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6

doebreiSep 8, 2022

Interesting take on a sci-fi film, the visuals are really beautiful, and some scenes remind me of shots in Barry Lyndon. Enjoyed the take on depression and the family dynamics, but didn't keep my interest consistently.

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8

John935Jul 31, 2022

I am writing this 10 years after Melancholia was released and I´m competing with more than 100 amateur reviews but I´m in the middle of revisiting Melancholia and can say confidently it ´holds up well´, i.e., it´s still worth seeing, andI am writing this 10 years after Melancholia was released and I´m competing with more than 100 amateur reviews but I´m in the middle of revisiting Melancholia and can say confidently it ´holds up well´, i.e., it´s still worth seeing, and pondering. Of course it´s audacious and a bit nuts but it wants to be both so it succeeds in that regard. Simultaneously funny and uncomfortable. It´s von Trier´s vision of, well, a bunch of things. And we don´t have to ´like´ it. But you might.… Expand

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8

AJ_13Apr 26, 2022

Melancholia went from less to more for me. I do appreciate it's performances,camerawork and portrait of depression, but I found some characters pointless and unnecessary. On the other side, the second half was masterful and resonated in muchMelancholia went from less to more for me. I do appreciate it's performances,camerawork and portrait of depression, but I found some characters pointless and unnecessary. On the other side, the second half was masterful and resonated in much more than Justine's part.

Dunst, Skarsgaard and Sutherland are great but Gainsbourg is out of this world.… Expand

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8

kyle20ellisMar 28, 2022

While Melancholia is not a perfect film and I can totally understand the polarisation, I found myself very much impressed by it. Some of the dialogue is rather awkward, one or two of the characters sketchy and there are a few ideas that areWhile Melancholia is not a perfect film and I can totally understand the polarisation, I found myself very much impressed by it. Some of the dialogue is rather awkward, one or two of the characters sketchy and there are a few ideas that are were introduced and broached but could have been explored more. The pros outweigh the cons though, because it is a ravishing film to look at. The settings are breathtaking, and while the cinematography has a technique that is not going to be everybody's cup of tea Melancholia was an example of its utilisation being effective and somewhat necessary. The music is likewise amazing, Wagner's Tristan and Isolde is one of my favourite pieces and was in sync with the visuals perfectly, very like a symphony on film. The story, while slowly paced, has emotional complexity and the groom's love and affection is done very tenderly. Its hybrid of European art-house and Hollywood sci-fi is very interesting. It is not an easy movie to like and get invested in straight away and does I think need to be seen more than once, but on repeat viewings you get more out of it and is rewarding as a result. The opening sequence is truly arresting and one of the best opening sequences of any film in recent years, while the ending is similarly moving. Lars Von Trier's direction is accomplished and never amateurish, again not for all tastes(I know many people who have a wide ranging taste in film and have never warmed to Von Trier). Other than the visuals and the opening, it was the acting that made the film as good as it was. Kirsten Dunst earned best actress and deservedly for a courageous- and her most meaty, performance. Charlotte Gainsburg is more composed but is a very well-characterised and affecting contrast. John Hurt and Charlotte Rampling as the parents give droll turns, while Udo Kier is appropriately surly. In conclusion, a very well film but understandably polarising. 8/10 Bethany Cox… Expand

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7

DawdlingPoetNov 24, 2021

It has great visuals, some really impressive cinematography and the first impression I got from the initial sequence, before the title appears on screen, was that it looked very much like a Terrence Malick film - quite arty, lacking inIt has great visuals, some really impressive cinematography and the first impression I got from the initial sequence, before the title appears on screen, was that it looked very much like a Terrence Malick film - quite arty, lacking in dialogue and distinctly disorientating but also somehow rather mesmerising. It has quite a secretive, mysterious feel to it and I was quite aware of how shaky (perhaps less shaky and more wobbly, to be accurate) the camerawork was - something that can be a real put off to some, so I obviously thought I ought to mention it. It has the feel of a documentary filmed by passers by. In fact, some aspects (certainly not all) reminded me a bit of The Blair Witch Project, although this isn't filmed mostly in the woods at night.

It is quite atmospheric and it has a nice sort of a dreamy tone to it (which also reminded me of Terrence Malick's films), thanks to the various classical/instrumental pieces played, sometimes accompanied by some impressive visual imagery. Towards the end it becomes increasingly spooky in tone and I felt that, after seeing the end, I was a little unsure about what precisely I'm supposed to take away from it, in terms of messages. I won't say anymore so as not to spoil it for anyone. Oh and also there are scenes of partial nudity featuring Kirsten Dunst, for anyone interested.… Expand

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9

NickTheCritickNov 3, 2021

This film is the third film of the "Depression Trilogy" and it is the most beautiful of the trilogy as well as the clearest masterpiece of all the Danish director's filmography. A beautifully shot film that connects the apocalypse of theThis film is the third film of the "Depression Trilogy" and it is the most beautiful of the trilogy as well as the clearest masterpiece of all the Danish director's filmography. A beautifully shot film that connects the apocalypse of the human soul and mind with the one that threatens the world in the form of a planet, called Melancholia, about to crash into the earth. Everybody of the actors is great here and the last scene alone is a masterpiece of beauty.… Expand

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10

JolinVienneauOct 24, 2021

Wow

This movie was the best. It found balance between the intimate moments and « regular » ones. Even tho it might not be for everyone, it pictures depression so well and how people can react differently to an big event, like death … IWow

This movie was the best. It found balance between the intimate moments and « regular » ones. Even tho it might not be for everyone, it pictures depression so well and how people can react differently to an big event, like death … I recommend… Expand

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8

cheetahsiriMay 11, 2021

Even this movie is so art and very complicating but I recieved cearly what Lars von Trier wanted to tell to the audience and me. Frankly this movie have no any noticeable things except the screenplay and the acting performance. ObviouslyEven this movie is so art and very complicating but I recieved cearly what Lars von Trier wanted to tell to the audience and me. Frankly this movie have no any noticeable things except the screenplay and the acting performance. Obviously Dunst showed such a impressive performance. It was boring but didn't mean it wasn't terrible.… Expand

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8

zNeverSleepingSep 27, 2020

Ao redor do filme, a mesma pergunta circundava minha cabeça: e se acontecesse comigo, o que eu faria? Mais uma vez "Lars von Trier" me deixa com diversa interrogações na cabeça e um incomodo enorme no ato final.

Toda preparação é muito bemAo redor do filme, a mesma pergunta circundava minha cabeça: e se acontecesse comigo, o que eu faria? Mais uma vez "Lars von Trier" me deixa com diversa interrogações na cabeça e um incomodo enorme no ato final.

Toda preparação é muito bem construída, seja na percepção de Justine, com o casamento, a de Claire, quando a real possibilidade da destruição é desenhada. Além disso, a caracterização da depressão aqui é muito real, demonstrando um bem o estudo de personagem. A diferença de reação no final do filme é justamente o que se espera de um quadro desses.

Audio: English, with portuguese subtitles. Q60T 50' TV Speakers [DTS 5.1]
Quality: 1080p SDR [Bluray]… Expand

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8

PanchogulSep 19, 2020

This review contains spoilers, click expand to view. Honestamente no me gustó mucho la primera vez, luego de la maravillosa y cruda Antichrist del 2009 mis expectativas hacia Melancholia eran muy altas y no fueron alcanzadas en aquel entonces. El concepto general es muy irregular, el personaje de Justin (K. Dunst) protagonizó toda la primera mitad de la película y si bien su actuación es buena, no transmite nada, todos los hechos a su alrededor son un desastre tras otro y no ayudan a sostener la historia que recién se deja ver en el segmento de Claire, pero insisto, todo el rollo de la hermana melancólica, la familia disfuncional, un matrimonio desastroso y la completa falta de química entre los personajes aunado a un casi inminente fin de los tiempos no pegan ni con engrudo, recién en los momentos finales sientes la incertidumbre, el pánico, la resignación y aceptación de lo que va a pasar y eso llega a ser tanto triste y Depresivo como bello y apaleante. Lo único que realmente destaco es el clímax final, lo demás estuvo muy demás, hubiese sido mejor profundizar la relación de las dos hermanas que una hora completa de un matrimonio, el cual no parece tener mucho sentido, a la segunda vez que la vi pude entenderla mejor y vale la pena, no tanto como Antichrist y Nymphomaniac cuyas historias están mejor narradas siendo mas cohesivas que Melancholia.… Expand

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2

imthenoobAug 22, 2020

This movie is very on par with Tree of Life: Great cast, Impressive visuals but it's slow-paced and boring. It is an absolute drag to work through this movie, especially when it seems like there was more quiet observation rather thanThis movie is very on par with Tree of Life: Great cast, Impressive visuals but it's slow-paced and boring. It is an absolute drag to work through this movie, especially when it seems like there was more quiet observation rather than thoughtful dialogue throughout it. It's a very artsy movie that tries a bit too hard to be artsy IMO.… Expand

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9

LegitSaltMay 3, 2020

This is Lars von Trier’s second and final entry on the list. While Melancholia is a moderately lengthy piece of cinema, clocking in at 2h 16m, it is also a very dense movie. The movie is high in symbolism and allusion and as such, it worksThis is Lars von Trier’s second and final entry on the list. While Melancholia is a moderately lengthy piece of cinema, clocking in at 2h 16m, it is also a very dense movie. The movie is high in symbolism and allusion and as such, it works well upon spaced out revisiting. This said the movie can feel like a slow burn during the first viewing. Gainsbourg and Dunst both give good performances and their characters relations with one another represent an irony of the movie, i.e. in the face of ultimate danger, people seek to take issue with minutia. In this sense, the movie is very positive and idyllically representative of modern society. An almost unstoppable force threatens to destroy humanity, we must love each other while we can and work to make a better world. Aside from this, the cinematography is gorgeous, aiding with the artistic allusions, most notably Delacroix’s Ophelia. The end is built into the beginning and this works especially well with how the movie is presented. Finally, I liked Brady Corbet’s (Funny Games) performance and how he was a foil for Dunst and the business world.… Expand

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6

mahdimeshkateeNov 28, 2019

worthy on so many levels but lacking something unmentionable. its like after you watch it, you feel like some of it was just empty and blank.

