Orlando
Sony Pictures Classics | Release Date: June 9, 1993 CRITIC SCORE DISTRIBUTION
75
METASCORE
Generally favorable reviews based on 14 Critic Reviews
Positive:
10
Mixed:
4
Negative:
0
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Critic Reviews

Critic scorePublicationBy date
90
The New York TimesVincent Canby
This ravishing and witty spectacle invades the mind through eyes that are dazzled without ever being anesthetized Read full review
90
VarietyStaff (Not Credited)
Orlando provides exciting, wonderfully witty entertainment with glorious settings and costumes and Tilda Swinton’s sock performance in the title role. Read full review
88
Chicago Sun-TimesRoger Ebert
Directed with sly grace and quiet elegance by Sally Potter, it is not about a story or a plot, but about a vision of human existence. Read full review
88
Slant MagazineMatthew Connolly
Rarely have source material, director, and leading actress been more in alignment than in Orlando. Read full review
80
The GuardianPeter Bradshaw
I’ve never been sure exactly how profound this movie is, and it sometimes teeters on the edge of complacency, but it has a trance-inducing strangeness and Swinton is insouciantly magnetic at all times. Read full review
80
Washington PostRita Kempley
Swinton is elegantly comic, but also strangely cartoonish.... A funny and forthright screen presence, she is the foil for the stately pace and the opulent sets -- the most ravishing since "Bram Stoker's Dracula." There is only one conclusion: Potter, the little smarty-pants, is pulling our cross-gartered gams. She's having us on with this spoof of the prissy masterpiece theatricality. Read full review
80
SlateDan Kois
It's not just Swinton's performances—first as a nobleman, then as a woman, then as a lover, then as a mother—that drive the film. Orlando is a movie deeply fascinated by performance, and so over and over again, we see characters putting on shows. Read full review
75
Baltimore SunStephen Hunter
Generally, Orlando is too busy having witty fun to turn into a cautionary tale against one sex in favor of the other. It's more like an extremely vivid drawing-room comedy imposed on the background of a historical epic. Read full review
75
Chicago TribuneJohanna Steinmetz
What it lacks in coherence it makes up for in sheer spectacle. Read full review
67
Austin ChronicleMarjorie Baumgarten
Holding this highly mannered but incredibly beautiful work together is lead actress Swinton who appears in nearly every shot. Also a favorite of director Derek Jarman, Swinton conveys such an intelligence and grace that it penetrates and expands whatever material she is handling. Let's hope that the arthouse success of Orlando makes Swinton a more frequent visitor to our shores. Read full review
60
CineVueDaniel Green
Swinton's intoxicating lead turn and Potter's aesthetic eye make up for the majority of the film's failings and flaws. Read full review
60
EmpireMarcus Trower
Continually clearing its throat to utter something profound about sexuality, this never quite delivers the speech, though its failure to fully engage the mind is made up for by its captivation of the eye. Read full review
50
Entertainment WeeklyOwen Gleiberman
As a fantasy, Orlando has been spun out of a rather glib idea: that the mere assertion of Androgyny As Destiny is automatically a brave, emotionally triumphant stance for our time. The truth is, when androgyny is shrouded in this much deadening ”art,” it becomes little more than a haughty exercise in academic chic. Read full review
50
TV Guide MagazineStaff (Not Credited)
It's visually intoxicating, with its lavish ruffs and furbelows, stately homes and manicured gardens, jewels and silks and elaborately curled hair, but there's less to ORLANDO than meets the eye. Read full review
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