Looper
TriStar Pictures | Release Date: September 28, 2012 CRITIC SCORE DISTRIBUTION
84
METASCORE
Universal acclaim based on 44 Critic Reviews
Positive:
42
Mixed:
2
Negative:
0
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Critic Reviews

Critic scorePublicationBy date
100
Wall Street JournalJoe MorgensternSep 27, 2012
So what's left for the audience to hook into? Only pounding action, elegant style, steady-state suspense, marvelous acting and, despite that droll pooh-poohing every now and then, haunting explorations of youth, age and personal destiny. It's a lot to claim for a sci-fi thriller, but I was blown away by Rian Johnson's Looper. Read full review
100
ReelViewsJames BerardinelliSep 26, 2012
Looper is a tremendous motion picture experience. Not merely a "very good" one, but a great one. Read full review
100
EmpireKim NewmanSep 17, 2012
Intelligent science-fiction sometimes seems an endangered species - too much physics and there's a risk of creating something cold and remote, too many explosions and get lost in the multiplex. Looper isn't perfect, but it pulls off the full Wizard Of Oz: it has a brain, courage and a heart. Read full review
100
Boxoffice MagazineAmy NicholsonSep 7, 2012
Director Rian Johnson's resulting film, a cornfield neo-noir, is the coolest, most-confident sci-fi flick since 2006's "Children of Men." Read full review
100
Total FilmJames MottramSep 7, 2012
The best sci-fi movie since "Moon." The best time-travel yarn since "12 Monkeys." And one of the best films of 2012. You'll immediately want to see it again. Read full review
91
The A.V. ClubNoel MurraySep 26, 2012
Looper is a remarkable feat of imagination and execution, entertaining from start to finish, even as it asks the audience to contemplate how and why humanity keeps making the same rotten mistakes. Read full review
91
Tampa Bay TimesSteve PersallSep 26, 2012
Johnson keeps it simple, yet never stupid. Looper is a puzzle engaging your brain, rather than frying it, as one character describes the process. Obviously he has seen enough movies on the subject by 2024 to know how frustrating that is. This one plays fair with the fantasy. Read full review
90
The New YorkerAnthony LaneOct 1, 2012
For all its mayhem, runs like a mad and slightly sad machine, whirring with hints of folly and regret, and the ending, remarkably, makes elegant sense to a degree that eludes most science fictions. How to describe it, without giving anything away? Scrambled, but rare. [1 Oct. 2012, p.84]
90
SalonAndrew O'HehirSep 28, 2012
I'm not ready to proclaim Looper a sci-fi masterpiece just yet; let's let it sit awhile. But it's a lean, mean, smart, violent picture with a bit of Stanley Kubrick edge, fueled by the terrific Gordon-Levitt. Read full review
90
Los Angeles TimesKenneth TuranSep 27, 2012
This is a highflying, super-stylish science-fiction thriller that brings a fresh approach to mind-bending genre material. We're not always sure where this time-travel film is going, but we wouldn't dream of abandoning the ride. Read full review
90
MovielineAlison WillmoreSep 26, 2012
Looper may not have the bell-ringing resonance of Chris Marker's "La Jetée," one of its touchstones, but it's a jaunty match-up of genre and character drama that's far smarter and more finely wrought than almost anything else in the multiplexes. Read full review
89
Austin ChronicleKimberley JonesSep 26, 2012
Looper makes a full-meal entertainment out of piecemealing genres: It boasts the kicky mental gymnastics that come with time-travel terrain, the relentless rapid heart rate of a crackerjack thriller, and the bursts of extreme violence, buttressed with black humor, of a modern actioner. Read full review
88
Miami HeraldRene RodriguezSep 28, 2012
This is an exciting, exceptionally well-made futuristic thriller that also happens to be loaded with lived-in touches and punchy ideas. Read full review
88
Washington PostAnn HornadaySep 28, 2012
Thanks to the assured hold Johnson exerts over this ingeniously structured game of cat-and-cat, we'll go anyplace he has in mind. Read full review
88
New York PostLou LumenickSep 27, 2012
An indie-inflected popcorn movie with major brains, brilliant acting and a highly satisfying payoff, Looper is the first must-see movie of the season. Read full review
88
USA TodayClaudia PuigSep 27, 2012
When so much of what Hollywood churns out is almost instantly forgettable, it says a lot about a film when viewers want to take time to argue, ponder and puzzle over it. Read full review
88
Rolling StonePeter TraversSep 27, 2012
Lacing tremendously exciting action with touching gravity, Looper hits you like a shot in the heart. Read full review
88
Philadelphia InquirerSteven ReaSep 27, 2012
Late in Looper, when a highly telekinetic kid starts levitating things, it really does look like Christopher Nolan had wandered onto the set and taken over. Read full review
88
Charlotte ObserverLawrence ToppmanSep 27, 2012
The leads blend as seamlessly as any young-old character coupling I've seen. The prosthetically altered Gordon-Levitt, unrecognizable at first, really resembles Willis. Read full review
88
Chicago Sun-TimesRoger EbertSep 26, 2012
This film leads to a startling conclusion that wipes out the story's paradoxes so neatly it's as if it never happened. You have to grin at the ingenuity of Johnson's screenplay. Read full review
88
Slant MagazineChris CabinSep 26, 2012
As in the very best Anthony Mann and John Ford westerns, Looper at once understands the visual power of violence and is deeply critical of it. Read full review
83
Portland OregonianMarc MohanSep 27, 2012