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9

LatinCritic13Mar 23, 2019

This film is beautiful and depressing of how the whole story unfolds when two Planets collide together in the film's last minute thanks to the excellent performances by Kirsten Dunst and Charlotte Gainsbourg. No wonder why Lars von Trier isThis film is beautiful and depressing of how the whole story unfolds when two Planets collide together in the film's last minute thanks to the excellent performances by Kirsten Dunst and Charlotte Gainsbourg. No wonder why Lars von Trier is breaking a lot of boundaries in all of his films when he is trying to cover that certain topic based on his philosophical ideologies he make.… Expand

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8

The3AcademySinsMar 6, 2019

Such a strange, crazy, but beautiful follow up to Antichrist. Lars Von Trier pushes the artistic capabilities he has to the edge in Melancholia. Without giving too much away, the story is a presentation of depression shown through the lens ofSuch a strange, crazy, but beautiful follow up to Antichrist. Lars Von Trier pushes the artistic capabilities he has to the edge in Melancholia. Without giving too much away, the story is a presentation of depression shown through the lens of cosmic catastrophe. Fantastic performances, beautiful cinematography, great uses of surrealism and metaphor too. The only thing that holds Melancholia back from being a higher score than an 8 is that sometimes it gets a little too over-indulgent in it's tragedy, which will definitely prove to be a hurdle for a lot of viewers.… Expand

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10

beeanadouDec 4, 2018

This review contains spoilers, click expand to view. Even the end of the world would not unite us. It would be better we panic in our own ways and be unhappy or whatever till the last minute. The movie presents desperation and uneasiness really well, and who knows a shoddy wood tent would give us a last comfort of this depressing ending.… Expand

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8

amheretojudgeSep 17, 2018

the genres gets culminated into a poetry..

Melancholia Melancholia is a character driven sci-fi drama about the chemistry between two sisters that gets challenged after a celestial body enters the path of Earth and is about to result into athe genres gets culminated into a poetry..

Melancholia

Melancholia is a character driven sci-fi drama about the chemistry between two sisters that gets challenged after a celestial body enters the path of Earth and is about to result into a collision. Such an eerie concept draws the viewers in, where both the genres gets culminated into a poetry that is not only layered and thought provoking but also rhymes and that's just a cherry on top of all. Just the blending of both the genre itself is a visual galore where it was never in need of any visual effects. The background score is mysteriously beautiful, the cinematography is metaphorical, the sound effects are sharp, the visual effects are eye popping along with the perfect editing and stunning camera work that offers the viewers personal experience. The sinister ideology in here is mutilated by the innocence installed in each characters and is wrapped under so many layers, that it may take more than a Layman's mind to calculate its magnitude. It is also utterly bold to the core since Trier isn't compromising on any whatsoever substance, he might not care about the panache with which it ought to foliate, for he is well aware of the bravura of his glorifying work. And his confidence never seduces his passion, the euphoric energy and his thorough investment on each frame is what makes it electrifying; it is his tale and his alone. Dunst is convincing for the most part of it with Sutherland supporting throughout the course but the show stealer in here is Gainsbourg at the heart of it whose achingly good performance makes the viewers writhe on their seat. The horizon where its simplicity and complexity meets, the poetic tone that soars the entire two hours and reckless background score that stays with you even after leaving the screen are the high points of the feature. Melancholia is a pure art whose weaving of the tale behind the stage is much more mesmerizing than the actual visuals.… Expand

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8

ahmedaiman9999Jul 6, 2018

This is the first Lars von Trier film I watch, and I can see why he is such a controversial film director. This is the most depressing and choking movies I've ever seen, but it's also one of the most beautiful movies I've ever seen. The usingThis is the first Lars von Trier film I watch, and I can see why he is such a controversial film director. This is the most depressing and choking movies I've ever seen, but it's also one of the most beautiful movies I've ever seen. The using of metaphors and imagery in this movie is unbelievably great. everything begins to make sense towards the end so all the questions and confusion of the beginning makes sense. If you are patient enough and curious enough you will be greatly rewarded. The first act is the most enjoyable act in this movie. Trying to understand the metaphors, I felt like I was putting puzzle pieces and solving a very complicated mystery. The second act suffered at its beginning when the movie changed and became less sophisticated, and the message of the movie became on the nose. The movie picks up at the end of the second act, and seemed to be an intense sci-fi movie. Charlotte Gainsbourg was terrific in this movie. Sometimes I hate you so much, Kirsten, but definitely not in Melancholia. She gave her best performance in this movie. I don't like Kirsten Dunst but after watching this movie, I have a completely different opinion about her.

Melancholia is pure cinema, and one of the most memorable experiences ever!

(8.5/10)… Expand

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8

DEEPVALLEYJan 16, 2018

Melancholia is Lars Von's 2011 Drama film that I almost absolutely feel in love with. I'm not one of those Lars Von fans that praise everything he does just because it's art. His style can be pretentious and silly such as his overuse ofMelancholia is Lars Von's 2011 Drama film that I almost absolutely feel in love with. I'm not one of those Lars Von fans that praise everything he does just because it's art. His style can be pretentious and silly such as his overuse of improper time edits, but this time the edits seem to work well into the film even if they're not at their minimum . The worst thing I could find in this film is some of the Wedding Rehearsal. I found this section to be kinda dragging on, but it does have a purpose for character development and it pays off. The cast were fantastic since Lars keep using the same actors, but the young actor as the son missed a few beats on presenting emotions. Melancholia is a great Art film about depression.… Expand

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8

CineAutoctonoMay 17, 2017

"Melancholia" was a great movie, the first part was slow in the beginning but in the end it was good, and it gives us for what follows, the second part that was the most interesting, and in a row I leave restless and tense, and In that I had"Melancholia" was a great movie, the first part was slow in the beginning but in the end it was good, and it gives us for what follows, the second part that was the most interesting, and in a row I leave restless and tense, and In that I had looked for in the film, to feel tense and to feel that everything is lost, and that the fear and the sadness invade to me, but so it is the film, the cast was very good, the history very good, and the effects are good, If you want an end to the world that gives you a lot of tension, this movie is for you.… Expand

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9

JLuis_001Sep 6, 2017

Your problems mean **** compared to the magnitude of the universe.

Pretty much the best looking movie of Von Trier.

Great images, great musica, and the ending is so brutal.

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6

KrissTolliday14Oct 21, 2016

Kirsten Dunst stars in Lars Von Trier's sci-fi extravaganza which investigates the internal situations of individuals on Earth whilst science threatens to end humanity. The film is split into two halves following one of two sisters each timeKirsten Dunst stars in Lars Von Trier's sci-fi extravaganza which investigates the internal situations of individuals on Earth whilst science threatens to end humanity. The film is split into two halves following one of two sisters each time as they both battle depression and anxiety issues. It is in this first half where we learn more of Justine, played by Dunst, who deteriorates rapidly during her lavish wedding day and the second is Claire, her sister, struggling to cope with her sister's downfall and the fact that she may never see her family again. Justine's section is fantastic. The slow burn look at a person's fall from grace. We never quite know why she is like she is which makes it feel all the more real. Despite only spending a night with these characters it is as if you have known them for much longer with each one fleshed out and boasting depth. The second half however begins to drag and remove any initial enjoyment. It starts well but by the climax Melancholia has out stayed it's welcome. The title is for the mysterious planet that threatens to collide with Earth and it is this 'character' that is the issue with the film. If it is to be as pivotal as it is then the first half needs more resemblance to it and there is very little science fiction elements in there. However it is this area that could easily have been removed and the drama being left to the humans of the story. Von Trier has gone to lengths and depths for this film and it, at times, is mesmerising but ultimately the long running time and the second half do deflate it. Dunst is excellent and deserved more than just the Best Actress at Cannes awards, and Von Trier's script feels real and researched. If only he hadn't of taken it so far this could have been a masterpiece.… Expand

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8

Cameron_AshMay 8, 2016

Wonderful acting from both Dunst and Gainsbourg, some dramatic effects a bit too obvious - horses going wild, this one was overused quite a few times. Nevertheless its a great pieces exploring the idea of depression and destruction. BeautifulWonderful acting from both Dunst and Gainsbourg, some dramatic effects a bit too obvious - horses going wild, this one was overused quite a few times. Nevertheless its a great pieces exploring the idea of depression and destruction. Beautiful on various levels.… Expand

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9

SpangleNov 14, 2015

It is honestly impressive how much of this went over my head, but I did understand a good portion of it and loved all of it the same. This film is masterful in every way. Lars von Trier may be a petulant, egotistical child, but damn can heIt is honestly impressive how much of this went over my head, but I did understand a good portion of it and loved all of it the same. This film is masterful in every way. Lars von Trier may be a petulant, egotistical child, but damn can he make a film. Brilliant cinematography with beautiful shot after beautiful shot, great musings and visualizations of depression and its effects, and phenomenal special effects, all come together for a visually stunning film that leaves you awe struck. It may be slow, but it is methodical. No matter how much it hits the breaks sometimes, it is always engaging and did I mention beautiful? Yeah, it is beautiful. Kirsten Dunst and Charlotte Gainsbourg are absolutely phenomenal in this film that has to be one of the most meticulously crafted and damn near perfect films I have ever seen. Like, this film is fantastic. Did I get that idea across at all?… Expand

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4

wisertimeMar 31, 2015

I really wanted to like this movie. I thought for sure I would and the naysayers were wrong. They were right. This movie was **** horrible. The first 10 min were nice pretty images, but that's all you really need to see. Don't botherI really wanted to like this movie. I thought for sure I would and the naysayers were wrong. They were right. This movie was **** horrible. The first 10 min were nice pretty images, but that's all you really need to see. Don't bother with the rest. The next 10 min is a stretch limo trying to get around a rocky curve....really....pointless dumb movie. I like slow movies. I like some art house stuff (tree of life, Under the skin, 2001).,...but this was so dull. Only ONE character was remotely likeable and even her performance was hampered by the **** handheld parkinsons camerawork. IN almost every scene the actors seemed all to aware of the camera in their faces and uncomfortable, like an audition.

