| Buena Vista Pictures | Release Date: February 7, 1992 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
4
Mixed:
16
Negative:
5
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Critic Reviews
Campbell and Crane get along about as well as a mosquito and a can of Raid. Unfortunately, their abrasive relationship has none of the delicious repartee of a Tracy and Hepburn, or a Grant and Dunne and only serves to slow down the plot. [05 Feb 1992]
With what doubtless are the best intentions, the film wants to do several things, and does. The trouble is that it doesn't do any of them very well. [07 Feb 1992, p.32]
There are nice things in Medicine Man but it only works perfectly when it leaves its characters up a tree. [07 Feb 1992, p.F10]
Medicine Man is a sympathetic project that gets done in by an excessively aggressive screenplay - one that keeps manufacturing artificial conflicts and false climaxes where some more relaxed character work would have gracefully done the trick. [07 Feb 1992, p.3]
McTiernan may have no peers when it comes to action thrillers. But in this character-propelled story, he sorely needs a lighter touch. [07 Feb 1992, p.24]
Medicine Man is a sympathetic project that gets done in by an excessively aggressive screenplay - one that keeps manufacturing artificial conflicts and false climaxes where some more relaxed character work would have gracefully done the trick. [07 Feb 1992, p.3]
Medicine Man is an adventure story with a message: We must save the Amazon rain forest. It's certainly a noble cause, filmmakers forgot to make their movie any fun. [08 Feb 1992, p.E6]
The movie would have been slightly better if the relationship had remained one of professional respect and personal friendship. But that would not have solved the problem with the movie's pace and suspense. Action-adventure movies should have, well, action and adventure. [12 Feb 1992, p.4F]
No movie that stars Sean Connery can be completely worthless but Medicine Man comes about as close to it as anything the actor has done in a long time - probably since Meteor in 1979. [07 Feb 1992]
It never digs very deep. But it's palatable and well-meaning. It's a Disneyland version of a big-issue movie. Nothing great. But we could do worse. [07 Feb 1992, p.7]
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