| | Release Date: April 26, 2019 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
3
Mixed:
1
Negative:
0
|
Critic Reviews
Apr 24, 2019
Among the film's most visually dazzling sections are a series of extremely sensual black-and-white photographs of the dancer shot by Richard Avedon, who famously commented of his subject, "His whole body was responding to a kind of wonder at himself. A narcissistic orgy of some kind...an orgy of one."
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Apr 24, 2019
It’s a shame the Morrises don’t include more of Nureyev’s performance footage and opt, instead, to use long segments of contemporary dance reconstructions choreographed by Russell Maliphant. The segments look a bit garish and out of place, not necessarily because of their poor choreographic content, but as they have little aesthetic or conceptual continuity with the rest of the film.
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