Kirsten Dunst is overrated as an actress and sex symbol too. I kept wishing she would just die along with every other character in the film. So many things didn't really make sense. People acted in very unnatural and uncomfortable ways. It's a wonder anyone stayed around for the boring wedding reception the way the guests of honor and hosts behaved. Save yourself the trouble of seeing this. Watch the visuals of the planets colliding on youtube and be done with it.… Expand

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9

JalemanyJan 6, 2015

Agreed. Weirdly wonderful. Beautifully strange. Loved it. You will read polarizing reviews about this film, and they are all acceptable reactions, but the movie, as a technical and theatrical piece, is a winner.

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8

beingryanjudeSep 1, 2014

With such powerful beauty, the film leaves you with much more than "melancholia"; just as, Kirsten Dunst gives you the most profound performance of her career.

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9

Bruce722Jul 17, 2014

Melancholia is one of the most unique films I've ever seen. The acting, the emotion, the characters, the depth, the symbolism, the art style, the score, etc. Almost every element of this film is executed to perfection and sucks you into theMelancholia is one of the most unique films I've ever seen. The acting, the emotion, the characters, the depth, the symbolism, the art style, the score, etc. Almost every element of this film is executed to perfection and sucks you into the events taking place. The only real negative was the camera work. The shaky-cam felt unnecessary and at times took away from the viewing experience, breaking the immersion of the movie. Other than that, this was simply a work of art that is tough to explain in words. I am certain that most people won't be able to become absorbed into the film. It's a strange movie and incredibly slow moving. Honestly, 75% of people will probably quit watching before the intro, which was so long it makes James Bond intros feel brief. Nonetheless, if you can sit through the various quirks, especially early on, you'll become intrigued and anxiously await the film's conclusion. Lars von Trier truly does a brilliant job.… Expand

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7

HumblecriticDec 24, 2013

This movie is not meant to be beautiful, great, entertaining or just even decent. If you are expecting a "spider man" or a "Avatar" then yes, don't waste 2 precious hours of your time! You don't get the movie? That's fine, you probably neverThis movie is not meant to be beautiful, great, entertaining or just even decent. If you are expecting a "spider man" or a "Avatar" then yes, don't waste 2 precious hours of your time! You don't get the movie? That's fine, you probably never had black periods in your life and again, that's fine. But if instead you are open-minded enough to watch it and just take it for what it is not trying to over analyze it but just let be driven by the scenes, you will find this movie inspiring and potentially life changing. Funny how people's perception is different from each others, it was very clear to me since the beginning the metaphor about modern life, yes, depression, darkness, apathy, evocation of "terminal feeling" regarding human's existence, It all felt familiar and annoying.
Finally, you might get bored at some point but once per all this is not The Lord of the rings, is a humble movie that certainly succeed in what has been made for make you aware.… Expand

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8

moonman1994Aug 18, 2013

Beautiful and ultimately extremely depressing Melancholia perfectly paints the picture of one sister's depression and ultimate acceptance with the end of the world. The film after it's beautiful and sad musical intro starts of as seeminglyBeautiful and ultimately extremely depressing Melancholia perfectly paints the picture of one sister's depression and ultimate acceptance with the end of the world. The film after it's beautiful and sad musical intro starts of as seemingly happy and at some times with moments of laughter. As the film continues you see the depression of Justine unravel and you have her sister who perfectly contrasts this view of the world. Simply said there isn't another movie that perfectly creates an atmosphere of sadness and depression.… Expand

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5

JmsbppJul 16, 2013

Un tipo de pelicula extraña pero algo entendible el planeta Melancholia se acerca habiendose predicho desde el principio algo de depresion,alegria y angustio conforman la pelicula que la hace sobresalir sobre algunas, sin embargo se tornaUn tipo de pelicula extraña pero algo entendible el planeta Melancholia se acerca habiendose predicho desde el principio algo de depresion,alegria y angustio conforman la pelicula que la hace sobresalir sobre algunas, sin embargo se torna algo aburrida y monotona sin embargo el tema musical va con lo que es un fin del mundo y cosas extrañas que van con el… Expand

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7

swimgurl86Jun 25, 2013

This review contains spoilers, click expand to view. I have to say I didn't like this movie the first time I watched it. I missed the first 10 minutes of the movie which turned out to be pretty important. I watched it a second time with my husband it helps to talk about it while it's playing (since it is pretty slow) and it is a very thought provoking movie. It's amazing the different versions of the story I've been reading from this board to me, it deals with Kirsten's character's depression and her sister, Claire, being the one I identified with the most, as being the nurturing sister, caring for her sister while she is debilitated with depression, and wanting to protect her son at all cost. But I now see the beginning as being Kirsten's dream or vision. I'm assuming she has had visions before, so this is why she is reacting with depression at her wedding reception because she saw the same red star that night that she had in her dream and realized this was going to happen. Nothing can shake her because she knows it's going to happen, even when her brother-in-law says it isn't. In the end I realized Kirsten's character actually had more time to deal with it, while her sister wanted to believe her husband and realized on the last day that he was wrong. She was more believable I thought. One thing that bugged me as it did to one other person on this board her sister had an English accent while Kirsten's character did not how could that be? Oh well, details, details. It was definitely a very interesting film.… Expand

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0

MovieMan12Jun 13, 2013

You have to be out of your mind for liking this dreadful dense bore. So depressing but for no valid reason. My eyes were hurting just starring at this pile of junk.

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7

JacobparkerMay 14, 2013

I like that in the movie not the apocalypse is in the foreground, but the events around it.
the movie is very long and the story takes a long time until it gets interesting, but the movie is worth to be seen.

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10

ariel84May 9, 2013

it's been a year since i first watched MELANCHOLIA. it is still one of the greatest films i've ever seen. kirsten dunst is as beautifully magnificent. the setting and cinematography still astonish. my favorite apocalyptic film of all time.

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0

splagelouf4Apr 1, 2013

I created an account on metacritic solely to warn you all of how utterly unbearable this film is. Why all these accredited actors chose to indulge the danish nutbar in his latest extravaganza is beyond me. nauseating camera angles,I created an account on metacritic solely to warn you all of how utterly unbearable this film is. Why all these accredited actors chose to indulge the danish nutbar in his latest extravaganza is beyond me. nauseating camera angles, nonsensical lines and pretentious but awful humor all amount to an underwhelming finale. I have never seen a more overrated film in my life and this has shaken my faith in aggregate sites like metacritic. save yourself the two hours.… Expand

3 of 8 users found this helpful35

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4

tonyGreenFeb 11, 2013

I did'nt mind that it was dark, bordering on morose. After Dancer in the Dark, I expected that from Mr Von Trier. And I like dark films. What annoyed me was it was so banal. Please will someone tell me the thematic subtext buried in here? TheI did'nt mind that it was dark, bordering on morose. After Dancer in the Dark, I expected that from Mr Von Trier. And I like dark films. What annoyed me was it was so banal. Please will someone tell me the thematic subtext buried in here? The best I can come up with: Depressed people will handle the possible end of the world with a more calm and dignified response. I watched on DVD, and required 2 sessions to complete the ordeal. It was however *quite* pretty visually, and Kirsten Dunst was good.… Expand

0 of 0 users found this helpful00

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4

MattDanielFeb 4, 2013

Another piece of film hysteria by Lars von Trier. It falls in the sub genre of art-house we could call Hermetic-German-Scandinavian-Drama. Characters with no depth at all whose actions lack of minimal motivation either dramatic orAnother piece of film hysteria by Lars von Trier. It falls in the sub genre of art-house we could call Hermetic-German-Scandinavian-Drama. Characters with no depth at all whose actions lack of minimal motivation either dramatic or psychological. Situations are horrible and depressing for no other reason than the exclusive enjoyment of the director, who hysterically shines above the film itself. And it has the most common error in pseudo-intellectual movies: there are two films squeezed into a feature. The first part (the wedding) is the film "Festen" (first film by Dogma movement) reheated. It´s simply awful. The second part of the film is what you expected to see but with the all the problems described above. Unfortunately, as we have good will to give him a chance the fact is that Lars von Trier is a quack. And like every charlatan he has a herd of followers.… Expand

0 of 1 users found this helpful01

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0

WraithswordDec 27, 2012

Self-indulgent drivel... This bloated piece of excrement features depressing characters wandering around an estate while the world comes to an end. They blather at each other for what seems like forever until, blessedly, the gloom ends in aSelf-indulgent drivel... This bloated piece of excrement features depressing characters wandering around an estate while the world comes to an end. They blather at each other for what seems like forever until, blessedly, the gloom ends in a searing blast. Supposedly, this is a study in melancholy. After two and a half hours of this morose mess of a film, I could imagine audience members offing themselves. The only lingering question in my mind, as the credits rolled, was why the writer of this protracted march into the grave didn't just lock himself up in the garage with his car running and explore despair all by himself.… Expand

3 of 7 users found this helpful34

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7

Trev29Dec 18, 2012

A powerful indie film, that can be quite difficult to watch, but is really fascinating, spectacularly shot, and very well acted. This isn't a film to sit back and enjoy, but to think about once the credits role up.

