| Abramorama | Release Date: September 13, 2019 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
3
Mixed:
4
Negative:
0
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Critic Reviews
“Moonlight” is actually not about one thing, but many, and Brodsky threads her themes together nicely. The film also charts Paul Taylor’s incipient dementia, a development that “Moonlight” weaves into its other story lines by noting, poetically, that our mistakes — the metaphorical, and inevitable, false notes we play in life — can become, as Brodsky puts it, “our music.”
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Movie NationSep 12, 2019
It’s a meditative movie, as one underscored with Beethoven’s solo piano pieces “Moonlight Sonata” and “Für Elise” would have to be. Brodsky isn’t the first to get across what it feels like to experience the world without hearing it, so she doesn’t dwell on that, even if it is her central thesis.
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Moonlight Sonata is not a children’s film, of course. What it deals in, regardless of how buoyant its characters, are the most serious issues imaginable. Not that there aren’t moments of pure mirth. “Did Beethoven ever play it?” Jonas asks of the sonata, “and is it on YouTube?” Even the formidable Ms. Connolly is given pause by that.
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The documentary plays like a home movie that snowballed, causing its maker to overestimate her subject's relevance to the outside world. Though parts of it will certainly resonate within the deaf community (assuming it is made available with closed captioning), the film has little of the philosophical appeal of other documentaries on this topic, and sometimes seems willfully solipsistic.
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