| Searchlight Pictures | Release Date: December 8, 2023 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
57
Mixed:
2
Negative:
3
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Critic Reviews
This film may be fantastical, outré, at times bizarre, and sexually frank. But ultimately, Poor Things is a traditional heroine’s journey forging its own singular path. That Bella achieves a fully embodied sense of personal liberation makes it a truly radical — and feminist — fairy tale.
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Oddly moving in its fervor and abundance, Poor Things may appear a far cry from the harsh, stripped ascetism of an early work like “Dogtooth.” But they’re actually similar animals, fixated on taking people apart to find what makes them tick, what makes them swoon, what makes them interesting.
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At its best, the film is indeed piercingly clever, proud of its peculiarity to a degree just shy of smugness. Though, the 140-minute film does begin to wear out its welcome in the last third, when the jokes have mostly all been made before and the only fresh additions are cumbersome matters of plot.
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The TelegraphSep 1, 2023
This triumphant adaptation, which premiered last night at Venice, strip-mines Gray’s book for all its funniest, fizziest and sexiest ideas, and leaves the chewier, more literary stuff on paper, where it belongs. I’d say purists might bridle, but speaking as one of them, I wasn’t just relieved, but overjoyed.
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IndieWireSep 1, 2023
The Film VerdictSep 1, 2023
As with Lanthimos’ previous films, Poor Things never allows viewers to get too comfortable or too acclimated to their surroundings; it’s a film that’s constantly throwing set pieces and absurdist humor and over-the-top outfits at the audience, but the effect is exhilarating rather than enervating.
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It is a deliciously amoral journey, the kind that has already secured Lanthimos ample praise over the course of his career. But this is perhaps the filmmaker’s most garish and confident endeavor, using Bella’s naive perspective to design a world so heightened that it exists somewhere between a nightmare and a dream.
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Poor Things might have benefited from some trimming—it takes a little too long to get cooking—but it’s Lanthimos’ finest movie so far, a strange, gorgeous-looking picture that extends generosity both to its characters and the audience. And Stone—so dazzling in The Favourite—provides its thrumming pulse.
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Lanthimos may have cobbled together a rambunctious psychosexual odyssey from many Frankensteinian parts — a little “Alice in Wonderland,” a dash of “Metropolis,” a soupçon of Voltaire by way of the Marquis de Sade — but he and his skilled collaborators have marshaled them into a remarkably coherent and purposeful vision.
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That the film remains witty and wise throughout its most lurid stretches makes the Venice Golden Lion contender one of the year’s most unexpected heart-warmers. That the filmmakers lavish commensurate attention on all those bawdy embellishments also guarantees you a bloody good time along the way.
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There’s always room for wholly original and unique stories, as evidenced by the one-two summer punch of “Barbie” and “Oppenheimer.” In that latter category, we can now add Yorgos Lanthimos’ beautifully garish, wonderfully twisted, unabashedly raunchy and at times grotesquely striking Poor Things, and while it might sound clichéd to say you’ve never seen anything like it, trust me: You’ve never seen anything like it.
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It is sickly hilarious to make a movie in which so much consensual sex is had, often so gleefully, that is not the least bit sexy. Though Bella Baxter’s insatiable libido might be her guiding light at first in Poor Things, sexual liberation (or “furious jumping,” as she calls it) is only part of this fantastical, anarchic journey to consciousness.
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It has plenty of the bizarre visual flair Lanthimos cut his teeth on, from his signature extreme wide angles up to and including a bulldog with the head of a duck frolicking through a grand living room. Yet Poor Things, based on a 1992 novel by Alasdair Gray, is joyous in its weirdness, joyous in its exploration and celebration of its strange, strange world. This movie is incredibly fun to watch.
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Movie NationNov 10, 2023
In an age when a New Prurience might be a part of the “Control Women” agenda that Poor Things is puncturing, Lanthimos, McNamara and Stone have given us a picture that prods, provokes and delights in any discomfort it might create, a bawdy odyssey that, whatever your reservations, insists on being the Must See Movie of the season.
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