0 of 0 users found this helpful00

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0

HiMomDec 15, 2012

I have never before fast forwarded through the beginning of a movie, but five minutes of still images set to symphony music is just too much. I'm writing this in the hopes of saving others from this terrible movie. It is unbearably slow, hasI have never before fast forwarded through the beginning of a movie, but five minutes of still images set to symphony music is just too much. I'm writing this in the hopes of saving others from this terrible movie. It is unbearably slow, has nausea inducing handheld camera work, and a cast of unlikable characters. In the end we amused ourselves by making up lines for the characters while they stared at each other in gloomy silence.… Expand

3 of 6 users found this helpful33

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7

worleyjamersDec 7, 2012

Lars von Trier certainly makes it hard to review films...I have no idea what to give this. I really like it! Elements in this were absolutely brilliant, but it doesn't make the film any less strange. Gainsbourg gives another fantasticLars von Trier certainly makes it hard to review films...I have no idea what to give this. I really like it! Elements in this were absolutely brilliant, but it doesn't make the film any less strange. Gainsbourg gives another fantastic performance, but Kirsten Dunst shines.… Expand

0 of 0 users found this helpful00

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8

NKOASNov 17, 2012

Like Van Gogh

2 of 3 users found this helpful21

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0

rkeincOct 8, 2012

This movie was so bad it made me register at metacritic.com to give my 2 cents. First of all the review by metacritic.com professionals led me to believe this was a great, not good, movie. Furthermore, the cast is amazing. With that said IThis movie was so bad it made me register at metacritic.com to give my 2 cents. First of all the review by metacritic.com professionals led me to believe this was a great, not good, movie. Furthermore, the cast is amazing. With that said I began to watch the movie. I watch a lot of movies and couldn't believe how bad this was. I struggled through 2 hours and 15 minutes hoping I would find a ray of something world noting of value about it. There was none. How the critics couldn't condemn this movie as worthless, let alone great, is beyond me. If you don't want to waist 2 hours and 15 minutes of your life don't bother watching this bomb!… Expand

5 of 9 users found this helpful54

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9

Christopher_G2Sep 2, 2012

This film is not going to be for everyone, but I loved it. From a crazy wedding party where hardly anything goes right, to the potential coming of the end of the world, it hooked and shook me like very few films have in recent years. It dealsThis film is not going to be for everyone, but I loved it. From a crazy wedding party where hardly anything goes right, to the potential coming of the end of the world, it hooked and shook me like very few films have in recent years. It deals with the relationship of two sisters, played by Kirsten Dunst, in a career best performance, and Charlotte Gainsbourg who is also terrific. Kiefer Sutherland is also very good as the husband of the latter. It's disturbing, beautiful, and emotionally resonant. It's not slow, but well paced. A Von Trier film will always be a bit polarizing. Personally I really disliked his previous film Antichrist, but I loved this.… Expand

1 of 2 users found this helpful11

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10

mrniceAug 28, 2012

An insightful psychological study under interesting conditions, the ending blew me away. The soundtrack is a huge part of the experience, and the ending leaves a lasting impression that was incredible from the front rows of a small theater. IAn insightful psychological study under interesting conditions, the ending blew me away. The soundtrack is a huge part of the experience, and the ending leaves a lasting impression that was incredible from the front rows of a small theater. I got chills just now thinking about it. In a way, the whole study is a build-up to the last minute.… Expand

0 of 0 users found this helpful00

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1

KJJJun 13, 2012

What were the critics thinking? This is a cut rate, poorly made imitation of Ingmar Bergman - felt like Von Trier ripped out the script of a film like The Silence, and rewrote it, down to the idea of two people reflecting differentWhat were the critics thinking? This is a cut rate, poorly made imitation of Ingmar Bergman - felt like Von Trier ripped out the script of a film like The Silence, and rewrote it, down to the idea of two people reflecting different personality parts of one person. Been there, done that. And the script is dishonest - I don't care how well Dunst acted, her character at the end of the movie is completely untrue to everything that goes before. I appreciate and have watched many off-beat films - this is not a good one.… Expand

3 of 8 users found this helpful35

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7

rnnbrwnJun 4, 2012

This review contains spoilers, click expand to view. Didn't know what to expect as I hadn't read much about this, other than that it was "weird". First 20 minutes were hard going - and confusing - but it grew on me and I really enjoyed it at the end. Sutherland's demise didn't sit right with me, though. That seemed a bit of a cop out.… Expand

2 of 3 users found this helpful21

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10

KneginjaJun 3, 2012

I don't know how to not give it a 10, instantly became one of my favorite films. This movie is bleak and beautiful at the same time, made almost entirely of detestable characters. It still buggles me how von Trier made all these elements workI don't know how to not give it a 10, instantly became one of my favorite films. This movie is bleak and beautiful at the same time, made almost entirely of detestable characters. It still buggles me how von Trier made all these elements work - but he did. Dunst is truly amazing on this one.… Expand

2 of 3 users found this helpful21

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3

DelixuMay 19, 2012

It's... weird. Melancholia is not nearly as powerful as Lars von Trier's previous film, Antichrist. It will not feel like a punch in the stomach, it will feel like nothing. Lars von Trier seems to try too hard on Melancholia, and the resultIt's... weird. Melancholia is not nearly as powerful as Lars von Trier's previous film, Antichrist. It will not feel like a punch in the stomach, it will feel like nothing. Lars von Trier seems to try too hard on Melancholia, and the result is a film that will please the eye - the scenery is beautiful, and the acting is fairly composed - but will leave no lasting legacy. Two days after watching Melancholia, you will wonder whether or not you had seen it. Kristen Dunst and Keifer Sutherland are the two highlights of the film, not because of their interpretations of shallowly-constructed characters, but because their on-screen feeling. They look wonderful. Melancholia does not.… Expand

2 of 4 users found this helpful22

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3

lancekozMay 9, 2012

I love slow, artsy films... this is not it. There are some wonderful effects hinting at surreality here, but they are only a side note in a cranky little domestic drama with thin writing. Not really a script, more like a mediocre, tiringI love slow, artsy films... this is not it. There are some wonderful effects hinting at surreality here, but they are only a side note in a cranky little domestic drama with thin writing. Not really a script, more like a mediocre, tiring dream. It just goes mostly nowhere in a tedious fashion.… Expand

1 of 4 users found this helpful13

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0

1DTWChloeApr 29, 2012

This is the worst sh*t I have ever freaking seen . The beginning of the movie was so boring, it made me want to punch myself in the face. I would not recommend seeing this crap because you will just be wasting your time.

3 of 8 users found this helpful35

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7

j30Apr 23, 2012

Great performances all around particularly the two leads Kirsten Dunst and Charlotte Gainsbourg. I found the movie both thought-provoking and beautiful to look at. If you don't like art-house type film (where the emphasis is on style notGreat performances all around particularly the two leads Kirsten Dunst and Charlotte Gainsbourg. I found the movie both thought-provoking and beautiful to look at. If you don't like art-house type film (where the emphasis is on style not story) this is not your kind of movie, but if you do you will be rewarded.… Expand

1 of 2 users found this helpful11

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8

FrostyAxelApr 23, 2012

Gorgeously shot, with scenes drenched in golds and whites and blues, depending on the scene. Attention to detail was incredible; during the catastrophic wedding reception scene, there is a tiny fleck of wedding cake on Kirsten's bottom lip,Gorgeously shot, with scenes drenched in golds and whites and blues, depending on the scene. Attention to detail was incredible; during the catastrophic wedding reception scene, there is a tiny fleck of wedding cake on Kirsten's bottom lip, and it was left there for several minutes. Kirsten's earring was left on the bed, also for the entire scene. Details like that bring an air of reality and surreality to this sci-fi-premised exploration of depression. One scene with Kirsten's character sitting and around stacks of chairs, alone, dangling her shoes from her feet, is all that superb film-making is about.

For anyone who has fallen down the dark well of sadness, they should be able to relate without effort.

