| Sony Pictures Classics | Release Date: April 30, 2010 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
29
Mixed:
5
Negative:
1
|
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Critic Reviews
Holofcener's work is often classified as comedy of manners, but at her best she trades in something much more resonant--the comedy of mores. Here she dives into the fascinating matter of why some people impulsively give and others compulsively take, and how people are taught to second-guess and quash their own generous impulses.
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I suspect nearly everyone who sees the picture will have a loud opinion about this ending, which is just one way Holofcener works her stealth magic as a filmmaker and storyteller: She doesn’t close up shop on her movie until she’s made each of us an honorary New Yorker — in other words, a person with a strong stance and something to say.
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Only Rebecca Hall comes through with a genuineness that rises above Holofcener’s doodlings. Her scenes with Guilbert resonate because, in the end, Rebecca is the only character in the movie who seems to care about anything other than his or her own – take your pick – bank account, complexion, weight, guilt. In this company, she’s practically a saint.
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