Obvious Child

A24 | Release Date: June 6, 2014

6.5	USER SCORE Generally favorable reviews based on 81 Ratings

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TVJerryJul 1, 2014

I'm not a fan of "Girls" and I’m not a fan of the lead character in this movie (played by Jenny Slate). She seems to inhabit the same mundane world from the HBO series, but her character makes it less appealing: she's a comedian who's notI'm not a fan of "Girls" and I’m not a fan of the lead character in this movie (played by Jenny Slate). She seems to inhabit the same mundane world from the HBO series, but her character makes it less appealing: she's a comedian who's not funny and a whiny, wimpy woman who's not sympathetic. Many aspects of her life start to crumble, when she meets a sweet man who changes things (and he's the only bright spot). When you don't care about the self-destructive, self-indulgent pivotal character and don't find her humor amusing, there's not much to like.… Expand

2 of 3 users found this helpful21

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Brent_MarchantJun 14, 2014

A fine showcase for the standup comedy of Jenny Slate and an entertaining vehicle for a cast of colorful supporting characters -- but not much else. The thin, unimpressive script always feels like it's leading somewhere but never arrives at aA fine showcase for the standup comedy of Jenny Slate and an entertaining vehicle for a cast of colorful supporting characters -- but not much else. The thin, unimpressive script always feels like it's leading somewhere but never arrives at a recognizable destination. Watch the trailer, and you'll pretty much see what this underwhelming offering is all about.… Expand

2 of 3 users found this helpful21

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NightReviewsJul 11, 2014

One of the many ingredients that so many romantic-comedies are missing today is the element of truth: truth in the dialogue, truth in its characters and truth in the scenarios the characters are put in. If there is one thing that is obviousOne of the many ingredients that so many romantic-comedies are missing today is the element of truth: truth in the dialogue, truth in its characters and truth in the scenarios the characters are put in. If there is one thing that is obvious about Gillian Robespierre debut feature film Obvious Child, it is that the truth be the guiding light for characters in the film and the film itself.

Obvious Child could best be described as the anti-romantic-comedy, yet, its roots are very much brooding in the realm of the girl-centric, highly profitable genre. Yet, there is nothing highly alluring to Robespierre’s truthfully crude comedy where a young comedienne shares the embarrassing exploits of her life, her bowel movements, her crusty underwear and her insecurities as a young twenty-something living in a desolate, hipster filled New York City.

Jenny Slate, whom I only know from the HBO show House of Lies, plays the twenty-something young comedienne. Slate wouldn’t seem to fit the role by simply reading the script, but from page-to screen, Slate does a surprisingly great job as a young, lost independent, creatively misunderstood soul unleashing herself to the world and the loved ones around her.

The beginning of Donna Stern’s (Slate) problems begin with her smelly, cheating boyfriend Ryan (Paul Briganti) dumping her and also admitting to her that he has been cheating on her with her best friend. Donna, who reacts almost like anyone else would, consuming a crap load of alcohol, moaning to friends and family and being miserable in any way possible, cinematically makes the break-up a lot more dramatic that it needs to be, especially since the foundation of Ryan and Donna’s relationship is never seen or bonded with its audience. The break-up scene is literally the second scene in the film, so we don’t empathize much with Donna. Sure enough, what’s the best way to mend a broken heart? Sex! And what better way to get back with your ex than to hook up with Max (Jake Lacy), the most straight laced, squared-jaw guy anyone would find at a scuzzy bar in Brooklyn. Robespierre’s dialogue does tread the line between originally inventive and subliminally juvenile, as the two’s meet-cute begins by noticing each others “pee pee missiles”, but hey, someone must have liked that line. Like any good drunken, dumped sex scheme, things don’t necessarily go to plan, and a few weeks later, Donna’s discomforting boobs lead to a pregnancy test with positive results. Perhaps not so positive for Donna.

Abortion comedies are a very sensitive topic for me, seeing that one of my favourite comedies of all time, Knocked Up, dealt with the topic and the disastrous results of unwanted, drunken hook-ups. Although the film was funded and aided with the help of a big studio, the film dealt with the realities of people trying to make things work, when things aren’t obviously working around them. The beauty about a film like Obvious Child is that such a small, indie film never gets the pressures of big studio execs breathing down their throat, therefore, the film is able to venture off into very crude and appallingly real, taboo territory of female sexuality, cleanliness and comedy.

For the most part, Slate is excellent as Donna, a character whose journey of self-discovery and female empowerment begins the moment she gets up on the stage. One of the most obviously enjoyable parts of the film are Donna’s stints of comedy on-stage. Her truthful, almost confessional type comedy is the basis of Robespierre’s feature success, and brings up some of the most laughs for its audiences. It was a nice touch to see a new director handle stand-up comedy scenes gracefully and adequately edit them into the troubled world of a young girl who knows nothing about life. Donna’s best stand-up scene is when she confronts the revelations of that fateful night, which turns into a therapeutic lapse into the epic non-prophylactic judgement of two people and the issues they must face or would face for the rest of their lives.

Donna’s life is the basis of her comedy, and although her life is nothing to really roll on the ground, dying of laughter, her take on the realities of everyday life allow for the film to take small, hysterical turns for a relatable brand of female humour. Women all over the theatre were unable to contain their laughter. But although the film barely runs ninety minutes, one cannot help but notice how much the use of awkward silence and awkwardness accounts for the comedy, which at times took me away from the film. I am no fan or avid-watcher of Lena Dunham’s Girls, but if a feature film of the popular HBO series were to be made into a movie, I am pretty sure it would look something similar to Obvious Child.… Expand

3 of 5 users found this helpful32

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amheretojudgeSep 17, 2018

it comes with a big asterisk..

Obvious Child Obvious Child is a character driven comic drama about a stand up artist being choked up by the society as she fumbles on personal and professional life. Unfortunately, it isn't as funny as theit comes with a big asterisk..

Obvious Child

Obvious Child is a character driven comic drama about a stand up artist being choked up by the society as she fumbles on personal and professional life. Unfortunately, it isn't as funny as the makers think, none of its fatal attempt works; the dull one-liners, cheap jokes, ironical and amusing characteristics, the stand-up acts and sketchy sequences. Not only is the concept overridden multiple times, its intake and perspective too is rudimentary with a familiar structure and seen-this-seen-that conflicts and so is its solution. The background score clearly isn't working in here along with its typical cinematography and daft camera work and why-such editing. Slate's performance might be appreciative and even worth applauding at times, but it isn't gullible enough to fuel an entire feature especially of such storytelling. Yes, it's just an episode of one's mundane life, but it ought to be presented in a way that it offers you the cinematic experience for it reeks like a season finale of some sitcom throughout the course of the feature; even at its peak, it is mediocrity. The side characters are like nightmares in here they never factors in, as anticipated nor leaves the impactful impression, in fact if anything it works like an anchor. Robespierre's execution is decent enough to pull of a feature above distinction but it comes with a big asterisk, which is that it must have substance of that caliber. She also wants to make it happen and that is a good spirit to have, but she doesn't have anything to grasp that light, it's all dust. Few one-liners, short runtime that keeps the audience invested and doesn't leave them exhausted and, Slate's promising performance are the high points of the feature. Obvious Child is definitely obvious and definitely a child, it doesn't want to go to school, it makes excuses, it doesn't take itself seriously.… Expand

0 of 0 users found this helpful00

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