Great film.… Expand

0 of 0 users found this helpful00

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2

RobinsNestApr 22, 2012

I was so looking forward to this as I like Ms Dunst and the summary sounded so unusual. But I was so disappointed. The lead character does a whole bunch of wacky things and appears to be suffering a mental disease. The rest are allI was so looking forward to this as I like Ms Dunst and the summary sounded so unusual. But I was so disappointed. The lead character does a whole bunch of wacky things and appears to be suffering a mental disease. The rest are all caricatures, are not important to her (or me) in any way. The impending doom (planet) should have had much more of a presence to these people. But only near the end is it's mighty foreboding and ultimate impact felt. The entire wedding scene plays as I would expect, well, at a wedding, with back biting petty people. But wait you say, the director has made these characters real. Maybe so, but I did not want to see them; nothing to like in any; no communication (them to me). Just a waste of a great idea and good actors. It was almost a failure. Though as I write this i can't remember why I didn't give it an F (0). And man is it long!!… Expand

2 of 5 users found this helpful23

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6

aucklandaApr 22, 2012

Melancholia will grab your attention via the beautiful opening sequence. It will have you asking questions yet marveling at the beauty of it.
This remarkable opening sequence is a portrayal of what is to come and unfortunately for me theMelancholia will grab your attention via the beautiful opening sequence. It will have you asking questions yet marveling at the beauty of it.
This remarkable opening sequence is a portrayal of what is to come and unfortunately for me the movie tries to be as beautiful as the opening prologue but fails to convince.
There was just something missing for me - I didn't feel any connection to what is a very realistic subject matter (depression). Funnily this movie left me with a very clear mind without a depressing thought in sight. Visually it has it's moments! The actors give it their best shot and for me is the overall highlight of Lars' film. Sounds and music plays a serious role and is another standout. Meloncholia should be brilliant but it just isn't - it hits the target plenty of times, but fails to hit the bulls eye.… Expand

0 of 0 users found this helpful00

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4

BKMApr 9, 2012

I'll say this about Melancholia: it's not like anything else I've ever seen--which is not necessarily a good thing. The film's depiction of depression feels alarmingly real as does its vision of the end of the world as we know it. But theI'll say this about Melancholia: it's not like anything else I've ever seen--which is not necessarily a good thing. The film's depiction of depression feels alarmingly real as does its vision of the end of the world as we know it. But the the annoyingly tepid pace and startling pretentiousness of it all make you want to bludgeon yourself to death. Strictly a film for Von Trier devotees.… Expand

2 of 5 users found this helpful23

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10

2bearnestApr 9, 2012

Brilliant. A Lars von Trier masterpiece. You will never be the same after experiencing Melancholia. This is a once in a decade film, an instant classic.

0 of 0 users found this helpful00

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8

asthobaskoroApr 1, 2012

Melancholia is not "movie for everybody," well it's Cannes movie. Lars Von Trier put depression and distraction on screen with amazing performance by Dunst and Gainsbourg. The first eight minutes was beautiful, entire movie was visually stunning.

1 of 1 users found this helpful10

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9

VidsRuleMar 25, 2012

I'm reviewing this because I can't get it out of my head. There's something so haunting about an hour of "what is the point of this (even though it's kinda interesting)", to the next hour of overwhelmingly powerful unrelated intensity. II'm reviewing this because I can't get it out of my head. There's something so haunting about an hour of "what is the point of this (even though it's kinda interesting)", to the next hour of overwhelmingly powerful unrelated intensity. I gotta see this again.… Expand

1 of 1 users found this helpful10

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10

kokoroMar 24, 2012

I was excited to see this, what an utter disappointment. Tedious ,unbearably void of substance, and unbelievable characters are the highlights of this film. While I can see where the director was going with this, he fell quite a bit short.

0 of 0 users found this helpful00

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9

aics119Mar 19, 2012

Who would have thought that a movie about the end of the world could be so beautiful. This movie is beautifully shot and well written. And Kirsten Dunst delivered a performance that deserved Oscar recognition. Lars von Trier has created oneWho would have thought that a movie about the end of the world could be so beautiful. This movie is beautifully shot and well written. And Kirsten Dunst delivered a performance that deserved Oscar recognition. Lars von Trier has created one of the best films of the year with this.… Expand

0 of 0 users found this helpful00

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5

muzicman17Mar 18, 2012

Some of the most beautiful visuals I have ever seen, but what starts as an interesting idea falls to pieces about 20 minutes into the film - mostly thanks to the craziness of miss Dunst. I'm not sure it was her acting or her annoyingSome of the most beautiful visuals I have ever seen, but what starts as an interesting idea falls to pieces about 20 minutes into the film - mostly thanks to the craziness of miss Dunst. I'm not sure it was her acting or her annoying character that turned me off, but either way, I think I only enjoyed the parts of this film where she died.… Expand

1 of 1 users found this helpful10

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10

HalfwelshmanMar 18, 2012

Melancholia may very well be the greatest story about depression ever committed to film. It's profoundly moving, complex and well-performed. Kirsten Dunst, Charlotte Gainsbourg and Kiefer Sutherland make for a very impressive cast, with DunstMelancholia may very well be the greatest story about depression ever committed to film. It's profoundly moving, complex and well-performed. Kirsten Dunst, Charlotte Gainsbourg and Kiefer Sutherland make for a very impressive cast, with Dunst delivering the performance of her career. Who'd have thought an intimate analysis of the effects of crippling depression would effectively mesh with a disaster movie? Ony such an unconventional director as Lars von Trier would even consider such a combination. A planet colliding with the Earth and humanity's ultimate doom makes for a great metaphor for crippling depression - feeling like the whole world is baring down on you, and that you're utterly isolated and helpless. It's a surprisingly effective thematic juxtaposition, that makes for an extremely intelligent and beautiful overall filmic experience. The film is equal parts epic and intimate, blockbuster and and arthouse, melodrama and realism. You have some great scenes if extreme contrast - the strikingly honest, observant scenes where Justine (Dunst) and her condition clash with the understanding and the patience of her wedding guests, and the utterly terrifying apocalyptic scenes of the film's finale where humanity faces its inevitable and utter destruction. The use of Wagner's layered, evocative music and the sparing but effective use of dazzling special effects also help to make the film utterly memorable. In the end, the tragedy of Melancholia is not its undeniably pessimistic ending, or the way in which it approaches its extremely dark subject matter, but the lack of recognition it will receive due to von Trier's Cannes outburst. Had he kept his thoughts to himself, the film would undoubtedly have been the runaway awards-winner of 2011. It should have been an instant classic, a film that will influence many generations to come, but what will be remembered is the director's misjudged and undeniably insensitive jokes about the Holocaust and Nazi affiliations. This is a real shame, because as a viewing experience, Melancholia will stay with you long after the film reaches its climax - it's an emotional, mesmerising, extremely well-written and utterly human experience.… Expand

2 of 2 users found this helpful20

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6

gazpacho1234Mar 17, 2012

It's not supposed to be taken literally, it's all metaphor, the internal life of people, including the subconscious, sociological and collective unconscious reality. It's a portrayal of the whole human psyche, the characters are just symbolicIt's not supposed to be taken literally, it's all metaphor, the internal life of people, including the subconscious, sociological and collective unconscious reality. It's a portrayal of the whole human psyche, the characters are just symbolic aspects of human 'mindness' and don't even necessarily represent individual humans but various 'personas' within an individual. It is not science fiction, it is a psycho-sociological symbolistic portrayal of melancholia in it's true form of 'mind'. In that sense it is also elitist (i.e contains real depth and insight) and will go over the heads of the vast majority (even those who enjoyed it), nevertheless I wouldn't go see this movie if you have no idea of what I'm taking about (or if your depressed).… Expand

1 of 1 users found this helpful10

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10

MikefromAngusMar 15, 2012

An amazing movie! I found the film, to be very real. It felt like a documentry. As I watched the 2nd act of the movie, it felt like watching the characters final moments. The movie was slow, but yet intresting. I had a feeling of being there.An amazing movie! I found the film, to be very real. It felt like a documentry. As I watched the 2nd act of the movie, it felt like watching the characters final moments. The movie was slow, but yet intresting. I had a feeling of being there. Excellent!… Expand

2 of 4 users found this helpful22

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5

nutterjrMar 10, 2012

Melancholia is not a strong enough word to describe this film. I would call it depressing. And while Kirsten Dunst delivers a very strong performance, the film is really slow and boring especially in the first part. Part 2 is much betterMelancholia is not a strong enough word to describe this film. I would call it depressing. And while Kirsten Dunst delivers a very strong performance, the film is really slow and boring especially in the first part. Part 2 is much better with more context and allegories but moreso a platform for the viewer to connect to the characters. The final scene is the highlight of the film but the journey there is almost not worth the trouble.… Expand

0 of 1 users found this helpful01

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10

raleandriMar 6, 2012

Buena pelicula, buenas actuaciones, lars es un gran director y sabe colocar al espectador ene la atmosfera de la pelicula, recomendada para cualquier tipo de espectador, niÃ±os, adultos.
El final tragico y doloros no podia ser mejor.

