| Walt Disney Studios Motion Pictures | Release Date: December 20, 2024 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
19
Mixed:
30
Negative:
2
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Critic Reviews
The TimesDec 17, 2024
Here the Oscar-winning director Barry Jenkins (Moonlight) dives truly deep for a tale of orphanhood, family conflict and the reluctant fight for a throne. It’s often thrilling to watch a film featuring only anthropomorphic animals where the central characters are more rounded than most of their human counterparts at the mainstream multiplex (yes, that means you, Gladiator II).
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After having been made and remade for the screen and converted into a long-running hit Broadway show, it might have seemed like “The Lion King” was a played-out property. “Mufasa,” under Jenkins’ poised and creative direction, proves there is still plenty of life left in the long-reining “King.”
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With “Mufasa,” the visuals are screen-popping and glorious and stunning to behold — but yes, you either go with the idea of these realistically rendered lions dialoguing in English and occasionally bursting into Broadway-esque tunes, or you don’t. If it’s not your bag, nothing that happens here is going to change your viewpoint.
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SlashfilmDec 17, 2024
Mufasa will satisfy, but it also feels ultimately useless. Like Disney is once again spinning its wheels, trying to wring billions of dollars out of old ideas while they brainstorm new ones. Fans of "The Lion King" may be slightly moved. At the very least, you'll finally know how Rafiki got his stick.
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Working from a script by Jeff Nathanson, Jenkins, who got his filmmaking start in San Francisco and directed the best picture-winning “Moonlight” (2016), efficiently tells a simple story very well, although his style isn’t that much different from that of Jon Favreau, who directed the first computer-animated film.
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Jenkins brings a little more color and variety to the proceedings, and even a smidgen of royal-family bitchiness in the early dynamics of Mufasa’s adopted family – though the lion who would be Scar, through no fault of Harrison’s, doesn’t exactly give us access to the fullness of his emotional journey.
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The big cats of Mufasa: The Lion King take a long walk from an arid and desolate climate to one teeming with life. The movie itself represents a journey in something like the opposite direction, from the bountiful gardens of creativity to the chilly environs of the corporate brand-extension department.
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