| Bleecker Street Media | Release Date: July 1, 2022 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
23
Mixed:
7
Negative:
1
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Critic Reviews
ColliderJun 20, 2022
It's a more conventional, less anachronistic cousin to the Bridgertons of the world, absent of any orchestral pop music covers or scandal that will steam up the screen, but there are still plenty of familiar genre motifs included to satisfy the most ardent of Regency romance lovers.
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The deceptions and symmetries are standard, but this is the kind of movie that rises or falls on whether the actors can carry the duplicity — and the innocence — aloft. And the actors here are marvelous: tart, stylish, emotionally vibrant, never more knowing than when they’re being duped.
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Fans of the novels of Jane Austen or the Netflix series Bridgerton will swoon with delight at Mr. Malcolm's List, a romance-slash-drama also set in early 19th century London that, like the beforementioned titles, is filled to bursting with dashing bachelors, scheming social climbers, fancy balls, innumerable frocks with empire waists, and pointed commentary on the British class system.
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Of course, you might ask, at a time of such turbulence in the world, what do 19th century upper-class romantic machinations have to do with, well, anything? To which we say: Whatever! Bring it on. Distract us with your lovely frocks flowing straight from the bosom, your exquisite bonnets with feathers, your real-estate porn in the countryside and your smart dinner-table repartee. We could do a lot worse.
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Mr. Malcolm’s List is a low-key, pleasant slice of escapism, with some lovely scenery and the attendant period-piece costumery and lavish estates, and a host of great-looking people bending themselves into all sorts of knots and doing their best to keep up with the quipping and the courtship rituals and the obligatory Misunderstandings, Deceptions and Betrayals before it all ends with … spoiler alert … declarations of true love!
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This is a movie that will inevitably be compared to other, better movies (oh, and “Bridgerton” — expect to see a lot of “Bridgerton” comparisons). Still, it’s like a knockoff handbag: It looks real enough, until you start examining internal zippers. Yes, it does the job almost as well as the original. It’s just missing a few details that could have made it a classic.
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IndieWireJun 20, 2022
Jones and Allain’s vision of how we might reinterpret this sort of story for the big screen — including assembling a cast of people who are charming to watch, full stop — is both vital and delightful, and if it has some kinks to it, perhaps that’s just the price of trying something new.
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