Mona Lisa

Ultimately, there is something trite at the centre of the movie, most especially in the overuse of Nat King Cole’s haunting Mona Lisa to suggest Tyson’s ambiguity and Hoskins’s puzzlement. But this is almost concealed by Tyson’s sense of desperation and Hoskins’s painful sincerity. Read full review

Mona Lisa is consistently undercut by sentiment, whether it's the cute routines between George and his best friend, a mechanic and junkman, or the "heartwarming" stuff between George and his estranged daughter. In the end, "Mona Lisa" is another movie about the lovable little people; the movie is mushy where it should be monstrous. [16 July 1986, p.D1]