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4

CinemaBoiOct 31, 2021

This review contains spoilers, click expand to view. I mean, seriously? SPOILER: When we find out Diana Rigg was actually Anya Taylor-Joy, and that she had murdered dozens of her johns back in the day, Diana Rigg says "They deserved it." And Thomasin McKenzie just agrees. ... Really? Every man who ever paid for sex deserves to get their throat slit? Sex workers, do you agree with this?

The bigger problem was that we were (sort of) told that Thomasin McKenzie could do something about Anya Taylor-Joy's dreams getting flushed down the toilet. But she never could. So her trying to get Taylor-Joy's attention in all those dream sequences was straight up pointless. The movie started out super strong. Outstanding writing for the first half. Which made the second half feel extra long and meaningless.… Expand

4 of 4 users found this helpful40

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5

bertobellamyOct 29, 2021

Ok, this is kind of a letdown, because it looked a lot better in the trailers.

'Last Night in Soho' is about letting the past die, killing it if you have to (Kylo Ren approves), but the redundancy of its plot is tiring, especially when theOk, this is kind of a letdown, because it looked a lot better in the trailers.

'Last Night in Soho' is about letting the past die, killing it if you have to (Kylo Ren approves), but the redundancy of its plot is tiring, especially when the cheap jump scares and clichés begin to pop here and there.

A film about a young woman from today reliving the mysterious life of another one in 60's London sounded promising; however, Edgar Wright has some trouble finding the balance between the two timelines, so he finds refugee in what he's known for: music and style.

Some unexpected but welcome themes question an idealized age, and I can go with that, but the plot ends to be deceiving, and not in a good way.

Oh, and the last act is just terrible. It's so cringing to hear a "villain" explain the whole movie at the end, and that's exactly what happens here.

But hey, at least there's some good music in here, and it's great to listen to these songs nonstop, even during the horror scenes.… Expand

3 of 3 users found this helpful30

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6

kayhamedOct 29, 2021

Edgar Wright has raised the bars so high with his previous movies that this one seems somehow a letdown. it's still a good horror movie and at least it comes from someone who actually knows something about cinema but I hoped for somethingEdgar Wright has raised the bars so high with his previous movies that this one seems somehow a letdown. it's still a good horror movie and at least it comes from someone who actually knows something about cinema but I hoped for something closer to the mood of its first trailer, and something way more unique.… Expand

3 of 3 users found this helpful30

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5

RalfbergsMar 28, 2022

Not my taste. It was nicely made, with all the mirror shots and scenery, but the story felt a bit dumb in some parts. It was ok, but nothing more for me

2 of 2 users found this helpful20

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5

AcidCasualDec 24, 2021

Starts off charming but descends into repetition - it’s fast paced in the most important storytelling parts and drawn out in the meaningless bits. Overall a mish mash of nothing too exciting. The art direction is good.

The music that’s notStarts off charming but descends into repetition - it’s fast paced in the most important storytelling parts and drawn out in the meaningless bits. Overall a mish mash of nothing too exciting. The art direction is good.

The music that’s not pop songs from the 60’s seems really out of place.… Expand

2 of 2 users found this helpful20

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6

Spartan_117Nov 23, 2021

I love Edgar Wright, he's one of my favourite contemporary creatives and some of his works rank amongst my top favourites such as Hot Fuzz and Spaced. Naturally, I was eager to check out his latest offering, something that's different fromI love Edgar Wright, he's one of my favourite contemporary creatives and some of his works rank amongst my top favourites such as Hot Fuzz and Spaced. Naturally, I was eager to check out his latest offering, something that's different from his normal body of work. Last Night in Soho (2021) is a Horror, Mystery, Drama about an enthusiastic aspiring designer from the countryside going to a prestigious London college of arts where she encounters the ability to visit the city in the 60s that starts wreaking havoc in her life after the glam and glimmer subsides. The film shines when it comes to the cinematography, editing, set designs, soundtrack, and costumes, where even with the restraint shown, justified for the story and tone, you still get that Edgar Wright style that makes his movies stand out. It can be gorgeous with some amazing camera work and long takes. I enjoyed the performances too. Thomasin McKenzie as the lead was able to carry the film on her shoulders quite well, for the most part. Accompanying her was the gorgeous Anya Taylor-Joy who, as in pretty much everything else I've seen her in, was great. The supporting cast does a good enough job.

For the first half or so, you aren't exactly sure where the story is going and the mystery was enticing although, the themes weren't original nor were the social commentary and a lot of it was only superficially deep. Still, the horror elements intertwined with the tale plus the execution made it entertaining albeit not nearly as hard-hitting as I'd hoped it would be. However, when everything starts panning out around the final act, the story just fumbled and got all floompy. You can surely understand the tragic tale the film is going for but the writing leaves a lot to be desired. The entire finale was unsatisfactory which sadly brought down the whole experience for me.

I always appreciate it when an artist tries to branch out into different genres from what they're known for and I do applaud Edgar Wright for doing that but this is, without a doubt, the weakest of his works I've experienced. I'd still recommend it giving it a try, you might enjoy it a lot more than me. But as it stands, this was a disappointing watch for me but there were still elements I appreciated and was also entertained for a lot of the runtime. And if I were to rate it, I'd give it a 6.5/10.… Expand

2 of 2 users found this helpful20

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5

InkzillaNov 23, 2021

Last Night in Soho is a genre-bending thriller, that sprinkles horror, sci-fi, Muscial and period-piece onto an incredibly bland "small town girl in big city" plot. Its supernatural elements are exclusively connected to the protagonist, whoLast Night in Soho is a genre-bending thriller, that sprinkles horror, sci-fi, Muscial and period-piece onto an incredibly bland "small town girl in big city" plot. Its supernatural elements are exclusively connected to the protagonist, who can see the dead, travel through time, possess certain people (or not?) and do other unexplained things when it serves the plot. Soho is a classic case of style over substance. The movie tries hard to evoke the dread inducing feeling of much better entries like Black Swan or Suspiria. It fails utterly. A disappointing effort from Edgar Wright, who usually turns in better work.… Expand

2 of 2 users found this helpful20

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5

Michell170322Sep 25, 2022

This review contains spoilers, click expand to view. Last Night in soho is a great movie. The camera work was amazing and it makes you feeel like you are traveling with it. The plot was okay. It wad entertaining but nonetheless I feel very confused with the ending. Everything was great from the movie except the ending. After giving us alot of what happened to sandie I widh they wouldve given us a good ending for her instead of what they gave us. Nonetheless it was a great effort and great job to everyone who participated in it.… Expand

2 of 2 users found this helpful20

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6

PotterheadGleekNov 21, 2021

As I was watching it, the film was moving in a good way, but by the third act it changes my perspective of it. There were a few things they mislead through the end of the film & I believe they did it, so it can have a good ending for the leadAs I was watching it, the film was moving in a good way, but by the third act it changes my perspective of it. There were a few things they mislead through the end of the film & I believe they did it, so it can have a good ending for the lead role and the way they reveal the secret it wasn't a shock at all. But apart from that McKenzie, Taylor-Joy & Rigg gave superb acting skills, but mostly McKenzie.… Expand

