looking for an ending. [22 Dec 1984, p.22]

Protocol is a breezy, not entirely unpredictable comedy that was made to order for the gifted Goldie Hawn by Buck Henry, the writer, Herb Ross, the director, and Miss Hawn herself, who is the film's executive producer. [21 Dec 1984, p.C25]

Protocol is the kind of corny screwball comedy you thought nobody made anymore. By the end, its ersatz political moralism is almost too much to take; but buoyed by Buck Henry's often hilarious script, a wiggy performance by Goldie Hawn as a not-so-dumb blond, and director Herbert Ross' sure comic touch, Protocol is pleasant piffle for a Sunday afternoon. [21 Dec 1984, p.F1]

Herbert Ross directed this murky-looking film, and Buck Henry wrote it from a story by Charles Shyer, Nancy Meyers and Harvey Miller. They have all had better days. [31 Dec 1984, p.65]