| Walt Disney Studios Motion Pictures | Release Date: July 3, 2013 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
6
Mixed:
25
Negative:
14
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Critic Reviews
Film.comJul 1, 2013
The fact that Johnny Depp alone gets top billing above the title, The Lone Ranger, despite not playing said character sums up the generally misguided approach taken by Depp and the creative crew behind the “Pirates of the Caribbean” franchise in bringing last century’s radio and TV hero back to the big screen in a big way.
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McClatchy-Tribune News ServiceJul 1, 2013
Jul 1, 2013
A moderately amusing but very uneven revisionist adventure with franchise and theme park intentions written all over it...This attempt by Verbinski and producer Jerry Bruckheimer to plant the flag for another Pirates of the Caribbean-scaled series tries to have it too many ways tonally, resulting in a work that wobbles and thrashes all over the place as it attempts to find the right groove.
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Jul 3, 2013
There's a couple of hundred million dollars' worth of technical wizardry up there on screen, and nothing is at stake. Except, maybe, for some future amusement park ride, and the sequels, and toys and hats and masks. And piles and piles of silver, if enough people lay down their hard-earned dollars to hear Hammer's hearty "Hi-yo."
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The PlaylistJul 1, 2013
By the time the origin movie stuff is wrapped up and the audience finally gets to see The Lone Ranger and Tonto on their first of their legendary deeds, it's far too late in the movie, particularly if your patience has already been drained by the simple yet over-elaborately staged plot, that struggles to be compelling.
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Time Out LondonAug 8, 2013
Jul 10, 2013
Verbinski orchestrates complex action sequences, including two spectacular bits of derring-do on a moving train, with a precision few in Hollywood are capable of pulling off. Yet The Lone Ranger, like his last two Pirates movies, seems conceived to deliver spectacle by the bulk, which means carrying the baggage of multiple subplots for the purpose of multiple climactic sequences.
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Jul 3, 2013
It’s impossible to know how much of Tonto’s story is tall tale or historical fact. The tactic undercuts the film’s attempt at revisionism or at best equalizes men of all races as untrustworthy tellers of of their own history. The Lone Ranger stokes the legend but its smoke signals only add to the haze.
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Jul 1, 2013
It's all too much and not enough—a succession of disparate, can-you-top-this episodes inelegantly piling up like skidding cars on a freeway. And that's not even taking into account the action scenes. Lord, those action scenes: Monotonous, loud and relentless, they're a punishing example of the self-satisfied, digitally augmented ephemera that typifies modern Hollywood moviemaking, and House Bruckheimer in particular.
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