Mesrine: Killer Instinct
Music Box Films | Release Date: August 27, 2010 CRITIC SCORE DISTRIBUTION
71
METASCORE
Generally favorable reviews based on 23 Critic Reviews
Positive:
17
Mixed:
6
Negative:
0
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Critic Reviews

Critic scorePublicationBy date
100
San Francisco ChronicleMick LaSalle
The films never lose sight of Mesrine the man, a fascinating character in that he's brutal yet extremely intelligent, has a skewed but discernible conscience, and, under the right circumstances, can be warm and generous. Read full review
90
The New York TimesStephen Holden
It makes for continuously riveting, visceral entertainment that evokes a Gallic "Scarface" without the drugs. Read full review
88
Orlando SentinelRoger MooreJan 19, 2011
Cassel's performance...the best reason to see this, one of the best French (In French with English subtitles) crime thrillers of the new millennium. Read full review
88
Chicago Sun-TimesRoger Ebert
The acting is macho understatement. Mesrine is a character who might have been played years ago by Gerard Depardieu, who appears here as Guido, a bullet-headed impresario of larceny. Read full review
83
Portland OregonianShawn Levy
The film is big and sprawling and moves with fiery energy -- there's little or no exposition or explanation between scenes or episodes, yielding a breakneck pace. Read full review
80
The Hollywood ReporterKirk Honeycutt
Part One, at least, is a French "Bonnie and Clyde." Read full review
80
EmpireKim Newman
Instantly gripping, with a powerhouse star performance, it'll make you want to speed through the weeks to get to part two. Read full review
75
Chicago TribuneMichael Phillips
So what is it? Primarily it's a showcase for Vincent Cassel, who dines out on the role and won a Cesar award (the Gallic Oscar) for his efforts. Read full review
75
ReelViewsJames Berardinelli
As biographical crime thrillers go, Killer Instinct is a worthy entry to the genre, although the incompleteness of the story makes it difficult to evaluate on its own. The movie needs to be seen in the context of a greater whole for it to be fully appreciated. Read full review
75
Boston GlobeTy Burr
The enjoyment of the film comes from watching Mesrine's ambitions grow slowly but exponentially; the shock is in being reminded and re-reminded of his sadism. Read full review
75
The Globe and Mail (Toronto)Jennie Punter
While Mesrine: Killer Instinct certainly deserves a place among memorable French gangster films, Richet never delivers a clear theme here, let alone a plot. Read full review
75
Philadelphia InquirerSteven Rea
The real-life career criminal Jacques Mesrine is seen in all his wild, scary, violent glory. Read full review
70
The New YorkerAnthony Lane
Mesrine was no more a movie star than John Dillinger was, but both men could dream, and Cassel catches the folly of such dreaming, with its blasts of thuggery and its rare flashes of style, as neatly as anyone since Warren Oates took the title role of "Dillinger," in 1973. Read full review
70
Los Angeles TimesKenneth Turan
This is much more conventional cops and robbers stuff, leavened with a bit of sex and sequences of brutal, at times sadistic, violence. What elevates it above the norm is bravura acting by Vincent Cassel in the title role. Read full review
70
Chicago ReaderJ.R. Jones
Comparisons with Michael Mann's recent Dillinger biopic "Public Enemies" are inevitable, and mostly flattering to this project: director Jean-Francois Richet and screenwriter Abdel Raouf Dafri take advantage of the additional screen time (about 100 minutes more than Mann had) to flesh out their protagonist, who fancies himself an honorable thief and even a left-wing revolutionary but ultimately turns out to be something much simpler: a man who loves his work. Read full review
67
The A.V. ClubTasha Robinson
Cassel is convincing and riveting as Mesrine, which helps balance out the film's problematic slick shallowness and disconnects. Read full review
63
New York PostV.A. Musetto
Mesrine's gentler side is explored, too, as he gets caught up with women portrayed by two of France's leading actresses, Ludivine Sagnier and Cecile de France. Read full review
60
Time OutJoshua Rothkopf
This disappointing dramatization, mounted with generic blandness by Jean-François Richet, makes no case for the man's larger significance, nor does any emotional digging at all. Such detachment was no doubt considered artistically shrewd-it's a big mistake. Read full review
58
Entertainment WeeklyOwen Gleiberman
The events may be accurate, but Mesrine is so episodic that it's slightly maddening to watch. Read full review
55
MovielineMichelle Orange
Mostly it's frustrating; the film is an episodic jumble that runs hot and cold not in some implied thematic synchronicity with its subject's character but as part of a misguided approach that assumes the audience will find whatever Mesrine does, in whatever order and with whatever emphasis, inherently fascinating. Read full review
50
New York Daily NewsElizabeth Weitzman
There's enough action to keep us watching, but little incentive to return when the movie's second half - yep, another two hours - hits theaters next week. Read full review
50
Village VoiceNicolas Rapold
Richet proves maddeningly loath to edit his material, and his charismatic star, Vincent Cassel, does not delve deep into the character. Read full review
50
Washington PostJen Chaney
Much of it plays like an unintentional mash-up of the numerous wrong-side-of-the-law sagas that preceded it. Read full review
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