Over the Top

Warner Bros. | Release Date: February 13, 1987

CRITIC SCORE DISTRIBUTION

40	METASCORE Mixed or average reviews based on 12 Critic Reviews

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Critic Reviews

Critic score Publication By date

Staff (Not Credited)

Stallone is sincere and soulful as a father who messed up pretty bad and just wants his kid back, Mendenhall is a likable tyke, and justice is served in the end. Read full review

Janet Maslin

One of Mr. Stallone's more muddled efforts but by no means a flop on the order of F.I.S.T. or Rhinestone. Read full review

Paul Attanasio

From the ongoing search to find new arenas in which Sylvester Stallone, against overwhelming odds, triumphs through exercise of the manly virtues, comes Over the Top, a movie about arm-wrestling. What's next? Crab soccer? Read full review

Dave Kehr

Over the Top is pretty much like all of the other successful Stallone films, which probably means that it will be a success, too. In fact, it`s considerably better than the ragged, recycled Rocky IV, though it lacks the wild excesses that made Rambo and Cobra campily entertaining. Read full review

Hal Lipper

While the movie's technical aspects are first-rate and Stallone manages more than a monosyllabic performance, Over the Top can't overcome its sense of deja vu or provide any reason for Hawk's suitability as a parent. [14 Feb 1987, p.5B]

Bob Thomas

This predictable family drama leads up to an equally predictable battle of goliaths who fight with one arm only. Over the Top boasts one distinction: it is the first major movie about arm-wrestling. Don't look for a cycle to follow. [23 Mar 1987]

Rick Groen

When it gets right down to the climactic business at hand and arm, even the imposing skills of a Golan are put to a rigorous test. For, despite its obvious delights, armwrestling just can't compare to 10 bloody rounds from a pair of vigorous maulers or a brace of chattering machine-guns. [17 Feb 1987]

Nathan Rabin

With Over The Top, Stallone had clearly exploited the Rocky formula once too often and audiences rebelled against its condescending family melodrama and heavy-handed working-class trappings. Read full review

Rita Kempley

Stallone will never disappoint his fans intentionally. He cowrote the script (if writing is the right word) with Stirling Silliphant to formula specs, but Over the Top hasn't got the muscle of his Rocky hits. It's Stallone showing his vulnerable side, a sort of Father Knows Best -- But Can't Put It Into Words. Read full review

David Ansen

If you can lose like a winner, can you win like a loser? And if it doesn't matter if you win or lose, how come Sly always wins? Maybe these ambiguities will be resolved in his next opus, when Sly, playing Oldsmobile Cutlass, enters the high-stakes arena of championship horseshoe pitching. [23 Feb 1987, p.79]