1 of 1 users found this helpful10

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6

Brent_MarchantOct 31, 2021

Though stylish to a fault, this paranormal crime drama about a present-day London fashion design student who has ghostly visions of the alleged murder of an aspiring 1960s nightclub singer who's crassly pimped out by her manager unfortunatelyThough stylish to a fault, this paranormal crime drama about a present-day London fashion design student who has ghostly visions of the alleged murder of an aspiring 1960s nightclub singer who's crassly pimped out by her manager unfortunately can't make up its mind if it wants to be a De Palma-esque thriller or a campy romp. Granted, it does both well, but, regrettably, it fails to mesh them successfully. The film also has a tendency to become repetitive, cinematically going over the same ground time and again, teasing viewers about a twist that's obviously coming but is perpetually delayed. Director Edgar Wright's latest could thus benefit from some judicious editing, as well as a tighter focus in terms of what it's actually trying to be. Thankfully, this offering is blessed by the fine performances of Anya Taylor-Joy, Matt Smith, and, especially, Diana Rigg in her final screen appearance, though Thomasin McKenzie's lead portrayal becomes cloyingly whiny and annoying over time. "Last Night in Soho" is by no means an awful picture, but it's too bad that its substance doesn't match its style.… Expand

4 of 5 users found this helpful41

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6

JLuis_001Nov 6, 2021

For a while after I finished watching it, I was a bit conflicted. It slipped through my mind after some minutes.
I'm not disappointed, but neither am I delighted or excited. Just meditative.
Last Night in Soho is pretty much a film aboutFor a while after I finished watching it, I was a bit conflicted. It slipped through my mind after some minutes.
I'm not disappointed, but neither am I delighted or excited. Just meditative.

Last Night in Soho is pretty much a film about nothing.
Certainly a mystery that looks great, but its concept of dreams that come true and dreams that died in a big city is not original.

Of course, Wright puts it in another perspective, but it's a perspective that's completely controlled by him to be able to mold it to his liking in order that the situations that give life to his film continue to occur.

At first, the lead character seems to be able to see ghosts.
I'm not really sure if I can call them that, but you can intuit it, even though at first we only see that she can see her dead mother.

She arrives in London to start studying to become a fashion designer. And being a country girl she is completely out of place.
After a quick change of her living place, she gets involved in dreams that feel to real, and that also begin to consume her.

But why? And more importantly. Does it matter?
Edgar Wright does not give much with which to defend himself in that regard.

The problem here is not that whatever happened to the character of Anya Taylor-Joy, is only important for Thomasin McKenzie's character, but that it raises other questions that this story does not even bother to address, with the exception from the little mention about schizophrenia at the police station. Which leaves you with two options. Either she's mentally ill, or she can genuinely see, ghosts?

And neither of them really answers the question of what happens to McKenzie's character. That's what history gives us and that's pretty much it. Her own mental breakdown is also quite rushed.

Two beautiful and romantic dreams and everything is going very well. One goes wrong and McKenzie starts to freak out. What's up with that?

And I must say it. Thomasin McKenzie was not up to the task. Even though she appears much less on screen, Anya Taylor-Joy totally consumes her. In each and every one of the scenes in which she appears.
If you're going to get an impression of this movie, it's because of Anya Taylor-Joy.

The climax is predictable because if you're paying attention, you quickly sense who is who.
And going from murderous rage to conclusive acceptance of the crimes to then die and obtain some sort of redemption and closure had no impact on me. But at that point there was nowhere else to go.

It's an entertaining film for this weekend. But mark my words. This in the future will not be recognized as one of the best works of Edgar Wright.… Expand

3 of 4 users found this helpful31

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5

FranzHcriticNov 2, 2021

This review contains spoilers, click expand to view. I had high hopes given Edgar Wright's previous works. The performances and cinematography are the highlight of the film. The first three quarters is suspenseful and atmospheric, and keeps you guessing. The climax and resolution ruined it for me. The twist was haphazard, and the moral message at the end. Diana Rigg turns out to have been Anya Taylor-Joy, and that she as a prostitute murdered scores of men just to deflect from her own poor choices in life. The fact that Thomasin McKenzie's character accepts the justification for serial killing, leaves me wondering who Wright is pandering to. I feel like giving him the finger for that ending.… Expand

2 of 3 users found this helpful21

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0

Powen17Nov 15, 2021

This review contains spoilers, click expand to view. Knew nothing about the film coming in and although it started fine, and the costume design was clearly well thought through, the rest of the film didn’t feel like it had been thought through at all. You feel no connection to any of the characters or any of the plot points as they’re all so fleeting and half developed. The horror and CGI unfortunately comes across as very cheesy, and I don’t think the writer even knows who we’re supposed to be sympathising with as characters flip from villain to hero back to villain without any real rhyme or reason (at one point the lead almost kills one of her classmates and then this seems to be forgotten by the writer and all characters afterwards) The relationship between the lead and her only friend is incredibly forced and feels ham-fisted, again you feel no connection to either character or their relationship. There's clear intent for you to believe that this creepy old guy is the killer, followed by an apparent plot twist that he isn’t the killer but is actually a copper (and then the lead essentially gets him killed which helps develop the plot in no way whatsoever.) Yet you are still wondering why this copper was so weird and creepy the whole film and whether you’re supposed to feel sorry for him. The “subtle” hints at plot-reveals are again all incredibly ham-fisted (the envelopes at the end) and although I went into the film with no expectations at all I still somehow left feeling incredibly let down. Surprised to see so many good reviews… Expand

2 of 3 users found this helpful21

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0

THRASYMACHUSDec 1, 2021

Due to overflowing amount of social commentary that piece of propaganda is not an art at all. And that's my answer to the propoganda.

2 of 3 users found this helpful21

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9

Akameh35Oct 30, 2021

Went in hoping the movie wasn't going to be medicore based off the last few trailers. But left with an amazing cinematic experience with a compelling story that pulled me in with every new twist. Movie also does a good job of showing theWent in hoping the movie wasn't going to be medicore based off the last few trailers. But left with an amazing cinematic experience with a compelling story that pulled me in with every new twist. Movie also does a good job of showing the nostalgia of older years and the real sides of the story that are usually missing.… Expand

2 of 4 users found this helpful22

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0

Andrew074Nov 21, 2021

This review contains spoilers, click expand to view. This movie left me shaking my head. I will say I enjoyed the movie although it was very biased and deceptively pushed clear cultural narratives. Because the movie was biased, I believe it is only fitting to leave a biased review. This is a movie that depicts all white men as evil, all the while heroizing a beautiful serial killer making her out as a hero. I thought the acting was great I was infatuated with the two main stars who performed there rolls with obvious talent. However the premise and plot of the film and those responsible should go sit in the corner and think about what they have done.… Expand

