| Paramount Vantage | Release Date: November 16, 2007 | CRITIC SCORE DISTRIBUTION | ||
|
Positive:
25
Mixed:
9
Negative:
3
|
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Critic Reviews
The characters observe no boundaries, and neither does the movie--Baumbach hasn’t worked out the struggle between speaking and withholding, as Bergman did. People simply blurt out scathing remarks, so there’s little power in the revelations and betrayals. “Margot” is sensually as well as dramatically impoverished.
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While there are a lot of similarities between Rohmer's body of work and Baumbach's latest, the most crucial aspect linking the films is a difference: Rohmer's love of conversation and languorous pace engages the intellect; Baumbach provides a good alternative to an over-the-counter sleep aid.
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