My Name Is Hmmm...
Strand Releasing | Release Date: January 28, 2015 CRITIC SCORE DISTRIBUTION
32
METASCORE
Generally unfavorable reviews based on 9 Critic Reviews
Positive:
0
Mixed:
6
Negative:
3

Critic Reviews

Critic scorePublicationBy date
50
Village VoiceSerena DonadoniJan 27, 2015
A hodgepodge of artistic gestures grafted onto a traditional narrative, neither fully linear nor experimental. Read full review
40
The New York TimesStephen HoldenJan 27, 2015
My Name Is Hmmm ... has its magical moments, but they are sabotaged by the director’s showy, ham-handed technique applied to a frustratingly threadbare screenplay that leaves you wanting more. Read full review
40
EmpireIan FreerJan 25, 2015
Sloppily structured, indifferently played and unbearably smug. Read full review
40
The GuardianPeter BradshawJan 25, 2015
It’s a strange, naive work, with something fundamentally misjudged about the drama, characterisation and casting. Read full review
40
Time Out LondonCath ClarkeJan 25, 2015
It aims for a loose, French New Wave style but settles for muddled and rambling. It’s tortured for all the wrong reasons. Read full review
40
Total FilmAli CatterallJan 25, 2015
An oblique, overlong film from French fashion designer Agnès B, whose arty flourishes and wooden dialogue are as intrusive as the blaring Vivaldi score. Read full review
33
The PlaylistGabe ToroJan 25, 2015
The fashion mogul feels as if she’s learning bit by bit how to tell a story cinematically, how to complete transitions and flash back and forward, how to set a mood and tempo. It’s basically the rough cut of a student film which, to its credit, is also often more interesting than most student films outright. Read full review
30
The Hollywood ReporterBoyd van HoeijJan 25, 2015
The film contains numerous stylistic flourishes... But none of these elements advance the story, prompt a deeper emotional response or suggest something new about the characters, reducing them to meaningless window-dressing for what little story their is. Read full review
25
Slant MagazineTomas HachardJan 25, 2015
The feeling here was perhaps intended to be impressionistic and elusive, but the result is instead rambling and unfocused. Read full review
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