A24 | Release Date: August 3, 2018
6.8
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Generally favorable reviews based on 10 Ratings
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CityOfGeekDec 9, 2018
I’m sure you have those friends. The ones who are smart, funny, clever, and have some sort of potential. But they keep making boneheaded decisions. “I need to do this… but hrm, party? yeah I’ll party.” You shake you head as they get out ofI’m sure you have those friends. The ones who are smart, funny, clever, and have some sort of potential. But they keep making boneheaded decisions. “I need to do this… but hrm, party? yeah I’ll party.” You shake you head as they get out of out issue, and immedialy get involved ins omething else. Those friends are Jessie and Angela, the two leads from indie-powerhouse-distributor A24. The pair, played with such natural ease you’d think the camera is just following their lives by Camila Morrone and Maia Mitchell respectively, are 16 year old high-school drop out diner waitresses in a white-trash Texas town. They’ve just spent their rent money for a vacation to Galveston, and are set to work five doubles to make it up. Too bad for them, Jessie’s brother is a wanna be drug dealer and his mistakes get the girls thrown in jail for two days when he police come their house (all shared, with another roommate Brandon). From there they must make their way back to work to hold on to their jobs, and find a way to have the rent as well since the brother’s stupid plans have lost him his part too.

Morrone and Mitchell share the strong chemistry of two life-long best friends (they also make out while high, but that seems to be more of a fun thing for them to do rather than a sexual relationship). They have a wonderful sense of humor, play off each other and other characters with ease. They are witty and sharp, with wonderfully filthy mouths and a crude nature. (The obscenity laced tirades are legend) Too bad for them, they also will drop plans to get drunk and/or high. They are the type of friends that are a little too similar, too co-dependent, without someone else to say “okay, let’s think about this.” Of course, this makes good fun and great times. And trouble. But they’re 16. They’ll bounce back. But one can’t help but see without that clear head, they’ll live this life until they’re burnt out husks at 40. Perhaps I’m being too negative. The 16 year old versions of them are hilarious and fun to watch, especially as they keep digging their own holes to get out of.

And it is hilarious. Never Goin’ Back is a comedy through and through, even with the underlying tragic nature of the world. Essentially, it’s a “one wild night” type movie, albeit most of it takes place during the day. Absurdity, situations, reoccurring characters, hyjinx insure. I’ll give it this – I’m not a fan of poop-humor normally. But Never Goin’ Back has one that works, and works well. No worries, you don’t see any fecal matter, although other bodily liquids are present in the film.

In a few ways, I’m reminded of A24’s Oscar-snubbed best movie of last year, The Florida Project. Not that they share much in relation to plot, but in feel. Both feel like a camera is dropped into the lives of these characters. Both feel incredibly natural. Perhaps both deal with cycles of poverty, low-level crime, and the viewer wants everyone to break free. But it’s a hard world to break free from without the push from another. Never Goin’ Back does follow more of a standard narrative – particularly in having a perhaps just too cinema climax but I hold to this connection.

Never Goin’ Back is wildly irrelevant, hilarious, with two incredible young leads with amazing chemistry.

I give it an: A-
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