2 of 4 users found this helpful22

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6

moviemitch96Oct 29, 2021

An aspiring young fashion designer student (Thomasin McKenzie) travels to London to pursue her dreams of breaking big into the fashion industry. However, when she rents an old room in Soho, she soon finds herself seemingly transported back toAn aspiring young fashion designer student (Thomasin McKenzie) travels to London to pursue her dreams of breaking big into the fashion industry. However, when she rents an old room in Soho, she soon finds herself seemingly transported back to the 60s and seeing visions of a young model and singer/dancer (Anya Taylor-Joy). What starts off as glitzy and glamorous flashbacks of this starlet quickly turn into nightmares as images of her being seemingly murdered begin to haunt her, and she must uncover the truth about what happened all those years ago before she loses her sanity. First off, Edgar Wright as the director of this film was what really piqued my interest. He's one of the most brilliant, creative, and all-around fun visionaries working within film today, what with films like 'Shawn of the Dead', 'Scott Pilgrim vs. the World', and 'Baby Driver' to name a few to his name. And after having almost no idea what to expect going into this after watching the couple of very vague trailers that we got for this, I gotta say that this film was quite a lot to unpack. It's heavy on the lights, glamor, and 60s aesthetic, while also being unexpectedly trippy as hell. Flashbacks scenes become distorted with reality quite a bit, almost a bit too much for my liking to the point where it was overly noticeable and somewhat irritating and distracting at times. The color palette and schemes throughout however were very clever and added a nice touch to many of the scenes. All involved in the cast are brilliant, especially McKenzie and Taylor-Joy, who each stun and deliver at every turn, and Matt Smith also plays his mysterious part well. Storywise, no film has done a better job keeping me guessing or on my toes in a long time than this one does, and this is largely thanks in part to the many flashback scenes and hallucinations that distort and blend with reality, but like I said, it also was slightly overused to the point of becoming distracting and slightly redundant. But overall, it's undoubtedly a unique blend of horror and neo-noir, albeit a somewhat crazily-edited and tad too trippy of one as well. Still, it's got its fair share of memorable, tense, and hair-raising moments.… Expand

1 of 2 users found this helpful11

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1

Kengi89Oct 29, 2021

Так и не понял для кого это было снято, красивый антураж портит видение режиссёра и тупая история

1 of 2 users found this helpful11

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9

alexander0231Nov 6, 2021

i wish i would’ve watched this high, i might go see it again because WOW this was so good

2 of 5 users found this helpful23

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7

TVJerryNov 6, 2021

Director Edgar Wright continues to expand his repertoire with this unique thriller. An innocent, aspiring fashion designer (Thomasin McKenzie) moves to London, where she’s somehow able to follow the life of another woman from the ‘60s (AnyaDirector Edgar Wright continues to expand his repertoire with this unique thriller. An innocent, aspiring fashion designer (Thomasin McKenzie) moves to London, where she’s somehow able to follow the life of another woman from the ‘60s (Anya Taylor-Joy). The excitement of the period and place slowly gives way to creepy moments with a climax that’s dramatic but not especially powerful. The performances are enjoyable and the music adds fun. Wright keeps it interesting and adds masterful directorial touches. It’s hard to create a surprise ending anymore and this one doesn’t really astonish or shock. Still, it’s an enjoyable experiment in stylistic suspense… Expand

1 of 3 users found this helpful12

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7

CalvinCrackNov 7, 2021

I'm between a 6 and a 7 on this after one viewing. It seems like a movie that will improve upon re-viewings (as all Edgar Wright's films do). Then we will not rely on story twists for enjoyment, but enjoy the film on a scene by scene basisI'm between a 6 and a 7 on this after one viewing. It seems like a movie that will improve upon re-viewings (as all Edgar Wright's films do). Then we will not rely on story twists for enjoyment, but enjoy the film on a scene by scene basis for what it accomplishes. The points I subtract are mainly due to flimsy plotting. I think it needed one more twist, or one more....something... to deliver that second act. 2/3 into the movie I didn't know where I was in the story, which is both a good and a bad thing; on one hand that means I was immersed and uncertain of where things would go; on the other hand it means that I felt a de-synchronized from the flow of the story.

There is a lot of cruelty in the film which caught me off guard and left me not feeling that great walking out. It's more of a straight ahead genre picture than i expected from Edgar Wright who is one of the great comic directors. I missed his satirical touch here in the writing and film. But what he does deliver is an entertaining movie, which I would still recommend to fans and non fans alike. I hope this film does well, because we want to keep encouraging Edgar to do whatever he wants to do; and I want to see more original, standalone, genre pictures like this in theaters!… Expand

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1

TomMondayDec 27, 2021

An absolute piece of garbage. Speechless. If you find yourself endorsing this film, you might want to question if you’re actually human. Nothing here. A low point for film.

1 of 3 users found this helpful12

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7

davemelbourne58Oct 31, 2021

Visually stunning. Busby Berkley on steroids. Fantastic soundtrack. Incredible set pieces. Scenes that make you go "Whoa". I'm not a big fan of the horror genre, but this movie goes a bit deeper than your typical slasher film. You can'tVisually stunning. Busby Berkley on steroids. Fantastic soundtrack. Incredible set pieces. Scenes that make you go "Whoa". I'm not a big fan of the horror genre, but this movie goes a bit deeper than your typical slasher film. You can't change your past, but if try to understand it, you might just learn something from it. But what you learn may hurt you the most. A dark, decadent shocking thrill ride.… Expand

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9

SeanSeamusJun 24, 2022

A flim unfairly criticised, like most of Wrights films I fear that this one again will go down as a so called ‘cult classic’. Perfectly portrayed is the whimsical glamour of the 60’s; juxtaposed with the nightmareish realities of humanA flim unfairly criticised, like most of Wrights films I fear that this one again will go down as a so called ‘cult classic’. Perfectly portrayed is the whimsical glamour of the 60’s; juxtaposed with the nightmareish realities of human behaviour.… Expand

1 of 3 users found this helpful12

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6

paltareinaNov 15, 2021

pro: the costums and the music con: most of the script
overall, an entertaining film with really cringe moments

1 of 4 users found this helpful13

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8

ShadowBaby22Nov 25, 2021

Loved the 60’s aesthetic juxtaposed with modern London. The film is shot beautifully, the characters are likable, and the screenplay is thrilling. Only weak performance was John for me. The movie is unpredictable at times, and it keeps youLoved the 60’s aesthetic juxtaposed with modern London. The film is shot beautifully, the characters are likable, and the screenplay is thrilling. Only weak performance was John for me. The movie is unpredictable at times, and it keeps you guessing. Would highly recommend for fans of horror/thrillers.… Expand

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10

PanchogulNov 29, 2021

Para mi, la mejor película del año, te atrapa de manera alarmante desde el principio, te agarra con mayor fuerza con cada minuto transcurrido y cuando todo parece haberse solucionado te extrangula con sutileza y brutalidad a la vez.Para mi, la mejor película del año, te atrapa de manera alarmante desde el principio, te agarra con mayor fuerza con cada minuto transcurrido y cuando todo parece haberse solucionado te extrangula con sutileza y brutalidad a la vez.

