| Warner Bros. | Release Date: October 20, 1989 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
6
Mixed:
4
Negative:
2
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Critic Reviews
This one is a winner. [27 Oct 1989, p.F]
Next of Kin is a fast-paced, crisply directed, very entertaining genre movie. It has a lot more style and wit than most of the serious fare that's around. [25 Oct 1989, p.3E]
Neither a buddy-buddy action-comedy nor a pyrotechnical showcase of explosions and stunts, NEXT OF KIN--an intelligently made and moodily atmospheric action melodrama--provides solid, satisfying entertainment while demonstrating just how effective a fully realized genre film can be.
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Swayze is persuasive in his role as an Appalachian boy sufficiently assimilated to big-city life to have married a classical violinist, and Baldwin makes a slick, icy villain. But it is Neeson as Briar Gates who steals this movie. Wily, saturnine, exuding a bitter familiarity with failure, he paints a portrait of a man whose actions are simple but whose feelings are complex. The part offers few lines to play with, but Neeson inhabits the role physically, the twang and the scruffiness never betraying his classical training at Dublin's vaunted Abbey Theatre. It's an enduringly poignant performance. [24 Oct 1989, p.3]
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Automatic weapons versus shot-guns. Silly stuff, but it held my attention. [21 Oct 1989, p.C3]
Much of it makes no sense whatever, and the most interesting element is watching Neeson and Adam Baldwin, who plays a psychopathic Mafia underboss, steal the picture from under Swayze's nose. [7 Nov 1989, p.C8]
We've known for years there is a hillbilly heaven because Tex Ritter used to sing of one. Now, thanks to Next of Kin, we know there's a hillbilly hell. [24 Oct 1989, p.4D]
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