| Elevation Pictures | Release Date: December 26, 2021 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
34
Mixed:
0
Negative:
0
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Critic Reviews
Beneath this straightforward (if enigmatic) premise, there is a gradual slippage, as if the plate tectonics of Weerasethakul’s seemingly solid medical/mental mystery were subtly rearranging themselves, like puzzle pieces shifted by an unseen hand. As they lose their narrative mooring, the various parts of the whole have the effect of rearranging your own consciousness, in a way that leaves your perceptions feeling profoundly altered, perhaps permanently.
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There’s something uniquely intense about hearing an entire audience remain utterly still during a movie’s transporting final minutes, afraid to cough or squeak their seat’s rusty springs or even breathe too loud, for fear of breaking the spell. Memoria inspires that kind of rapture. Experience its full dynamic range.
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The Film StageJul 19, 2021
To be as suggestive, yet covert as possible, the great innovation of this film is the notion of how sounds can be memories—all too often in the popular imagination, we think of them as mini-movies of the mind, or visual spots of time as in The Tree of Life or the Romantic poet Wordsworth’s concept.
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In Memoria, the disruptive sounds Jessica hears are a wake-up call of sorts, forcing her to engage with those dimensions of the world humans are ill-equipped to explain: what lives on when someone dies, and the way places serve as a kind of fossil imprint of everything they’ve witnessed.
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The PlaylistJul 17, 2021
A master of slow cinema, Weerasethakul takes his time with every shot; long stretches of time pass without any dialogue or movement. In so doing, the film inculcates a kind of hypersensitivity in its viewers, who become suddenly attuned to each flitting blade of grass or buzzing fly that enters the shot—as well as to their own posture and breathing.
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PolygonSep 17, 2021
Weerasethakul’s Memoria doesn’t give too many answers. It moves at an interminable pace. But those are mostly strengths rather than faults, methods that force the audience to engage with the thoughts and collective memory buried deep within their psyches. In that sense, Memoria is a sensory explosion, and its dense, immersive shrapnel isn’t easily removable.
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Memoria is moody and perplexing, even in the context of Weerasethakul’s others, and if you’re a neophyte, it may not be the best one to start with. But even so, its circuitous, misty trails of logic leave you feeling as if you’ve been entrusted with some kind of nebulous treasure; it’s easy to become pleasurably lost in speculation about what it all means.
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Memoria isn’t a film about explanation. You get caught up in it. You don’t ask why. You don’t wonder what’s going on, what will happen next. You just accept it. You trust Weerasethakul. Until about the 100-minute mark (the runtime is 136 minutes), he justifies that trust. Then things begin to falter.
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