While the third act inevitably bogs down a bit in gunplay and chases, there are more than enough moments of visual wonder and storytelling surprise to make it worth the trip. Read full review
83
Entertainment WeeklyLisa SchwarzbaumSep 26, 2012
The time swivels in Looper evoke some of Inception's fancy temporal tricks... But it's the glimpses of Children of Men-like societal dystopia that give the movie its real weight, and distinguish Johnson's third feature as a marked step forward. Read full review
83
The PlaylistKevin JagernauthSep 10, 2012
Perhaps the most thrilling thing about Looper is watching Johnson really grow leaps and bounds as a filmmaker. Read full review
80
TimeRichard CorlissSep 27, 2012
A fanciful film with the patina of hyper-realism, Looper is well served by actors who behave not as if they were dropped carelessly into the future but spent their whole desperate lives there. Read full review
80
New York Daily NewsJoe NeumaierSep 27, 2012
Gordon-Levitt is flinty, and Willis, on his A-game, is fiery. Together, they take us on a helluva trip. Read full review
80
Arizona RepublicBill GoodykoontzSep 26, 2012
Gordon-Levitt has been so terrific for a while now that he's become a magnetic presence; Willis is also on a nice streak, not as strong here as in "Moonrise Kingdom," but still quite good. Read full review
80
Village VoiceAndrew SchenkerSep 25, 2012
Thrilling in its deft juggling of complex narrative elements, utterly clear in its presentation, and unfolding with what feels like serious moral purpose, Looper still can't help but suggest that its larger ambitions are something of a put-on, a nice thematic polish to set off its interpersonal drama. Read full review
80
Time OutJoshua RothkopfSep 25, 2012
As time-travel action films go, here's one that's brainy, stylish and carries itself with B-flick modesty - all of which feels like some kind of alchemy. Read full review
80
New York Magazine (Vulture)David EdelsteinSep 24, 2012
If high-toned futuristic time-travel pictures with a splash of romance float your boat the way they do mine, you'll have yourself a time. Read full review
80
The Hollywood ReporterTodd McCarthySep 7, 2012
Their physical disparity notwithstanding, Gordon-Levitt and Willis both come across strongly, while Blunt effectively reveals Sara's tough and vulnerable sides. Read full review
80
VarietyPeter DebrugeSep 7, 2012
In a genre infamous for loose ends, this thinking man's thriller marshals action, romance and a dose of very dark comedy toward a stunning payoff. Read full review
80
The GuardianHenry BarnesSep 7, 2012
Once you commit to the lexicon – to the blunderbusses, the silver, the loops that close and the loops let run – you're in for a breathless ride. It's been a patchy summer for sci-fi, absent of anything that really sticks in the mind. Johnson's deep, distinctive film plays on repeat. Read full review
75
Christian Science MonitorPeter RainerSep 28, 2012
My favorite line in the movie comes when Gordon-Levitt, in a face-off with his mob boss (Jeff Daniels), informs him that he'd like to leave the business one day and move to France, to which Daniels replies: "I'm from the future; you should go to China." Read full review
75
NPRJeannette CatsoulisSep 28, 2012
Looper, a cocky sci-fi tale with more brass than substance, is rife with these "Say what?" moments. Read full review
75
The Globe and Mail (Toronto)Rick GroenSep 28, 2012
Looper ups the ante like a poker player on speed. What a potpourri of genres we have here – noir again, but sci-fi too, and action and horror and psycho-drama with existential trimmings, the latter designed to invite the thinking viewer into the fray. Read full review
75
San Francisco ChronicleMick LaSalleSep 27, 2012
The casting is carefully considered, as well, from Willis, whose Old Joe is even more dangerous than Young Joe, to Emily Blunt, who goes American this time and plays a young mother with a winning warmth and vulnerability. Read full review
75
Boston GlobeTy BurrSep 27, 2012
With Looper, Johnson proves he can finesse the most complicated notions and visual setups his mind can imagine. It's the simple things that still elude him. Read full review
75
St. Louis Post-DispatchJoe WilliamsSep 27, 2012
While Looper lacks the heft of a classic, this wayback machine is worth taking for a spin. Read full review
75
Chicago TribuneMichael PhillipsSep 27, 2012
For about an hour Looper really cooks. Its second half is more of a medium boil, and less fun. But watching it, I realized how few commercial entertainments hold up straight through to the end-point. Read full review
75
IndieWireEric KohnSep 7, 2012
There's a adrenaline rush even in the problematic finish, an eagerness that drives the filmmaking so that Looper is thrilling to watch even when it falls apart. Read full review
70
The New York TimesManohla DargisSep 27, 2012
Mr. Johnson throws a lot at the screen, blasted corpses included, yet little here is as initially transfixing as Mr. Gordon-Levitt's mug. Read full review
60
New Orleans Times-PicayuneMike ScottSep 28, 2012
The resulting slowdown, as well as a significant narrative shift, gives Looper a slightly sprawling and ungrounded feel at times, almost as if the first and second halves are two separate movies. Read full review
50
SlateDana StevensSep 28, 2012
Looper felt to me like a maddening near-miss: It posits an impossible but fascinating-to-imagine relationship...and then throws away nearly all the dramatic potential that relationship offers. If someone remakes Looper as the movie it could have been in, say, 30 years, will someone from the future please FedEx it back to me? Read full review
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