| Screen Gems | Release Date: December 18, 2020 | CRITIC SCORE DISTRIBUTION | ||
|
Positive:
7
Mixed:
8
Negative:
7
|
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Critic Reviews
PolygonFeb 24, 2021
It’s hard to say if it’s comprehensible to someone who doesn’t love the series, but its bombastic action hardly lags during its hour-and-a-half run time. It’s a happy member of this new class of video game movies written with an obvious love of its lore, though possibly not able to stand up without a deep appreciation for the source material.
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There are monsters, there are explosions and there is Ron Perlman with beautifully feathered hair. This is a film that is all about spectacle. There is no need to ask questions or wonder about certain aspects of the plot: This is another dimension populated with monsters, that’s all you need to know. Monster Hunter asks you to let every fantastical second wash over you.
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There’s a couple badass heroes with humongous swords, a few big scaly monstrosities, and frequently not much else. The minimalism is consistent with Anderson’s career-long devotion to delivering caloric content with an unlikely combo of classical unities and pounding, insta-dated electronic beats. The movie’s called Monster Hunter—what more could it reasonably need?
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Monster Hunter is all sorts of super-dumb fun. And though its middle section lags – there are only so many training montages audiences can handle – Anderson and his wife Jovovich prove that their long-running Resident Evil franchise was no fluke: this is a couple who know how to take the flimsiest of video games and turn them into self-knowing slices of cinematic ridiculousness.
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For roughly two-thirds of its running time, the big-screen video game adaptation Monster Hunter feels like an attempt to answer a question no one has asked: What would the “Jurassic Park” movies be like if they were drained of all sense of wonder? The film rallies toward the end with a few genuinely spectacular images, but even its best scenes fail to justify a tedious first hour.
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