0 of 0 users found this helpful00

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3

NedRyerson1Mar 3, 2012

Melancholia tells two slightly related stories, which mix drama, surrealism and sci-fi, the problem is that the only interesting part is the ending. It is a shame that such an original idea goes to the garbage, because of erraticMelancholia tells two slightly related stories, which mix drama, surrealism and sci-fi, the problem is that the only interesting part is the ending. It is a shame that such an original idea goes to the garbage, because of erratic performances, repetitive soundtrack, ill-defined script and overthink direction.
The division of the plot is based on the different points of view towards a specific situation of the two protagonists. The first part is about the wedding of Justine; here the human relationships are like a pendulum, in other words they are going nowhere. This fragment not even serves for establish the personality of Justine, because in the next part are fewer thing that are understandable. So in conclusion: if Lars Von Trier cut down this part it would not matter.
The second half is about Claire, which is a more believable character, because is the only one that really seams human; but again the plot falls into a circle.
This is the first film in years that I wanted to advance some parts because I was falling asleep. Dark, slow, depressing and extremely boring, Melancholia fails in almost everything.… Expand

6 of 11 users found this helpful65

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9

CalRFeb 27, 2012

As with all of Von Trier's work saying his films are an acquired taste is rather an understatement. However, I disagree with the public conception that his films are wholly pretentious and without meaning, because more often than not they areAs with all of Von Trier's work saying his films are an acquired taste is rather an understatement. However, I disagree with the public conception that his films are wholly pretentious and without meaning, because more often than not they are full of meaning. Having followed Trier's career vaguely with interest other recent years, his most interesting films to note have been the muddling Dancer In The Dark and the unsettling Anti-Christ. Neither film was awful, yet Von Trier persists- as he does here- to enforce upon the viewer a unpleasing pacing for all of his films. Melancholia is no different. It's build up in following the disaster of Dunst's wedding merely pads the films with material and not a lot of plot. However, this can be overlooked if we view what the feature actually is inherently: a character piece. Fans of Anti-Christ will be with mixed views about this feature, as it resonates in similar themes and motifs, but that is not to say that in viewing Anti-Christ, then the beauty of Melancholia will be damaged somehow. Ultimately, Gainsbourg and Dunst would have been worthy candidates for Oscar nominations, but still this is not mainstream circuit material. The cinematography is indisputably incredible, as is this features score, but what shines best with this feature, even with its mass of flaws (and there are many) is that what is being conveyed here- though the metaphor is rather heavy-handed- works incredibly well. As a piece of science-fiction drama comparisons can be made to The Fountain, but whilst that film spends much of its time jumping over three timelines, there is enough here in continuity and anguish to deliver an emotional impact that is just as meaningful. Between this and Drive, I would have to say Melancholia edges it slightly due to the formers over-simplistic, though beautifully told tale, whilst Melancholia yearns to be revisited, making it in my eyes the best film of the year.… Expand

3 of 4 users found this helpful31

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7

leon_guillottFeb 15, 2012

Agree with the reviewer linking this to the Tree of Life. I would assume the connection is tongue in cheek as Von Trier doesn't seem like the type to mess with Romanticism without a little giggle.

0 of 0 users found this helpful00

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10

tipsology_netFeb 11, 2012

MELANCHOLIA: PROVOCATIVE

GIVE IT A TRY IF... You have survived at least one of von Trierâ

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10

joaofariaffJan 31, 2012

Really, my favorite movie of all time. A masterpiece of the "crazy" Lars Von Trier... The soundtrack completely gave the movie another dimension (if I count the dimensions of the movie I would say: 6D)! This movie has only one big problem:Really, my favorite movie of all time. A masterpiece of the "crazy" Lars Von Trier... The soundtrack completely gave the movie another dimension (if I count the dimensions of the movie I would say: 6D)! This movie has only one big problem: you will whether love it or hate it! I, as you already know, LOVED IT! So, I can't recommend because there is a 50% chance you won't like it.… Expand

0 of 0 users found this helpful00

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10

BikerjamesJan 16, 2012

This is the best film I saw all year, and I go to the movies a lot. The first hour of the film (the wedding reception) is uncomfortable and even irritating to sit through. This is purposeful by the filmmaker. He even uses the "ever movingThis is the best film I saw all year, and I go to the movies a lot. The first hour of the film (the wedding reception) is uncomfortable and even irritating to sit through. This is purposeful by the filmmaker. He even uses the "ever moving camera" technique that I wish filmmakers would stop using once and for all. I should not have to take a motion sick pill before going to a movie. We find out in the second half of the film, however, when it turns into a Science Fiction movie, why Justine (Kirsten Dunst) had such erratic behavior at her reception. The second half of the film is simply mesmerizing. Atmospheric, beautiful, scary, suspense building. Great visuals throughout the film - you will think about what you saw long after the film ends. Dunst is great in this film, but Charlotte Gainsbourg who plays her sister is equally wonderful. This film may not be mainstream enough to win awards at Oscar time, but it's not to be missed. I could write more about this great film, but I don't want to give anything away.… Expand

6 of 7 users found this helpful61

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10

JohnnyHollywoodJan 16, 2012

This review contains spoilers, click expand to view. Happy New Year Indeed

It's the holiday season again, and with it comes the usual slate of talking-animal Christmas movies and lame rom-coms set on New Year's Eve. I feel it's my duty to counterbalance this overt cheerfulness with just a little bit of morbidity. So, to open 2012, I'm going with my favourite film of last year bar none: Lars von Trier's Melancholia, a film about a newlywed bride's severe depression and crumbling relationship with her caretaker sister. Sounds none too festive, right? It gets better. The story is set during the last days on Earth, before a foreign planet collides with ours and all life is obliterated forever. Yeah.

Before anyone becomes too concerned with the end of the world, though, we are treated to Justine's (Kirsten Dunst) wedding, an extravagant affair paid for by her sister Claire (Charlotte Gainsbourg) and Claire's husband John (Kiefer Sutherland). After everything that could go wrong does go wrong during the evening, Justine does not leave the party with her new husband (Alexander Skarsgard), but stays at Claire's castle where the reception took place. The next day, as John and son Leo (Cameron Spurr) become increasingly giddy at the chance for a firsthand glimpse of the planet expected to simply 'pass us by', Claire's anxiety peaks and Justine's depression consumes her.

The film exists in two distinct parts: one covering the wedding night, and the other the aftermath. Surprisingly, Part One makes for such a well crafted, engaging story that the whole 'world is ending' angle almost seems like an unnecessary gimmick. It is an intriguing, intimate look into the mind-numbing array of family dynamics at play during what should be Justine's special night. Much of its brilliance must be credited to a tight script and, subsequently, the characterisation of the act's central figure. Rather than being lazily written as a 'woe-is-me' sad sack that finds no joy in the night's proceedings, Justine draws audience sympathy nice and early through her efforts to make the best of things despite the social disaster unravelling around her. One gets the impression that she does have a genuine love for some people, but the vexing truth is that, in spite of the seemingly significant ramifications of this night, things are about to get far more sinister. We know this because von Trier leaves the viewer in no doubt as to how this film will end. The opening act is an incredible collection of surreal scenes depicting the Earth's destruction, set to the chilling prelude to opera Tristan und Isolde. So when Claire's fears are temporarily relieved towards the end of the film, it feels devilishly cruel to lead on this fearful individual when the audience is already aware of what is still to come. Put simply, it could be said that Part One is the cinematic masterclass, with heavy emphasis being placed on all things that make a quality film (beautiful imagery, well-structured dialogue and purposeful character interaction) while Part Two is the thematically charged intellectual piece, where the audience is not spoon-fed, but rather challenged to find personal meaning in the events unfolding on screen.

Certainly, by the time the second half comes around, the security blanket separating caged fiction from terrifying reality has well and truly been removed. In the morning after the wedding, the world has become a much darker place, in both a literal and metaphysical sense. Justine's condition has degraded from a person battling with flashes of doom, to one that has become sedate and eerily calm in her total submission to the illness. In contrast, Claire, who has lived a balanced, comfortable life up until this point according to universal standards (big house, married, young son, et al), and who therefore has so much more to live for, refuses to accept the inevitable. It is through this polarising pair of characters that Melancholia offers the foundation of many different interpretations regarding the film's true meaning. Personally, it appears to be not only an exposition of universal perception and understanding one's significance in the context of all things, but also an assertion of how human beings might act in times of inescapable disaster. It begs the question: 'How do you think you would react in this situation?' But perhaps more importantly: 'How would you like to react?' This notion is hammered home when, in the film's heart-pounding and visually spectacular closing moments, the seemingly soulless Justine still finds time for one last act of utterly selfless heroism, even in the face of certain death.

*There's nothing I love more than a bit of feedback, good or bad. So drop me a line on jnatsis@iprimus.com.au and let me know what you thought of my review.*… Expand

2 of 3 users found this helpful21

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mariopingJan 14, 2012

Give me a break! This film actually scores well with the critics? The movie is self indulgent trash. I personally just can't stand movies that are so weird that it leads to some critics thinking, "I got to love it to prove how good I am as aGive me a break! This film actually scores well with the critics? The movie is self indulgent trash. I personally just can't stand movies that are so weird that it leads to some critics thinking, "I got to love it to prove how good I am as a critic." When it's bad, it's bad. Seriously, there are people out there who want to see this film again after the first viewing?… Expand

3 of 8 users found this helpful35

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9

MovieMachineJan 9, 2012

A truly beautiful concoction from the ever-unstable mind of von Trier. The first five or so minutesof the movie say it all. Shot in exceptional light and scenery, Richard Wagner's prelude to Tristan und Isolde plays as characters flee, thingsA truly beautiful concoction from the ever-unstable mind of von Trier. The first five or so minutesof the movie say it all. Shot in exceptional light and scenery, Richard Wagner's prelude to Tristan und Isolde plays as characters flee, things burn, and Justine (Kirsten Dunst) seems as calm as ever. Very slow, and very inspiring. Unfortunately, the movie doesn't speed up any faster, as we have to bear through the worst wedding reception you may ever witness, leading to Justine's scandalous behavior on the golf course, her unemployment, and her immediate divorce. As Melancholia, the death-bearing planet, approaches, so too does Justine and her sister Claire's (Charlotte Gainsbourg) personalities grow, and finally, in a frightening, emotion-evoking, but tear-lacking ending, everyone incinerates at the approach of Melancholia. This may seem depressing, but to be honest, Justine was probably more depressing than anything else in the movie. And I mean that in a good way. Dunst definitely deserves her award at the Cannes Film Festival. This is definitely a movie worth watching. Warning, though; there is nudity.… Expand

3 of 4 users found this helpful31

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2

FinnaticJan 7, 2012

No. No. No. Critical acclaim-itis has struck again. This movie tanked with me from nearly the moment that I rented it on pay per view. I thought the premise was Another Earth-ish enough to justify a watch, but I was sincerely wrong. ThisNo. No. No. Critical acclaim-itis has struck again. This movie tanked with me from nearly the moment that I rented it on pay per view. I thought the premise was Another Earth-ish enough to justify a watch, but I was sincerely wrong. This movie is a hot mess. Even the end will never be as powerful as what has been committed to film previously. See Last Night, a 1998 film about the apocalypse, instead. It's a far better movie.

