| Oscilloscope | Release Date: September 6, 2019 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
13
Mixed:
2
Negative:
0
|
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Critic Reviews
IndieWireSep 5, 2019
The burden of familial obligation permeates Ms. Purple — who carries it and who passes it off, who outruns it and who lets it overrun them. It’s a ripe topic Chon clearly feels deeply, rendered in beautiful cinematography and delicate storytelling. It’s also a uniquely Asian-American story, rooted in loving specificity and beating with a universally human heart.
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Though not in their class, Ms. Purple aims for something of the bruised romance of alienation and ennui that Antonioni made his name on (most notably “La Notte” and “L’Eclisse”). The fact that it even lands in the same ballpark without growing too pretentious or mannered — though it’s admittedly a little of both — is admirable, not least for simply being so out-of-step with any current cinematic vogue.
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