Pom Poko
Aurum Producciones | Release Date: December 25, 1995 CRITIC SCORE DISTRIBUTION
77
METASCORE
Generally favorable reviews based on 8 Critic Reviews
Positive:
7
Mixed:
1
Negative:
0
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Critic Reviews

Critic scorePublicationBy date
91
The A.V. ClubTasha Robinson
For all its goodhearted cheer, Pom Poko is a glum indictment of modern Japan's disjunction from the natural and spiritual world. But it strikes a positive final note by implying that those worlds still exist, just out of sight, waiting and flourishing. Read full review
90
The New York TimesMike Hale
The best film by Isao Takahata, who started the studio with Mr. Miyazaki, this is a comic allegory about battling packs of tanuki (Japanese raccoon dogs) joining forces to fight human real estate developers. It’s earthy and rollicking in a way that his co-founder’s films aren’t. Read full review
88
Slant MagazineChris Cabin
Takahata’s wondrous film is itself at constant interplay between the unsentimental realities of human progress (and expansion) and the unbound thoughts and creative perspectives that fantasy can entertain without necessarily being reduced to mere entertainment. Read full review
75
IndieWireCharles Solomon
Its broad, slapstick send-up of human foibles prefigures Takahata’s more pointed My Neighbors, the Yamadas (1999). At 119 minutes, the film feels a bit long and the story rambles, albeit genially. Read full review
75
Chicago ReaderBen Sachs
The film is surprisingly mature in its depiction of community dynamics and its sobering conclusion, which addresses the real-life costs of environmental devastation. The visual design veers from fantasy to naturalism, depending on the tone of the story: the tanuki appear sometimes as Disneyesque cuddlies and other times as realistic-looking rodents. Read full review
70
Time OutStaff (Not Credited)
Thankfully, the proceedings are carefully anchored in what are palpably human concerns, namely the cohabitation of humans and wildlife and the environmental cost of widespread urbanisation, and while this is not quite up there with best of the studio’s output, it’s still a striking and universally pleasurable experience. Read full review
67
Austin ChronicleRichard Whittaker
At its best, there's an undoubted thrill and wonder to Pom Poko, like the massive parade of phantoms the tanuki conjure up as one of their harebrained schemes. Takahata's misfire at least provides some wonderful sparkles. Read full review
60
The New York TimesAndy Webster
Its ecological concerns, nuance and occasional lyricism place it squarely within the Ghibli oeuvre but not among its masterpieces. Read full review
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