I gave this film a 2 simply because I felt like the subject was a worthy one, even if the execution was sorely lacking.… Expand

2 of 6 users found this helpful24

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8

IAmPhongNguyenDec 31, 2011

Melancholia is a beautifully directed film of the depression of two sisters who are timorous of the planet Melancholia colliding the Earth; it was like watching a painting. This movie was art.

1 of 1 users found this helpful10

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10

DieguinDec 30, 2011

To me, Melancholia was like having a perfect slow cooked meal in great company --- that one enjoys while having but later on remembers with an even more delicious memory. It is beautifully filmed, slow, simmering, thought-provokingTo me, Melancholia was like having a perfect slow cooked meal in great company --- that one enjoys while having but later on remembers with an even more delicious memory. It is beautifully filmed, slow, simmering, thought-provoking (especially after it is over). I rated it as my 8th best film of 2011, but as time went by it climbed to # 4. It is hard to explain its beauty and depth. I still think of it often and plan to see it again.… Expand

4 of 5 users found this helpful41

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0

montecristo1976Dec 28, 2011

What a pretentious, long, boring and empty movie. Another "style over substance" film. I found the Kirstin Dunst character very annoying, and the plot was disjointed and incoherent. By the time I was halfway into the movie, I was actuallyWhat a pretentious, long, boring and empty movie. Another "style over substance" film. I found the Kirstin Dunst character very annoying, and the plot was disjointed and incoherent. By the time I was halfway into the movie, I was actually hoping the fictional planet would wipe out all of the characters involved.
This movie is LONG AND DRAGGY. I actually walked out, and I almost never do that for a movie I paid money to see.… Expand

4 of 13 users found this helpful49

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8

LynDec 26, 2011

The mood and imagery of this film have really stuck with me in the weeks since I saw it. I was a little disappointed in one of the plot twists, and also because I expected a somewhat more realistic treatment. (I guess I picture a real familyThe mood and imagery of this film have really stuck with me in the weeks since I saw it. I was a little disappointed in one of the plot twists, and also because I expected a somewhat more realistic treatment. (I guess I picture a real family interacting with other people and the media as the End of the World threatens, not having languid breakfasts on the patio.) Still, it was moving and Dunst and Gainsbrough were great, even if they don't look like they could possible be related.… Expand

1 of 1 users found this helpful10

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8

Tazmania32Dec 24, 2011

Wow, what can I say. Strange movie, but in a good way. The whole cast was excellent, even with some humor in the beginning although drowned in sadness, which turned out to be good in the end. Excellent shooting as well.

1 of 1 users found this helpful10

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8

aozetaDec 23, 2011

It is the acting that saves the movie. Had it been the story alone carrying it... it really would be a fail. This film is one of those that makes you sleepy and encourages you to become awake for you are expecting a good turnaround or bang!It is the acting that saves the movie. Had it been the story alone carrying it... it really would be a fail. This film is one of those that makes you sleepy and encourages you to become awake for you are expecting a good turnaround or bang! And as more minutes pass waiting for that bang... you end saying "oh, well".… Expand

0 of 0 users found this helpful00

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10

lilkillpappyDec 22, 2011

for 2 hours I really felt like the world was going to end. I have never been so fully enveloped by a movie before. Whatever this film may be, depressing, disturbing, emotional, beautiful, I'm glad that I watched it, and feel somehow changed by it.

4 of 6 users found this helpful42

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7

MagnificentMDec 22, 2011

Melancholia is something different and I can't always tell if that's a good thing or a bad thing. The movie is told in two parts and is a tale of two types of depression. We have Kirsten Dunst's character, Justine, who is depressed by everyMelancholia is something different and I can't always tell if that's a good thing or a bad thing. The movie is told in two parts and is a tale of two types of depression. We have Kirsten Dunst's character, Justine, who is depressed by every day life on earth and we have her sister Claire (played by Charlotte Gainsbourg) who is depressed by the thought of death. The leads give strong performances and the film is supported by beautiful cinematography. Director Lars von Trier is good at creating an atmosphere of woe even in the midst of a wedding. However it is not a perfect movie. One little thing nagged at me throughout the film and that was the fact that Justine's entire family spoke with an English accent except for her. It's a small detail, I know, but it still distracted me throughout the movie. I also felt that the film fell short in providing much insight into Justine's depression. We knew she was depressed, but we never really saw the root of her depression and we never see an emotional journey or insight into her character. There isn't much depth to Claire's character either, but at least we know that she is depressed due to the possible end of the world. The movie can also be a little slow at times and I had to finish it in two sittings, but it still packs a fairly powerful punch and is worth the watch.… Expand

1 of 1 users found this helpful10

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5

DiegoSanRoblesDec 16, 2011

Lars von Trier has been accused of making vague but lofty pronouncements in his movies, and Iâ

0 of 2 users found this helpful02

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4

JollyG87Dec 15, 2011

This is a very similar film to "The Tree of Life" in the sense that both of them could be part of a subgenre called "ambiguous art house dramas." But for me, there were some stark differences between the two films that led to "Tree of Life"This is a very similar film to "The Tree of Life" in the sense that both of them could be part of a subgenre called "ambiguous art house dramas." But for me, there were some stark differences between the two films that led to "Tree of Life" being great, and "Melancholia" being art-house puke. The most important thing is that there is very little to latch onto in "Melancholia." The story is told rather clumsily, the shaky-cam style takes away from the cinematographic beauty, and the characters are ruined by a script that seems more concerned with big ideas rather than compelling characters. At least with "Tree of Life," it had a compelling middle where character development was at the forefront, and the imagery was beautiful. Another aspect that bothered me was something many independent films are often guilty of which is taking unnecessary pauses. Characters often stare off into the distance, and there are so many pauses in the dialogue. People in real life do not do this, but in the art film world, apparently they do. Then there's the complete shift in the story. Melancholia recklessly jumps from depression drama to an end-of-the-world film. It's so abrupt you're left shaking your head as to why this shift happened in the first place. Then it becomes apparent when looking at Dunst's character shift, and you realize that "Melancholia" is simply a thin message movie about the nature of depression. Aside from a few gorgeous shots (the last shot especially), there's no reason to see "Melancholia." It makes you feel icky inside, and then it does something even worse, it makes you bored and wishing that the end of the world would just come already.… Expand

3 of 6 users found this helpful33

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4

DeeperIn2MoviesDec 12, 2011

"Melancholia may be the most depressing film of the yearâ

4 of 10 users found this helpful46

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9

smijatovDec 3, 2011

While being an extremely slow and long film, Melancholia is an extremely effective film as well. The basic premise is that a planet is colliding with Earth, and the events preceding the collision are portrayed through the disturbed lives ofWhile being an extremely slow and long film, Melancholia is an extremely effective film as well. The basic premise is that a planet is colliding with Earth, and the events preceding the collision are portrayed through the disturbed lives of two sisters, played by Kirsten Dunst and Charlotte Gainsbourg. Both performances are nothing less than spectacular. They have a very controlled quality to themselves, very reminiscent of Nicole Kidman in "Rabbit Hole" or Annette Bening in "The Kids are All Right." The supporting cast is also rather good, especially the bitterness-filled mother of the two sisters, as is Gainsbourgh's husband, played by Keifer Sutherland. Visually, the film is stunningly beautiful, with interesting, beautiful cinematography. The score is perfectly appropriate to the apocalyptic doom-feel of the film. What is truly remarkable, though, is the way that von Trier lays out the idea of how the end of the world, or just death for that matter, can be truly beautiful and something to embrace and (ironically) "live to the fullest," if the time is right. The psychological switch that happens between the two sisters is interesting, but remains ultimately within their characters' inner psyche, without actually diverging too far from the first part of the film. Kirsten Dunst gives an excellent portrayal of depression and the realisation of imminent death, and its acceptance in a rather calm, rational manner. Charlotte Gainsbourg, on the other hand, shows the attempt to cover the inner restlessness, fear and hopelessness with the veneer of rationality, but ultimately failing. As the end of the world approaches, Dunst is the one that keeps her head high, looks straight death in the eye, while Gainsbourg fidgets around missing the ultimate beauty of her death, and in association, her own life.… Expand

3 of 5 users found this helpful32

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8

dj1982Dec 3, 2011

A portrayal of depression and sadness, which will stick with one for days. Performances are really strong (especially Kirsten Dunst and Charlote Gainsbourg), visual beautiful. While some might find it slow, when one is as depressed as JustineA portrayal of depression and sadness, which will stick with one for days. Performances are really strong (especially Kirsten Dunst and Charlote Gainsbourg), visual beautiful. While some might find it slow, when one is as depressed as Justine (Kirsten Dunst), time does not run.… Expand

