| Focus Features | Release Date: July 15, 2022 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
30
Mixed:
7
Negative:
0
|
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Critic Reviews
Movie NationJul 12, 2022
Not to gush or go too far overboard, but the warmth of a movie like “Mrs. Harris” is downright restorative in the viewing, two escapist hours that remind us that everyone is entitled to courtesy, a fair shake and a little beauty and luxury, and most of all, the hope that life can get better.
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Though it has a few things to say about class — and how even the most downtrodden are entitled to hopes, dreams, passions, and solidarity — Mrs. Harris Goes to Paris never devolves into a preachy treatise. Instead, it’s a soothing tonic, a nice little escape from the troubles of the world. Sure, its plot hinges on a materialistic desire, but capitalism has seldom felt this comforting.
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The GuardianJul 14, 2022
Though the movie delivers its chuckles and elicits its sighs in a calibrated narrative arc that softens the hard edges of its late bloomer’s life, it would be shortsighted to hastily dismiss Mrs. Harris Goes to Paris as sentimental escapist fare that quickly evaporates into the ether of silly romanticism.
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They don't really make fairy tales for women over 40. If they did, though, it might look a little like Mrs. Harris Goes to Paris — a featherweight meringue of a movie so sweet it threatens to float away on its own sugar high, if not for the sheer generosity of the story's premise and luminous commitment of its lead actress.
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In the tradition of Britain’s class comedies, what makes Mrs. Harris Goes To Paris comes down to the difference between, say, your average fashion designer and someone like Dior: with a pattern, anyone can make clothes—but in Manville’s hands, she stitches together something magical.
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Pure cinematic fluff, the kind of film that tends to evaporate within a few hours of seeing it. That being said, Manville is so charming, and the rest of Fabian’s film is so well meaning, and so well realized, that by the time it hits its inevitable third-act moment, it’s hard not to be swept up by the joy of it all.
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This is a story about following one’s dreams and then learning there’s a lesson attached to those dreams—you might catch more than a perfume whiff of sanctimoniousness here. But it’s rare to find movies that value the mere idea of beauty, and this one—directed by Anthony Fabian—does so unapologetically.
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Are we watching Mrs Harris Goes to Paris for realistic narrative unpredictability or to see Lesley Manville wear stunning Dior recreations in an idealised dramedy about class? For much of this film’s target audience, the answer to that question is the latter and their expectations will be met. The rest will find Manville’s reliable magnificence more than enough to sustain their interest.
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