Popcorn

Popcorn is such fun for lovers of schlock (intended or otherwise) that it hardly matters where it is set. Read full review

Though it isn’t even trying to scare you, this is a very nifty black-comic horror movie, one of the rare entries in the genre with some genuine wit and affection. Read full review

A horror film that is less mindless than most in that it is both funny and gross. Read full review

Popcorn is a "Phantom of the Shlopera" - the kind of corny B-movie midnight campers can sink their plastic fangs into. [01 Feb 1991, p.21]

POPCORN seems to be a case of too many ideas; the basic story could probably have made a very effective short. The acting in the film varies greatly, and some mediocre dubbing adds to the amateur feel. Read full review

Beware of horror films that begin with a bad dream -- they usually go on that way as well. Case in point: Popcorn, which has several good ideas that, unfortunately, go unrealized. Read full review

Popcorn is not scary enough to work as horror, not funny enough to work as comedy, not cute enough to work as camp, not skilled enough to work as a tribute to the bad movies of the '50s, and so indifferently acted by the cast (including Tony Roberts, Dee Wallace Stone and Ray Walston) that it just seems a waste of everyone's time. [01 Feb 1991]

The problem with Popcorn is that it's just as ridiculous as the horror movies it satirizes. [02 Feb 1991, p.C3]

This isn't a B-movie, a C-movie or even a Z-movie. In fact, there isn't a letter far enough down in the alphabet to cover Popcorn. [01 Feb 1991, p.22]

A kernel of cleverness lurks in Popcorn. But it's the kind that sticks in your throat. [01 Feb 1991, p.5D]