Love Affair

Sleepless in Seattle and Only You and now Love Affair, all movies about nice people getting into goofy misunderstandings because they love one another so much.You have to be in the right mood to enjoy movies like this. Or maybe they put you in the mood. Read full review

Rather than put a new twist on an old tale, Love Affair adds a chapter to a real-life romance. Read full review

What makes Love Affair fun isn't that its stars are offscreen lovers, but that onscreen they so obviously succeed at convincing you they're movie stars playing movie lovers, powering up the dream factory again, dishing out schmaltz like there's no tomorrow. [21 Oct 1994, p.50]

There are moments in Love Affair that take your breath away, sending you back to a time when class and discretion were the movie rule, and not the rarefied exception. [21 Oct 1994, p.H36]

This is a good movie, made by splendidly talented people-including Beatty, Annette Bening and Katharine Hepburn, co-writer Robert Towne, designer Ferdinando Scarfiotti and composer Ennio Morricone-but it fumbles some gems, hearts and flowers on the way to the fadeout. [21 Oct 1994, p.C]

Half of a wonderful movie is nothing to sneeze at. A love affair that ends badly can still be an affair to remember. [21 Oct 1994, p.27]

Love Affair is a second honeymoon disguised as a movie project. [21 Oct 1994, p.7]

It is not unforgettable, like the original Love Affair. It is not An Affair to Remember, like the remake. It is not laden with ironic humor, like Sleepless in Seattle. This Love Affair is . . . fair. [21 Oct 1994, p.03]

A film of gorgeous surfaces and negligible emotional resonance, this third rendition of a perennial sentimental favorite is easy on the eyes and has its share of beguiling moments in the early going, but crucially lacks a compelling climax and any sense of urgency in its storytelling. Read full review

For my money, the best thing about Affair is Shandling, whose amusing quips and facial reactions steal what little of the show there is to steal. You almost wish the story would switch to him permanently. Read full review

As for remakes, it stands to reason that if you try to redo a work of art without the original artist, you're bound to damage the artistry as well. Read full review

Though it is effective in fits and starts, this third version of that sturdy tale (the fourth, if you count Sleepless in Seattle, which it in part inspired) never manages to be more than a reasonable facsimile of its progenitor. Read full review

If An Affair to Remember worked for you, Love Affair may do the same. It resurrects the earlier film’s sodden masochism with meticulous fidelity, right down to the awful final scene, which always felt — and still feels — as if another 20 minutes of movie were yet to come. Then again, what moved viewers in the ’50s seems almost luridly manipulative and unconvincing now. Read full review

Cary Grant's shoes aren't fillable, but Mr. Beatty could have come closer if Love Affair had given him half a chance. Read full review

For all of its old-fashioned discretion, the movie lacks vitality. As a love story it is a complete bust, but beyond that, it is missing a reason to be. Read full review

Exuding glamour, health and prosperity, real-life spouses Beatty and Bening are so radiant that they run the risk of seeming superhuman and thereby losing our sympathy as screen characters. Read full review

Beatty hired some superb talents to remake Love Affair, but many of them are dragged down by director Glenn Gordon Caron's velvety kitsch style. Read full review

Impossibly exotic and glossy, its emotional dynamics make no sense today, so that all we're left with is a trite celebration of Warren and Annette as lovers made for each other. Read full review

Given their off-screen love affair, how could this couple be so dry and dispassionate? [21 Oct 1994, p.G5]

But once the couple clinch their bond -- just when the story gets really shameless -- the life drains out of the movie. Love Affair takes such pains to dodge vulgarity it forgets to put anything in its place. Read full review

Given the mood of so many of today's movies, it might be a pleasure to see an old-fashioned love story. But I think movie-goers have changed, and the peculiar coincidences, the large plot holes and the absurdity of so much of the story line combine to make the story more silly than sentimental, more ridiculous than riveting, more foolish than fulfilling, more maudlin than anything else. [21 Oct 1994, p.3G]

Beatty and Bening are pleasurable to watch, but their onscreen rapport seems to lack just a bit of the fire they had in Bugsy. Read full review

This is an Affair to forget. [21 Oct 1994]