Lethal Weapon

The atmosphere, the buddy stuff and the flashy setting don't make up for the fact that the main story is too distanced throughout much of the movie. Further diluting the film's intensity is the scene structuring; far too often lame expository scenes serve to advance the plot or explain the backstory. Read full review

Lethal Weapon is vulgar, violent and predictable. Yet, in some outbreak of id, I got caught up in the shenanigans of Danny Glover and Mel Gibson as a mismatched cop team. Mr. Glover is more than solid and Mr. Gibson has added a kind of raw humor to his repertoire that is extremely sexy. [5 Mar 1987, p.1]

Lethal Weapon is neither a good film nor good entertainment, but it will be a big hit. It takes two popular stories, scrambles them together and delivers something truly bizarre. It's The Cosby Show meets Rambo. [06 Mar 1987, p.D5]

Lethal Weapon will undoubtedly strike gold. But for those weary of overwrought macho displays -- My pistol's bigger than your pistol is the true theme -- this strenuously "fun" movie is a pretty joyless affair. [16 Mar 1987, p.72]

At bottom, Lethal Weapon isn't much. It's a big, shallow, flashy, buddy-buddy cop thriller; it attacks you like a stereophonic steamroller, flattening everything behind it. Snatches of "Hustle" "Magnum Force" and "48 HRS." float above this plot like scum on a polluted lake, and the holes in logic and mindless climax are (or should be) embarrassing. [6 Mar 1987, p.4]