Magníficas actuaciones, deslumbrante puesta en escena y una historia intrigante en todo momento.… Expand

1 of 5 users found this helpful14

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0

Lambo442Oct 30, 2021

We walked out 30 minutes in. The film was trying to mimic the work of David Lynch with its surrealness but was very unengaging with no direction or discernable plot. The Director is so obsessed with aesthetics and recreating an era,We walked out 30 minutes in. The film was trying to mimic the work of David Lynch with its surrealness but was very unengaging with no direction or discernable plot. The Director is so obsessed with aesthetics and recreating an era, especially in terms of music, that many scenes just drag on while you watch people singing or dancing. It's all about spectacle. It's supposed to be a horror but the music is mostly upbeat with the occasional jump scares just shoe horned in there.
Nothing is explained, the lead actress is sappy and irritating. The film tries to create a sense of nostalgia for a time period that was only 50 years ago and you're supposed to believe its somehow better than the London of today. They just drive slower cars, dress differently and have different hair cuts. But the music was soooooo much better.... yawn… Expand

2 of 16 users found this helpful214

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10

GinaKNov 1, 2021

A movie that stealthily creeps up on you as unpretentiously as the female lead and then turns out to be fantastic. It reminded me, about halfway through, of that timeless horror classic that also creeps up on you – Carnival of Souls.A movie that stealthily creeps up on you as unpretentiously as the female lead and then turns out to be fantastic. It reminded me, about halfway through, of that timeless horror classic that also creeps up on you – Carnival of Souls. Excellent cast, superb script, great direction. A classic.… Expand

0 of 3 users found this helpful03

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7

jamessJan 19, 2022

I was reminded of James Wan's Malignant (which was released about the same time) after watching Edgar Wright's Last Night In Soho. Both concern female leads who suffer from violent visions of death, involving stabbings, and each directorI was reminded of James Wan's Malignant (which was released about the same time) after watching Edgar Wright's Last Night In Soho. Both concern female leads who suffer from violent visions of death, involving stabbings, and each director seemed to have an Argento giallo itch that had to be scratched. While not my favorite Wright film, it shows the director evolving as a director, moving away from his trademark smash cut edited montages while maintaining his love of music and image ala Baby Driver. It may be guilty of style over substance, but oh, what style. Anya Taylor Joy embodies the saucer-eyed Twiggy swinging '60s Britain, while Matt Smith embodies the dark underbelly. Thomasin McKenzie is the new fashion designer student haunted/entranced by visions of the past, with Terence Stamp and the late Dame Diana Rigg (a '60s icon of her own via The Avengers) as characters who may not be who they seem. If they ever decide to correct the Ralph Fiennes/Uma Thurman version of The Avengers, cast Tom Huddleston and Anya Taylor Joy and set it in the '60s, give Wright a call.… Expand

0 of 2 users found this helpful02

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8

Germanto12Nov 12, 2021

Loved it! Outstanding visuals and performances from both of the leading ladies. The soundtrack is phenomenal but the main attraction is the atmosphere the director sets. The story is fine and there aren't a lot of horror elements, but it'sLoved it! Outstanding visuals and performances from both of the leading ladies. The soundtrack is phenomenal but the main attraction is the atmosphere the director sets. The story is fine and there aren't a lot of horror elements, but it's still a truly enjoyable film.… Expand

0 of 2 users found this helpful02

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7

KokkaNov 12, 2021

The movie has great music, is a bit too long but has a great ending, which i do not want to spoil! Edgar Wright has done better movies, but the design of the movie, including the music, is top notch als always! 7/10

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8

Rebecca31Nov 22, 2021

Director Edgar Wright gives us something a little different to his usual with a psychological thriller/horror. I had high expectations after seeing the trailer and Last Night in Soho did not disappoint.

Eloise (Thomasin McKenzie) is anDirector Edgar Wright gives us something a little different to his usual with a psychological thriller/horror. I had high expectations after seeing the trailer and Last Night in Soho did not disappoint.

Eloise (Thomasin McKenzie) is an aspiring fashion designer about to commence her studies in London. The culture shock hits Eloise hard quickly changing from a small town to a busy London city. She mysteriously begins to enter into the 1960s where she encounters the seductive Sandie (Anya Taylor-Joy). Much like Eloise she is also hoping to start out a new and glamourous career and make a name for herself in London. Eloise is enchanted by these glimpses into another time but soon the dreams of the past start to take a dark and sinister turn.

I've already been impressed by Thomasin McKenzie in a couple of her previous roles and now as a lead in an Edgar Wright movie she gives a brilliant performance. Also starring Anya Taylor-Joy as the wannabe singer and honestly she's great in everything. Last Night in Soho captures the glitz and glamour of 1960s London while also diving into the darker side of show business. It's very impressive visually with the use of smooth transitions and mirrors. I couldn't help but sit there wondering how they managed to film some of the scenes. Starting very strong and very much in the psychological thriller genre but as it progresses it drifts more into a horror. I'd argue that the third act is not as good as the first two but that didn't hinder my enjoyment too much. It's still immensely entertaining with a great story full of twists and turns, accompanied by an epic soundtrack and a terrific cast.

I love the use of music in Wright's movies, Baby Driver particularly used the song selection to its advantage and Last Night in Soho has an equally brilliant soundtrack that perfectly throws the audience back in time to the lavish London night scene. It's the type of film once you finish you immediately want to go and listen back to the music. Highly recommended.… Expand

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10

deansargeJan 16, 2023

Only just seen this but great little film that takes you on a nostalgic trip into the 1960s London underbelly! Shades of Hitchcock, Twilight Zone and Tales of the Unexpected, lots of twists and turns, plus a killer soundtrack.

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9

supermalik987Jan 7, 2023

This review contains spoilers, click expand to view. Edger Wright is one of my favorite Director movie like Three Flavours Cornetto aka Shane of the dead , Hot Fuzz and World's. And baby driver are great movie . I think last night is my favorite movie . Since 1960 London what you expected the time era with Bond movie came out If the fix a few things than I can easily give it the 10/10… Expand

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9

TheHatManNov 17, 2021

I'm biased regarding Edgar Wright seeing how I do love the Cornetto Trilogy and did enjoy Scott Pilgrim VS the World. However, hear me when I say that this film is absolutely fantastic. A very masterful and professional feature by EdgarI'm biased regarding Edgar Wright seeing how I do love the Cornetto Trilogy and did enjoy Scott Pilgrim VS the World. However, hear me when I say that this film is absolutely fantastic. A very masterful and professional feature by Edgar Wright, even considering how the horror/drama genre is outside of his usual element. The sound design, music, editing and cinematography were all fantastic. All the acting were executed greatly, with Thomasin McKenzie giving off an amazing performance. There are however a few flukes that can be distracting: there are a couple of jump scares, with one in particular being specifically lame. The character of John is quite underdeveloped over all, while Jocasta's character is a bit cliché. One could also point out how personel within an emergency department probably wouldn't be able to arrive in just 2–3 minutes, especially since the main characters didn't even call the emergency number themselves. But I personally didn't see these points as too damaging to an over all amazing feature. Do yourself a favor and watch this in theatres. The experience is one of the best since Avatar. I'm giving this film a solid 9/10!… Expand

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7

SoulWarfareJan 23, 2022

Edgar Wright is one of my favourite directors working right now. His work on the Cornetto trilogy, Scott Pilgrim and Baby Driver was amazing. When he revealed his next work to be a horror movie, I was super interested. The premise is "AnEdgar Wright is one of my favourite directors working right now. His work on the Cornetto trilogy, Scott Pilgrim and Baby Driver was amazing. When he revealed his next work to be a horror movie, I was super interested. The premise is "An aspiring fashion designer is mysteriously able to enter the 1960s, where she encounters a dazzling wannabe singer. However, the glamour is not all it appears to be, and the dreams of the past start to crack and splinter into something far darker". So is this another home run by Edgar or a truly forgettable night in Soho?

