| Focus Features | Release Date: February 9, 2024 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
15
Mixed:
22
Negative:
6
|
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Critic Reviews
And that’s perhaps the most amazing thing about Lisa Frankenstein: its instant timelessness. Sure, it may be a pastiche, or a love letter to previous eras, or any other euphemism for cinematic recycling, but that doesn’t prevent it from being just as much a singular creation as any of its forebears, sidestepping derivative rehashing in favor of an original take on teen angst that isn’t bound by its homage.
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SlashfilmFeb 7, 2024
It's as if Diablo Cody and Zelda Williams took Sprouse's "I'm a weirdo" speech from "Riverdale" and turned it into an entire movie to prove the point. For all of its fantastical elements of undead boyfriends and tanning bed magic, there's a genuine message about how ungodly difficult it is to be a teenage girl in all of its forms, but that gallows humor is one of the strongest coping mechanisms to employ.
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There’s still plenty of originality in the mix, if only because of the boundaries pushed: Easily the most exciting moment of watching Lisa Frankenstein is discovering just how far Cody and Williams are prepared to take this story (which is to say, to places you just might not expect). That daring attitude is the spark which brings the monster to life — and it’s a monster you can learn to love.
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Not as memorable as the ’80s and ’90s high-school romps and creepshows it pays tribute to, there's still lots of gory fun to be had with director Zelda Williams’ feature-length debut thanks to Newton's electric lead and the sparks she throws off opposite Cole Sprouse’s game portrayal of a reanimated corpse.
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ColliderFeb 7, 2024
Grounded by exceptional performance across the board, a rich and funny script, and confident direction, Lisa Frankenstein is a delightful film. It doesn’t break a lot of new ground (unless you count the many graves that are dug up throughout its 101-minute runtime), but it does manage to frequently subvert expectations of horror, comedy, and romance movies alike. All-in-all, it’s a bloody good time.
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For a film that’s rooted in genre tropes, there’s no genre atmosphere to visually anchor down the film’s themes. With the spectacle fizzled out, visually Williams’ film isn’t enough to take it over the edge and make it memorable. Still, first-time direction hurdles aside, it’s a serviceable, fun goth romp.
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From “Freaky” to the upcoming “Abigail,” Newton is quickly becoming one of horror’s freshest faces, and “Riverdale” veteran Sprouse showcases a gift for physical comedy with what amounts to a silent-movie role. His Creature alone is worth the watch, though the movie’s breakout gem is Soberano, who brings scene-stealing verve as the protective Taffy gets caught up in her sibling’s shady business.
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