| New Yorker Films | Release Date: November 12, 2003 | CRITIC SCORE DISTRIBUTION | ||
|
Positive:
27
Mixed:
2
Negative:
0
|
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Critic Reviews
Not only is it the best documentary in a vintage season for nonfiction films (see "American Splendor," "Capturing the Friedmans," and "Spellbound"), it's also one of the best films of the year. It's as lyrical about the particulars of Kahn as it is about the universals of fathers and sons.
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