One thing I appreciate about this movie is just how unique Last Night in Soho is. Edgar Wright conjured a horror movie like no other. Edgar blends a mix of mystery and psychological horror in a wonderful way that just works. The mystery aspect is the most central element in the plot. Trying to figure out what is going on with our main character and what happened in the 1960s is what keeps the story interesting. Throughout the film, I was trying to piece everything just like our main lead and I love that! Psychological horror is the second element and it is handled fascinatingly. There is the ghost stuff which is typical horror movie stuff but the real horror is the things that happened underneath the surface, which I won't spoil. It's not a topic that I would expect Edgar to explore but he handled it in a tasteful way that works for the movie. What he explored feels believable, in that you could see it happening in the real life. It's quite scary to believe that but that is what makes the film great. Additionally, I love the contrast in production design and cinematography between the modern-day and the 1960s. The cinematography and sets are very grey, brown and slightly washed out in colour in the modern-day. When it changes to the 1960s, it then becomes incredibly vibrant and colourful even during the darker stuff. The costume designs are also wonderful in showing this contrast as well with the wonderfully elegant 1960s clothes feeling very authentic. Edgar Wright is also still able to give some great camera shots. One memorable sequence is a dance scene where the girl keeps changing between Eloise of present-day and Sandie of the 1960s. On that note, all the actors do a great job, even those with small screen time such as Terence Stamp and Diana Rigg (who sadly passed away). Anna Taylor Joy gives a performance, unlike anything she has done before as Sandie. However, she ain't the main lead as that responsibility goes to Thomasin McKenzie who does a phenomenal job. She is able to convey the fact that her character, Eloise, was losing her mind and it was a sight to see her go from sweet and loving to an almost full-on panic attack. I mentioned it before but the film utilises Ghost in the plot as a way to give scares but it doesn't really work. It is very clear this is Edgar's first attempt at the horror as the Ghost just kind of appear in the full body which reduces any impact of a scare from them. He also starts to use them a bit too much that it gets to the point that I just kind of felt numb to their appearance. It gets especially noticeable in the second half where build-up and tension just get tossed out for another event of "ghost appearing time!". On that note, in terms of writing the second half becomes a very B movie and campy. It's not as strong as the first half and gets to a point where it feels very silly. There are also some cool reveals but they don't get executed in a very satisfying manner.

Overall, this is a great first attempt at horror from Edgar Wright. Although, some would argue that this is more of a mystery than horror as it ain't downright scary. Nevertheless, I had an enjoyable experience watching this film and I'm glad that Edgar did something more original in a genre that is losing a lot of steam. Edgar film is one memorable night in Soho and I can't wait to see what Edgar does next.… Expand

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8

GLADIADORNov 20, 2021

Filme muito bom, que mostra muito bem tanto o passado quanto o presente, um suspense bem gostoso de se assistir

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8

theredskyNov 13, 2021

For Edgar Wright’s weakest film, it’s still pretty great. I know I said that after I saw it that it was my favorite film of the year but I have changed my mind. It’s still pretty great but the longer I thought about it, some cracks started toFor Edgar Wright’s weakest film, it’s still pretty great. I know I said that after I saw it that it was my favorite film of the year but I have changed my mind. It’s still pretty great but the longer I thought about it, some cracks started to show mostly within some of the actions the characters make. Thomasin Mackenzie almost stabs someone in the eye and she doesn’t get in any trouble for it? Just little nitpicks like that but it does pull you out. It was also really easy to call out the big twists of the film long before they actually happen. The twists were great but easy to see coming. The ending also felt a little too cliched. It should have ended at a certain scene but it didn’t and gave us an ending that feels like it’s ripped straight from other films. All of the performances were great. Anya Taylor-Joy was pretty great here. Her character was constantly engaging and the way she transforms throughout the film was great to watch. Thomasin McKenzie gives a career best so far and I think her performance very effectively shows the main theme of the film. There’s nothing wrong with wanting to reminisce about the past but it isn’t as perfect as you want to imagine it is. Easily my favorite performance of the entire film came from Matt Smith. That may be my Doctor Who bias talking but I thought Smith’s performance was phenomenal and one of my favorites of the year. He is able to distinguish himself from his other performances and it was amazing to see him play a compelling and screwed up character. The writing is great but doesn’t really compare to Wright’s other films. His direction however is as good as always. His style is still very distinct here along with the editing. Even though this is a completely different genre for Edgar Wright, he still knocked it out of the park with the horror elements. There is a clear homage to other horror films like Rosemary’s Baby but they only serve as homages up until the ending. Wright’s editing style is still present but feels very toned down compared to his other films. It’ll be exciting to see if Wright continues to work in this genre. I would definitely recommend checking this out. It’s not Wright’s best but a worthy film in his filmography.… Expand

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8

glommanMay 5, 2022

I genuinely love Edgar Wright's filmmaking, but really everyone here delivers a stunning performance, painting a dream-like picture of London in the 1960s. It's captivating seeing all the different cogs gripping into eachother, leaving youI genuinely love Edgar Wright's filmmaking, but really everyone here delivers a stunning performance, painting a dream-like picture of London in the 1960s. It's captivating seeing all the different cogs gripping into eachother, leaving you almost always at the edge of your seat. The latter third of the movie is a bit too drawn-out in my opinion and the movie doesn't really know howw to end properly, but it's still a fun, heart-wrenching, and engaging ride.… Expand

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9

DiptanshuJul 15, 2022

The starting was slow although the fashion stuff and the music and old london recreation was great, The soundtracks were awesome, The story was good and the pacing was amazing, The twists were surprising and the ghost sequences were intense,The starting was slow although the fashion stuff and the music and old london recreation was great, The soundtracks were awesome, The story was good and the pacing was amazing, The twists were surprising and the ghost sequences were intense, The 2nd half was awesome and the ending was mind-blowing. Overall it was a entertaining and thrilling and a good movie!… Expand

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10

BradMorganNov 16, 2021

Last night in Soho surprises in its style. It breathes the 60s and it is phenomenally portrayed. You will be enchanted by the atmosphere, colours, music and the slowly converting tension. The main character carries the plot along with someLast night in Soho surprises in its style. It breathes the 60s and it is phenomenally portrayed. You will be enchanted by the atmosphere, colours, music and the slowly converting tension. The main character carries the plot along with some strong side characters. Together it was a fantastic experience that you will not soon forget.… Expand

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8

r96skAug 30, 2022

Edgar Wright's most recent film is... very good!

