| IFC Films | Release Date: March 30, 2022 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
23
Mixed:
3
Negative:
0
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Critic Reviews
NMEJul 15, 2022
Condemned in Australia by two of the victim’s families, there’s an argument to be made for Nitram not being watched at all. But by refusing to paint Nitram as an out-and-out monster, the film’s masterstroke is its compassion. It exposes politicians as the real criminals in an unspeakable tragedy that we still haven’t learned from today.
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Jul 1, 2022
The GuardianSep 29, 2021
Jul 17, 2021
In its quiet respect for the victims’ dignity, its uniformly outstanding performances and in apportioning responsibility only to those who shirked their responsibilities, and deploying a grief-struck compassion toward everyone else, Nitram may come to be recognized as one of the finest exemplars yet of the mass-shooting movie — inasmuch as we can stomach having an entire genre built around the phenomenon.
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RogerEbert.comMar 30, 2022
IndieWireMar 30, 2022
In the end, Jones’ performance is even more lifelike than I feared — a tortured and astonishingly nuanced rendering of a childlike creature whose id could only be tempered by love for so long before it chose violence instead. And it should go without saying that Kurzel’s fatalistic storytelling so pungently exhumes the pain that led up to that awful day in April 1996 that you can smell the death coming several hours in advance.
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Apr 6, 2022
Featuring standout performances from Landry Jones and Davis, Nitram is uncomfortable, demanding viewing. It is the kind of work that presses on a nerve, begging you to stand up or tune out, but compelling you forward nonetheless – with its haunting portrayal of our all too boring capacity for inflicting pain.
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Jul 17, 2021
The implications — ethical and otherwise — that the film raises are too vast to be papered over with a closing plea for tighter gun control. The sentiment is fair and true and absolutely valid. But delivered as sober end titles at the end of “Nitram,” one can’t help but notice a certain irony in such small white letters barely hiding a much darker abyss.
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Movie NationMar 30, 2022
It was always going to be a chilling, emotionally deflating film. Kurzel and Grant double-down on that by not showing the murders and not focusing on the victims. And they finish it off with a coda that doesn’t let the way this slaughter impacted Australian society get sugar-coated, the way it’s often discussed in the US.
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