| Gramercy Pictures (I) | Release Date: March 5, 1999 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
27
Mixed:
3
Negative:
3
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Critic Reviews
A half-funny, half-ugly comedy about underworld ineptitude. [5 Mar 1999]
Though Ritchie’s screenplay scores a 10 for sheer complexity and cleverness, it rates much lower down the scale for comprehensibility and audience involvement.
Plenty of fun, less for its many plot twists than for its large and varied assortment of vibrant characters. [12 Mar 1999]
One of the most consistently amusing ways in which it frustrates audience expectations has to do with how amazingly little of this very violent cast of characters' violence actually ends up being expressed onscreen.
It's supposed to be visually exciting, but the result is more like a corpse-strewn Gap khakis ad than a triumph of technique. At least, based on the film's grainy texture and amber lighting, it's nice to know that the guy who shot every porn movie released in the '70s appears to be working again.
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There are so many balls in the air in the cheerfully violent Lock, Stock and Two Smoking Barrels, you'll want to wear a helmet for fear they'll all come crashing down.
Dark, dangerous and a great deal of wicked, amoral fun. A film that manages to be as clever, playful and mock violent as its title, Lock, Stock was a major hit in its native Britain and its cheeky tone, simultaneously calculated and off the cuff, is as hip as anyone could want. [5 Mar 1999]
[Ritchie] cranks up the laughs and tension with equal aplomb, throwing wrenches in the plot so that the audience has no idea what to expect next -- and that's part of the film's thrill.
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