I don't love (but still like) the ending as much as the rest of it, though 'Last Night in Soho' is an extremely enjoyable psychological horror flick. The film's aesthetic is top notch, whileEdgar Wright's most recent film is... very good!

I don't love (but still like) the ending as much as the rest of it, though 'Last Night in Soho' is an extremely enjoyable psychological horror flick. The film's aesthetic is top notch, while the performances of Thomasin McKenzie and Anya Taylor-Joy are brilliant; the way their story is portrayed is real nice. Diana Rigg, Matt Smith and Terence Stamp are involved too.

I do have a few lesser things to mention. The fashion college classmates being hella cartoony is one, though the only main one is the end reveal... it kinda underwhelmed me, even if there's nothing inherently wrong with it. As it happened I was just like "well, OK...". I think I expected greater based on what precedes. It's a 'good' conclusion, still.

All in all, it just falls short of being something I'd consider as 'great' but I still had a positive time with it and would happily revisit it. As for its standing in my Edgar Wright ranking, it's top three... though, to be honest, all of his movies - 'A Fistful of Fingers' aside - are good.… Expand

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8

Just1ShadowNov 2, 2021

This is a new experience for me, to see an Edgar Wright film in the thriller genre. Overall, I really enjoyed this movie, the story was interesting, the main characters are lovable, and I did care what will happen to them next. The style andThis is a new experience for me, to see an Edgar Wright film in the thriller genre. Overall, I really enjoyed this movie, the story was interesting, the main characters are lovable, and I did care what will happen to them next. The style and music of this film was on top, one of key points why I love Edgar Wright movies. My personal score is solid 8, there're a few questions regarding traveling back to 60s and how it all work and because of this, I can't put a higher score for it.… Expand

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8

SamuelGN_22Jan 4, 2022

Edgar Wright did a great job on the visual level, but not much on the narrative. Still, Last Night in Soho is worth watching, especially by the duo of Thomasin McKenzie and Anya Taylor-Joy.

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7

SifterukOct 29, 2021

Acting/Cast: Superb cast of actors. Surprised but happy to see Thomassin McKenzie as the lead and equally surprised to see Anta Taylor Joy screen time quite as low as it is. That's not a bad thing, but it was surprising. Was expecting MattActing/Cast: Superb cast of actors. Surprised but happy to see Thomassin McKenzie as the lead and equally surprised to see Anta Taylor Joy screen time quite as low as it is. That's not a bad thing, but it was surprising. Was expecting Matt Smith character to be more charming and the fact he wasn't was also surprisingly good..
Music: wow. I mean you know it's Edgar Wrigjt and it's gonna be top notch. His choices are very good. Typically unexpected choices that capture the vibe without drawing on the obvious classics.
Plot: the first hour is tremendous but it loses its way when it turns more old school horror and away from the psychosis story that embraces the first half. If this had stuck to the psychosis and away from monsters then it could have been an 8 or 9. But it confuses by trying to add a bug ending that it doesn't quite stick. It's just not scary enough to pull it off whereas whereas strength of the actors could have made this pyscologically scary if the story had stuck to its original guns.

In summary: it's good but it's not great. I would watch it again though for that first hour and for thommasin and any who are the finest young actors around… Expand

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9

iCampoRamilNov 20, 2021

Muy difícil ponerle una pega a tremenda película, todas sus partes estás maravillosamente pensadas y creadas, desde el montaje con ese tono musical, basándose en el ritmo, hasta el guion, la premisa tan bien construida...
Las actuaciones sonMuy difícil ponerle una pega a tremenda película, todas sus partes estás maravillosamente pensadas y creadas, desde el montaje con ese tono musical, basándose en el ritmo, hasta el guion, la premisa tan bien construida...
Las actuaciones son una locura, Thomasin McKenzie lo borda, Matt Smith hace que te creas su personaje, y luego Anya Taylor-Joy se come la pantalla, brutal.
La construcción de la trama, lo visual que es con esa gran puesta en escena, la dirección arriesgada, con muchas referencias, es genial.

· Cosas buenas: La música, el montaje basado en ella, todo tiene su ritmo. La puesta en escena hace que visualmente sea una locura, aunque la fotografía tampoco me maravilla. Las actuaciones principales, las dos lo bordan, Londres está muy bien construido, como que tiene su propia personalidad, y por último, esas miradas con tanto significado.
· Cosas malas: Ciertas partes que les falta un poco de desarrollo, quizás hacen que sea un poco apabullante y confuso. Al final le cuesta acabar, parece que va a pecar pero lo remonta bien, además, el argumento no es nada que no hayamos visto.
· Conclusión: De lo mejorcito de este año hasta el momento, según yo, te recomiendo que no veas el tráiler ni sepas de lo que va, así te va a sorprender el doble, porque aun viéndolo, te sorprende, y sales del cine con una gran sonrisa, muy recomendada.… Expand

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10

PhoenixReveiwsNov 1, 2021

Absolute F**** 10. this movie was astonishing. Visuals, soundtrack, cast, story, twists, writing, pacing. It makes you think which is a much-needed break in the horror genre from the ones that go BOO! I really suggest you watch this movie, asAbsolute F**** 10. this movie was astonishing. Visuals, soundtrack, cast, story, twists, writing, pacing. It makes you think which is a much-needed break in the horror genre from the ones that go BOO! I really suggest you watch this movie, as it's one of the best horror movies I've seen in a long time. Pretty much The Shining level for me.… Expand

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6

MetacriticOnurNov 18, 2021

admirable
[ ad-mer-uh-buhl ]

adjective
worthy of admiration; inspiring approval, reverence, or affection.

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10

HabibiehakimNov 21, 2021

Sorry "Malignant" and "Conjuring Devil Made Me Do It" but Last Night In Soho is simply the best horror movie of the year, not only it's a way terrifying movie, it's a way better movie too, the movie have a style and a real fantasticSorry "Malignant" and "Conjuring Devil Made Me Do It" but Last Night In Soho is simply the best horror movie of the year, not only it's a way terrifying movie, it's a way better movie too, the movie have a style and a real fantastic performance, Edgar Wright did a fantastic job making an illlusion on the movie from the cinematography and the color, so the audience is not bored seeing the same usual horror movie technique, the movie also helped by the theme, the 60s, the music from the 60s that completely replacing a usual horror sound to build a momentum, overall Last Night In Soho is not only one of the best movie of the year, it's the best horror movie of the year, highly recommended.… Expand

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9

LumdogNov 20, 2021

I love Edgar Wright's slick direction style and his infusion of music to set an atmosphere. He has such a unique directing style. This film is indeed unique, I absolutely loved it. The cinematography, production design, and costumes areI love Edgar Wright's slick direction style and his infusion of music to set an atmosphere. He has such a unique directing style. This film is indeed unique, I absolutely loved it. The cinematography, production design, and costumes are excellent and really invoke the 60s vibe. The soundtrack and choice is music makes every scene pop. Both Thomasin McKenzie and Anya Taylor-Joy are phenomenal. The script is original and unpredictable. It really was a shame that my theatre was empty for this. Everyone needs to go out and support original film.… Expand