2 of 3 users found this helpful21

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9

RodrigoBGCNov 30, 2011

This movie is made for those who really enjoy watching a movie, is slow and heavy in many ways but shows you perfectly two different kinds of melancholia, really good photography work and great music, the story well is difficult to explainThis movie is made for those who really enjoy watching a movie, is slow and heavy in many ways but shows you perfectly two different kinds of melancholia, really good photography work and great music, the story well is difficult to explain but all that i can say is that things happen when you don't expect to… Expand

4 of 5 users found this helpful41

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0

JohnRoviNov 29, 2011

A contemptibly catastrophic collection of the most vapid, self-absorbed tiny people parade across this lifeless, empty, stupid and exceedingly long, painful movie. I forbid anyone who reads this to see this film. And I am a great appreciatorA contemptibly catastrophic collection of the most vapid, self-absorbed tiny people parade across this lifeless, empty, stupid and exceedingly long, painful movie. I forbid anyone who reads this to see this film. And I am a great appreciator of art film. This mindless and heartless movie gives art film a bad name.… Expand

8 of 18 users found this helpful810

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9

brettjm18Nov 25, 2011

What a wonderfully bleak movie by Lars Von Trier. After his last feature Anti-Christ, which was underwhelming to say the least, he returns with a fighting punch with Melancholia, a "disaster" movie directed exactly how we expect a Lars VonWhat a wonderfully bleak movie by Lars Von Trier. After his last feature Anti-Christ, which was underwhelming to say the least, he returns with a fighting punch with Melancholia, a "disaster" movie directed exactly how we expect a Lars Von Trier film to be - a beautifully rendered art film. The movie is written in two parts, part one titles "Justine" and the second titles "Claire". Both titles refer to the characters in the film, one played by Kirsten Dunst and the other Charlotte Gainsbourg. Both actresses are outstanding. A lot of praise has been given to Kirsten Dunst who won best actress at this years Cannes film festival, the role almost seems like a breakout role for the already well known actress, but it's Charlotte Gainsbourg who I believe gave the strongest performance, adding that extra heart and emotion to the film, and should also be strongly considered for award recognition this winter. The movie ties it's two parts perfectly, making a strong metaphor for unity. Two families brought together while two planets are about to collide. Melancholia is one the most depressing and beautiful films of the year. The ending will leave you gasping in shock and sadness and will remain engraved in your mind for days to come.… Expand

2 of 3 users found this helpful21

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0

killingspreeNov 20, 2011

This is the **** movie I've ever seen. It's another boring indie flick about spoiled rich people who are stupid and depressed. Critics are truly stupid nowadays. Don't read or believe any positive reviews about this movie. They are shills.

5 of 15 users found this helpful510

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0

hellyNov 20, 2011

Pseudo-intellectual movie that just doesn't quite make it. The only thing real about the whole thing is her depression. If you think you're going to get accurate info about how that planet is supposed to be hiding behind the sun, yeah, well,Pseudo-intellectual movie that just doesn't quite make it. The only thing real about the whole thing is her depression. If you think you're going to get accurate info about how that planet is supposed to be hiding behind the sun, yeah, well, no. But that wouldn't be an issue if the movie would have been halfway decent. It's just long and boring without giving you the satisfaction of having any substance.… Expand

6 of 16 users found this helpful610

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6

RobgonNov 16, 2011

This was a decent movie once you get past the first hour or so. Honestly the art house cinematography is self serving masturbatory drivel. The second half starts to provide more of a story and this is also when Kirsten Dunst's performanceThis was a decent movie once you get past the first hour or so. Honestly the art house cinematography is self serving masturbatory drivel. The second half starts to provide more of a story and this is also when Kirsten Dunst's performance really starts to come alive. You need the first hour to set the stage but it would have been better if everyone was as engaged as they were in the second half.… Expand

0 of 1 users found this helpful01

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7

PamRosenthalNov 16, 2011

This review contains spoilers, click expand to view. An odd thing happened to me on my way out of the theater last night after seeing "Melancholia." Suddenly, the movie, which I'd been mixed at best about, began to seem like a terrific set of jokes, most of them slyly, cunningly visual. Suddenly, this art film about depression and the end of the world, with its upscale country-estate visuals and high-minded Wagnerian soundtrack, became lowdown laugh-out-loud funny. "And what was up, anyway, with that dress the bride's mother wore?" I asked my viewing companion. "Didn't it look more like a tie-dyed teeshirt?" Pretty soon we were both giggling and guffawing. "In fact, weren't all the dresses sort of tacky?" "Melancholia" begins with a gorgeous, expensive wedding party from hell, the lovely bride who's been functioning up until now in cheerful, productive denial collapsing into total depression in the midst of friends' and family's selfishness and bad behavior. Both her parents make horrible, hostile speeches; her boss (also the best man) fires her after she tells him what she really thinks of him; the cute, babyish groom goes home with his parents after she rejects him sexually. Every guest -- not to speak of the wedding planner -- has his or her moment of meanness, rudeness, or stupidity. But there's no sense that any of these characters have a shared history. Absent a believable social nexus, there can be no social satire: vintage Von Trier, the wedding scenes roll by as misjointed episodes of inappropriate behavior and jittery camera. Nor is anyone on screen the kind of upscale movie rich person you can have fun feeling superior to even as you enjoy looking at them. No one except the clueless groom even looks that good; the nut-case bride, Justine, becomes increasingly oppressed by a silly, puffed-up, unbecoming, and ever more crushed and wilting gown. For me the wedding was a long meandering frustration, much less fun than I kept expecting it to be. So I was glad (though not optimistic) when Part II -- shot much more serenely -- began. Some time has passed at the lush country estate (it belongs to Justine's sister Claire's rich husband). Justine's mental condition has continued to deteriorate; Claire's taking care of her. There are some intimate domestic scenes and lovely landscapes, sugesting that perhaps even an awful wedding isn't the end of the world. But wait, it IS the end of the world. A newly-discovered planet called Melancholia is making its way toward Earth. Scientists don't foresee a collision, just a fantastic cosmic show for amateur astronomers. But we who have seen the movie's opening montage know differently and so does Justine, whose depression has put her in tune with the big engines of destruction. Pretty soon, of course, everybody can do the math or simply observe the rogue planet looming larger, ever more gorgeously visible even during the day. Claire becomes as overwrought as I (and I'm guessing you) would be, while Justine begins to flourish. In a particularly stunning night scene with the Liebestod theme on the soundtrack, she reclines naked on a riverbank; bathed in Melancholia's deathly light, she's as open to ravishment by her own and everyone else's oncoming death as she was shut off from sex with her young husband. None of this is exactly profound, but it was effective and I enjoyed it. Neither Justine nor Claire is given any genuine depth of character or specificity of motivation (Justine's the crazy one, Claire's reasonably adjusted to what seems a more-or-less typically imperfect life, except with a lot more money). But in the face of imminent annihilation their words, actions, and expressions are freakishly recognizeable. I was particularly moved by Charlotte Gainsbourgh's Claire, clutching at her young son, making hysterical, futile attempts to escape to somewhere, do SOMETHING. While as for Justine's wilder side of the equation: my natural tendancy is to respond with annoyance, even to take offence, at any romanticization of death; my guess is that lots of depressives would be just as terrified by the prospect of the world coming to an end as the rest of us; and don't even get me started about Wagnerian mysticism. But for all that, I have to confess I found Big Oblivion as Von Trier delivers it in the final scenes to be big sublime fun, and terrific to look at. A nasty, narcissistic streak runs through it, of course: the adolescent fantasy of being in touch with big destructive forces, and of taking everybody less sensitive than you with you when you go. Von Trier knows this, I think. His two-sisters structure is a way of identifying with Justine but not entirely. The movie has it both ways and so did I. And so does anyone emerging safe and sound from the theater, the deferred humor from the wedding scene bursting forth to break the tension, sending you into gales of helpless laughter, after the apocalypse, later, out there on the staircase.… Expand

3 of 5 users found this helpful32

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8

aaronduNov 16, 2011

i'm a little nonplussed by the reviewers who scorn this movie for being self-indulgent and depressive. it's a LARS VON TRIER film titled MELANCHOLIA. His bjork film dancer in the dark was one of the saddest films I've ever seen and it had ai'm a little nonplussed by the reviewers who scorn this movie for being self-indulgent and depressive. it's a LARS VON TRIER film titled MELANCHOLIA. His bjork film dancer in the dark was one of the saddest films I've ever seen and it had a positive name. As goes Kirsten Dunst's best line in this film: what did you expect?
Me, i thought it was an occasionally excessive but sometimes wonderfully weird and self-indulgent movie, often actually humorous (in the painful von trier way) and offering some interesting dualities to consider between the attitudes of depression and pragmatism (as represented by the two lead actresses), and in which situations these attitudes are more helpful. It even rewarded a second watching.… Expand

2 of 4 users found this helpful22

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9

HipsteranNov 16, 2011

It's pretty impressive that Lars Von Trier always manages to make movies that are always controversial among both critics and the audience. Melancholia is certainly one of them. We see death as a main topic here; depression, dysfunctionalIt's pretty impressive that Lars Von Trier always manages to make movies that are always controversial among both critics and the audience. Melancholia is certainly one of them. We see death as a main topic here; depression, dysfunctional families, wedding... Some might say it is dark, long and slow. And in fact they are right. However, weirdly this makes you feel every damn emotion it the picture, you almost feel like you're a part of the movie. That's why Melancholia is a success for the director. With is multi dimensional script, great acting and moving visuals (the opening scene) it is one of the best movies of the year.… Expand

3 of 5 users found this helpful32

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