Sony Pictures Classics | Release Date: March 7, 2008
7.3
USER SCORE
Generally favorable reviews based on 13 Ratings
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Mixed:
5
Negative:
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6
StephenS.Aug 3, 2008
If you reckon your partner
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6
ChadS.Mar 21, 2008
Call Kay(Rachel McAdams) the accidental femme-fatale. With that head of tightly-wounded platinum blonde hair, no matter how discreetly she enters the restaurant, in which two men sit; one married, one not, Kay can't help but cause a Call Kay(Rachel McAdams) the accidental femme-fatale. With that head of tightly-wounded platinum blonde hair, no matter how discreetly she enters the restaurant, in which two men sit; one married, one not, Kay can't help but cause a commotion. But Kay is depressed. Despite having the appearance of a sexually voracious woman who would drive an ice pick through a man's neck, she's actually a nice girl. She's looking for love, not money, which makes "Married Life" an atypical film noir. For starters, Harry(Chris Cooper) has a legitimate claim on his wife's life without ever knowing it. He almost commits a crime of incubating passion. What is going through Harry's mind when he looks outside the window of his bedroom? This is when the narrative in "Married Life" takes a wrong turn. It doesn't capitalize on the irony of the moment. Another matter to keep in mind is how the narrator(Pierce Brosnan) influences our feelings about Harry. Everything that could possibly go wrong for the protagonist, goes wrong, but "Married Life" breaks this most basic of tenets in film noir, when it confuses Richard's biased opinion about Harry(Richard justifies his friend's murderous intentions) with the cold, hard fact that he wanted his wife dead. Richard is a fallible narrator. Since he put a knife in his best friend's heart, he doesn't want to assasinate his character, too. The narration conspires with the narrator to make Pat look like the bad person. That's why "Married Life" goes out with a whimper, instead of a bang. Expand
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