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7

ben1322Nov 3, 2021

This review contains spoilers, click expand to view. Intricate, unique, creative, visually stunning yet falls short in the end. Performances were near flawless. Thomasin McKenzie and Anya-Taylor Joy duo made for an intriguing untraditional foil. Sets, visuals, music, feel all fall into place into a brilliant blend between the past 1960’s and present. Tackled an interesting theme of the fallacy of the good old days. Not everything is as it seems when you look back. In a way, the film is simply the tragedy of a young aspiring woman, disguised in a horror action movie. The film tries to intertwine genres together similar to Parasite, however, cheap jump scares devalue meaning from the story. The plot twist at the end attempts to tie all loose ends together, but simply fails in doing so. The story slightly loses its realistic thematic arch and falls into a cliche fantasy mystery murder.… Expand

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9

LeonVitaliNov 13, 2021

The title of the film already refers to the famous song by "Dave Dee, Dozy, Beaky, Mich & Tech": it seems to be, from the very first sequences, immersed in the cult film "Suspiria" by Dario Argento, with a photograph, a direction and anThe title of the film already refers to the famous song by "Dave Dee, Dozy, Beaky, Mich & Tech": it seems to be, from the very first sequences, immersed in the cult film "Suspiria" by Dario Argento, with a photograph, a direction and an impressive mise-en-scène, in the most astonishing sense of the term, capable of daring so much as to touch a small revolution in the way of narrating stories cinematically.
It is the story of Ellie, obsessed with the sixties, who from the Cornish countryside, goes to the heart of London to study at London College of Fashion, to aspire to become a famous fashion icon.
From the beginning we understand the girl's problems: occasionally she sees, through the mirrors, her mother, who committed suicide some time ago, trying to rise in the career of fashion, just like her daughter; and this is also the seed that is handed down from mother to daughter, that of being able to see the past, the ghosts: Ellie is as we said in love with the sixties, and as happens in "Midnight in Paris", every night, when she puts on a precise vinyl (after taking a room in London with a rigid and mysterious old woman, masterfully interpreted by Diana Rigg), returns to the London of the years she has always loved: here Edgar Wright no longer sees us, puts the gear in fourth and transports us in the most sensational way possible inside a world made of colorful neon lights, energetic dances and provocative looks ... but this seems to be the beginning of a fairy tale, and here we are looming in the beginning of a nightmare: at night , Ellie begins to have the visions of Sandie (one of the most spectacular and masterful interpretations of Anya Taylor-Joy, discovered by Robert Eggers with The VVitch a few years ago), a shadow girl who will become an inspiration for the protagonist, in creating v you live in the real world.
So every night we go to Downtown ... a shady figure, Jack, begins to torment Sandie, who immerses her in the world of entertainment asking for sexual favoritism in exchange: the sequence is memorable where through a sequence shot so visionary as to make the skin crawl , we witness the degradation of the night, of the darkest London, of the world of entertainment from behind the curtain, of the most hallucinating limelight; a succession of sensational sequences, where reality and lucid madness mix, creating a particular genre and aspiring to a narrative quality of a new and perfectly understandable language at the same time.
A Matt Smith at his full potential, terrifying and magnetic at the same time.
Fleeting appearances of a veteran Terence Stamp, who will become the protagonist of a well-studied and well-staged twist.
Young actors and young director, who together do an admirable job, and which over the years will probably become a real cult film: Thomasin McKenzie demonstrates, through his scared looks beyond words, capable of making the skin crawl, filtered by light and from the reflection of a knife, of the discolored make-up, a superlative acting ability.
Film inspired by masterpieces such as Polanski's “Repulsion” and Roeg's “In Venice a red December ... shocking”.
The dance scenes, just like Thomas Vinterberg's last “Druk” scene, albeit much more visually spectacular, invite the viewer to take part in the scene, taking his hand and dragging him along.
It is therefore the spectacle that becomes horror, it becomes the curtain for every shady business, for every darkest and most gloomy desire.
Music that for the director is his daily bread, therefore one more fabulous and historical than the other: the final sequence, hallucinating, visionary and inspiring, will go down in history.… Expand

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7

NickTheCritickMar 27, 2022

This is probabily not Edgar Wright at his best but it is still better than 90% of the horror coming out today. That says a lot about Wright's skills. The first half of the movie is visually stunning, entertaining and full of director's mainThis is probabily not Edgar Wright at his best but it is still better than 90% of the horror coming out today. That says a lot about Wright's skills. The first half of the movie is visually stunning, entertaining and full of director's main features but the second half just turns out to be quite weaker because Wright overuses some commercial horror clichés and makes this second part of the movie a little predictable. Tension building could be handled in a better way here. I expected this movie to be a more unconventional horror with a lot of Wright's style in it. While in the first half the premises were good, the second half was a little below expectations. I still think Wright is unable to shot a completely bad movie, even this one, that is his weakest one, has maky points of enjoyable cinema. There are some outstanding high quality horror scenes that bring to mondo Mario Bava and Dario Argento's masterworks and that moments are simply magnetic.… Expand

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8

JamesKingNov 3, 2021

I thought that this movie was incredible. The aesthetic is super fun and creative and there are some incredible shots all over the runtime. There are some weaker points within the plot, but they are outweighed by the movies strengths. I willI thought that this movie was incredible. The aesthetic is super fun and creative and there are some incredible shots all over the runtime. There are some weaker points within the plot, but they are outweighed by the movies strengths. I will be watching it again as I am sure there is a lot that I missed. If you are a fan of Edgar Wright you will probably love this movie.… Expand

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9

strwberrybnanaNov 3, 2021

Sooooo good! Loved everything about it. The music, the wardrobe, the visual effects, and the surprise twists at the end were awesome. I was glued to the screen on the edge of my seat the whole time.

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10

JACOBJNov 15, 2021

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8

sergiopalma02Nov 16, 2021

Edgar Wright's style cannot be replicated. Everything from the camera work to the punchy dialogue this is his movie through-and-through.

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8

AdamEnDetailNov 30, 2021

Edgar Wright presents a really good Edgar Wright movie. It is as you would expect; a fast-paced, lively, colorful psychological thriller tailored with really good music. Whilst everything, takes place in a city he seemingly is quite fond of.Edgar Wright presents a really good Edgar Wright movie. It is as you would expect; a fast-paced, lively, colorful psychological thriller tailored with really good music. Whilst everything, takes place in a city he seemingly is quite fond of.

Both leading ladies are charming, brilliant and truly captivating. Mackenzie's soft charisma and innocence, alongside Anna Taylor-Joy's sophistication and confidence is pulsating to watch.

Last Night in Soho shines brightest in its depiction of the horror and trauma young Eloise Turner experiences as she relives the particular past-experiences that fuels the unravelling mind of her young mind.

