| Janus Films | Release Date: March 21, 2025 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
24
Mixed:
1
Negative:
0
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Critic Reviews
IndieWireMar 21, 2025
The Film StageMay 27, 2024
For all its morbid undertones and philosophical ruminations, Misericordia is neither a dirge nor a lofty symposium. Strange as it may be to say for a story that begins with a burial and then shatters after a heinous death, this is a supremely and surprisingly funny film, where humor gradually accrues a subversiveness not unlike desire’s own.
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This might suggest that Misericordia is ultimately a film with a message, and a more solemn one than we’re used to with Guiraudie. But any apparent clarity should be taken with a pinch of salt, the film’s meanings shifting as constantly as the erotic drives between the various male (and occasionally female) characters.
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Stunning on every account, however, is the cinematography by Claire Mathon (Portrait of a Lady on Fire, Saint Omer). Working with an autumnal setting, Mathon manages to give each tree its own light, while also allowing the dark, mysterious undergrowth to add an unsettling darkness. Such shots are the most troublingly beautiful element of the movie.
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While it lacks the surrealistic and fairy-tale elements that distinguish many of Guiraudie’s films (among them Sunshine For The Poor, Time Has Come, and Staying Vertical), Misericordia is nonetheless pervaded by a casual dreaminess and a disregard for the strictures of realism that leads in some (intentionally) silly directions.
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The two movies don’t always crystallize into one, and if you’re looking for a credible crime thriller in which everyone behaves logically, Misericordia may not be for you. If, on the other hand, you’re looking for an exploration of repressed sexual desire and religious hypocrisy in backwoods France, Guiraudie’s strange and sober new film does the trick.
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At times arrestingly suspenseful, at others bitterly funny, but often inert in its transitions, Misericordia is an occasionally confounding mixed bag, but one that stands out for the realistic recriminations of a place where grievances run deep and mercy comes with strings attached.
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