| A24 | Release Date: December 25, 2025 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
54
Mixed:
2
Negative:
2
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Critic Reviews
iJan 2, 2026
The film’s very last moments are perhaps a little saccharine, but honestly, by this point, you’ll forgive it anything. Supremely confident and stylish film-making that markets itself as big yet feels somehow small, in the sense that extraordinary care is paid to each scene, each modest conversation. Marty’s self-belief may sometimes be unearned, but this film’s absolutely isn’t.
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Marty Supreme is a truly staggering American epic about finally learning that hustle is never going to love you back — even if chasing it can be a thrill, at least for a moment. In this anxiety-riddled portrait of the corrosive nature of American capitalism, sports is merely the vessel, but it’s still the kind of movie that will make you want to stand up and cheer.
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A hyper-charged take on a bildungsroman, Marty Supreme is one of the most thoroughly pleasurable American movies of the year and one of the most exciting. Part of what makes it electric is how organically its numerous parts — its themes, characters, camera movements and accelerated pacing — fit together in a whirring whole.
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The PlaylistDec 18, 2025
Marty Supreme isn’t a moral fable about discipline and sportsmanship; it’s a portrait of ambition as a living, breathing necessity—something Marty must manifest into existence, from his lips to God’s ears. Throughout the madness, Safdie finds an unexpectedly human pulse within the chaos, transforming it into an ecstatic, white-knuckle rollercoaster ride.
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Marty Supreme is a stunning achievement, a breathless yet precisely controlled joyride full of vivid characters, hairpin turns and did-that-just-happen moments – and a modernist fairy tale about big ambitions colliding with grubby street-level realities and capitalism’s seedy imperatives. This is a film that’s built to last.
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IndieWireDec 1, 2025
The result is a roman candle of a movie that feels like it was shot out of a cannon, despite being burdened with the gravity of an implausible dream; a totemic Jewish-American odyssey about where such dreams come from, where they might lead to, and where they’re liable to come apart at the seams along the way.
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Although the third act sags a little under the weight of Marty’s hubris, it’s impossible to deny Safdie is working at a remarkable technical level. Just as Good Time and Uncut Gems played to the strengths of their stars while also transforming them, Marty Supreme challenges Chalamet and he meets the play with fleet footwork.
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Safdie stirs the pot expertly. With a soundtrack that bursts with anachronistic ‘80s New Wave songs—Tears For Fears’ “Change” is a jarring yet energizing curtain-raiser for ’50s New York—Marty Supreme has the burning-ulcer intensity of Uncut Gems, along with a sense of spontaneity that comes from Marty having to feverishly negotiate every moment of his life.
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You want to hate this guy for his arrogance and the way he repeatedly sabotages his own successful. But he’s played with such dynamic verve and genuine movie-star charisma by Timothée Chalamet that you can’t help but root for him anyway, especially as the stakes mount and he refuses his quest to become the world’s greatest table tennis player despite the mountain of evidence that he absolutely should.
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LooperDec 1, 2025
Next Best PictureDec 1, 2025
Though “Marty Supreme” is based (albeit loosely) on the true story of someone else’s life, it’s Safdie’s most personal film to date. It’s one of the very few movies that dramatize—hyperbolically, comedically, even mockingly, yet optimistically—the boldness unto folly of a young fanatic turning ambition into reality.
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It’s the sort of performance that feels like early Pacino or Dustin Hoffman, all twitches and vibrations and seeming like he’s in a constant state of motion even when standing still. And it fuses so well with what we, the viewer, think we know about Chalamet that it begins to blur the boundary in the best possible way.
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Marty Supreme is a flawed beast—occasionally irritating, sometimes shallow, and undeniably exhausting. But that exhaustion is the point. Safdie drags the audience through the wringer not to punish us, but to make the final release that much sweeter. Driven by Chalamet’s fearless performance and a directorial style that refuses to blink, the film leaves an impression.
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Despite Chalamet’s blazing brilliance, we don’t particularly root for Marty, or feel for him, or even hate him; he feels like a plot device in his own story. And yet there’s something there. Maybe the fact that this tale of constant forward motion has little room for humanity or reflection or reason says something about Marty and his times — which of course are ultimately our own.
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Through it all, we’re supposed to relish the emotional complexity of the story, or maybe even just its dark humor. Amorality can be fun, but Marty Supreme has no emotional core—though it does try to grab us in its final minutes, when Marty is unrealistically redeemed in a moment of mawkish sentimentality.
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