Paramount Pictures | Release Date: June 5, 1992
6.5
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Generally favorable reviews based on 47 Ratings
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FilipeNetoSep 3, 2019
It all starts with a vacation in London. A quiet US citizen, who happens to be a former CIA agent, is in the right place at the right time, successfully preventing the assassination of a British Queen's cousin by agents of an ultra-radicalIt all starts with a vacation in London. A quiet US citizen, who happens to be a former CIA agent, is in the right place at the right time, successfully preventing the assassination of a British Queen's cousin by agents of an ultra-radical faction of the IRA. Wonderful, isn't it? But one of the terrorists who died in the failed attack is the brother of another one, who has been arrested but is released by his fellows, embarking on a revengeful journey against the American he holds responsible for the death of his little brother. To defend himself, and to defend his own family, the former CIA agent decides to leave his retirement, knocking on his former organization's door and asking to return to work.

Well, if this script summary sounds weird, that's because it is. And that is the biggest problem of this movie that even satisfies those who look for some action scenes. The film is not entirely bad but, in fact, screenwriters were not careful when writing and the details, when they're analyzed in detail, get to the point of absurdity. Since when can you, after ceasing to be a spy, simply ask to return and be immediately readmitted to service? Things are not that simple! And how could an US agent receive a decoration reserved for British citizens in an informal ceremony, in his own living room, from the hands of a sovereign's cousin? Absurd, a total protocol break! Then, there was a deliberate attempt to excuse the IRA and give a neutral, even sympathetic, picture of this organization that, in the past, was responsible for so many dead in real life.

Harrison Ford is the man in the movie. He is there at the right time, brilliantly foresees the dangers, avoids death by a close call and still gives the bad guys a hard punch. Nothing special. It's always been the kind of character Ford has done well and there are dozens of movies where this actor is essentially doing this. The same goes for Sean Bean, who is the antagonist, the crazy terrorist who becomes a loose cannon on the deck of the IRA. Even so, this actor is good and deserved to have received better material to work with. Anne Archer is the permanent damsel in distress and Thora Birch tried to make her character a woman-at-arms, but could not shine with such a poorly developed character and almost no visibility in the plot. James Fox does not seem to know exactly what he is doing in this movie, Samuel L. Jackson remained almost invisible and James Earl Jones almost merely played himself.

Technically, the movie is regular, with nothing to be said for the visual, sound or special effects used. It's within what we might expect in 1992. The soundtrack doesn't shine or stand out either. The focus was, entirely, on the action and fight scenes, shootings and the final sequence. The problem is that it's all so similar to other action movies that this movie, while entertaining and not disappointing who wants action, turns out to be totally forgettable, having virtually nothing to make it stand out in the amorphous immensity of action movies.
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