Although, the movie does not really bring anything new to the genre especially with the usual mild twist at the end - it does however, highlight the horrifying trauma people can wreak upon others.… Expand

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7

benjanzenNov 25, 2021

Last Night In Soho is creatively ambitious, and though not every idea lands, I admired its originality immensely. It’s extremely unique, wonderfully weird and incredibly entertaining. An unpredictable and bold outing by Edgar Wright, even ifLast Night In Soho is creatively ambitious, and though not every idea lands, I admired its originality immensely. It’s extremely unique, wonderfully weird and incredibly entertaining. An unpredictable and bold outing by Edgar Wright, even if a bit tonally inconsistent and uneven. What a ride!… Expand

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9

crunkieNov 25, 2021

Entered this movie with no idea what to expect but was very pleasantly surprised. It did start off a little slow but ended up great. Music choice was very nicely done too.

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9

JohnDeividNov 27, 2021

This film is visually beautiful, the art and lighting are unique, I think it looks something different from the rest of Wright's films but without abandoning his style. Anya and Thomasin were amazing, you can appreciate the acting talent theyThis film is visually beautiful, the art and lighting are unique, I think it looks something different from the rest of Wright's films but without abandoning his style. Anya and Thomasin were amazing, you can appreciate the acting talent they have. I was also fascinated by Anya's voice, she is a great singer. I liked the paranormal police tone of this story, with this film Edgar Wright demonstrates his versatility to tell other types of stories outside of comedy, but although I really liked this film and consider it one of the best of 2021, personally I do not think it is the best of Wright, yet I would like to see what other genres this talented director could incur.… Expand

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8

ChanekeCholoDec 13, 2021

A film very original both in script and staging. Thomasin McKenzie and Anya Taylor-Joy are the best duo of the year, one of the best performances of their careers. The aesthetic appearance is so genuine and interesting to see. The onlyA film very original both in script and staging. Thomasin McKenzie and Anya Taylor-Joy are the best duo of the year, one of the best performances of their careers. The aesthetic appearance is so genuine and interesting to see. The only mistake of the film is in the third act, because it feels so saturated and the mystery wasn't a big surprise as it was being raised.… Expand

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7

DeviltherobotJan 2, 2022

This review contains spoilers, click expand to view. It is an original story with good visuals, although a better ending would have been if she was schizophrenic and imagined everything.… Expand

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7

gomesXJan 11, 2022

Eloise Turner (Thomasin McKenzie) wants to be a stylist. She is a country girl who has been accepted to study in London. Eloise loves the 60s and sees and feels things from the past. At night, when she sleeps, she becomes Sandie (AnyaEloise Turner (Thomasin McKenzie) wants to be a stylist. She is a country girl who has been accepted to study in London. Eloise loves the 60s and sees and feels things from the past. At night, when she sleeps, she becomes Sandie (Anya Taylor-Joy) who wants to be a singer but gets caught up in the seedy world of prostitution.

Compliments in a different plot. The film moves and gains traction, but I wasn't satisfied with the fate. The ending wasn't as fun as the rest of the production. Until the end, it was one of my favorite movies of 2021.… Expand

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7

RozeminhoNov 1, 2022

Last Night in Soho is a departure from Edgar Wright's usual work, as he explores the perils of show-biz for women, and confronts us with the turmoil that often follows. He opts for the supernatural over genre satires that have gained him cultLast Night in Soho is a departure from Edgar Wright's usual work, as he explores the perils of show-biz for women, and confronts us with the turmoil that often follows. He opts for the supernatural over genre satires that have gained him cult status. There may be more ghouls than laughs, but Wright retains the nostalgic pop energy we love to see in his films. Just as we're starting to think the ghosts and psychosis are becoming too much, Wright's eccentric visuals sucks us back into the story. Great performances all round, especially from star in the making Thomasin McKenzie and the consistently brilliant Anya Taylor-Joy. Last Night in Soho is definitely not a film to sleep on.… Expand

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9

DunkaccinoMar 23, 2022

This movie manages to have modern and 1960s vibes at the same time. The way it's shot, the way it's edited, it's all showcasing Wright's love of the 60s. It's also got a heavy red-and-blue vibe to it, which I strongly love.

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9

MarlaIsBackJun 24, 2022

Very good direction, the OST is perfect with this movie (which contains a lot of music, like in other Edgar Wright's movies). Very good acting from Thomasin McKenzie and Anya Taylor. One of my favourite Edgar Wright movie.

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9

TheLegend277Jul 1, 2022

One of edgar Wright's best. A masterpiece in many ways that unfortunately has been greatly underappreciated and undervalued.

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7

phishakid10Jul 18, 2022

Starts incredibly slow, then becomes incredibly hard to follow, but by its end mind probes the hell out of you. You will either completely dig, and accept the conclusion or reject it altogether. Myself? I appreciate it.

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10

LoverBoy36Dec 24, 2022

I LOVED this movie. It was a perfect love letter to giallo-horror film:) So great!

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8

CarlElmoreNov 24, 2022

Edgar Wright's weakest film but still great. Interesting story and characters along with some great performances and atmosphere.

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6

XV_Oct 31, 2021

Last Night in Soho tells the story of Ellie, an aspiring fashion designer that moves from the countryside of England to a prestigious fashion school in London, soon after she finds out that the fashion life isn't as glamorous as she thoughtLast Night in Soho tells the story of Ellie, an aspiring fashion designer that moves from the countryside of England to a prestigious fashion school in London, soon after she finds out that the fashion life isn't as glamorous as she thought and that kind of stuff. The thing is that Ellie may or may not have some kind of supernatural power that connects her with the past and has vivid visions from it, she then connects with a mysterious woman from the 60s called Sandy, and stuff starts to get more intriguing as Ellie unravels Sandy's past.

I wasn't sure of what Soho will be about since the first time I heard from it, then the first teaser dropped and after watching it I still wasn't that sure, looked like a horror movie but not that horrific, however, I decided to forget about that trailer and watch the movie almost with zero expectative of what will come, besides if director's Edgar Wright releases a movie I will go to watch it no questions asked. The result of the movie is quite mixed in my opinion, for every cool idea, there is always a not-so-well-done execution. Being a horror movie (or at least it is pointed more into that realm), its horror beats aren’t that tense or scary, it kind of has this classic movie horror approach with the “Wright’s” energy in the editing and the mood and some instances work well and many others not. At some point, there is the usage of supernatural or horror imagery and the result is awfully bad, it looks very CGish, fake, and uninspired that it is hard to think that someone approved that. The flow of the movie goes back and forth between the everyday life of Ellie to the every nightlife of Sandy to let us know how they’re developing and how Ellie develops her character while being influenced by Sandy, by the end this device gets old and it makes the movie feel repetitive.

Every actor did an amazing job, main stars Thomasin McKenzie and Anya Taylor-Joy deliver just the right notes whenever they are on the screen, Thomasin has this almost angel-like but human delivery that in other hands would definitely go wrong and every time Anya appeared she steal the scene with her energy and charm. The same goes for the supporting cast, every single one of them made their characters flesh out just right, the only problem is that the movie wasn’t good enough

On the other side, I think this must be the most visually striking movie from Wright to date, it has a rich scheme of contrasts, colors that complement its compositions which are very pretty for most of its entirety, visually, it rivals and even surpasses The Neon Demon, they aren’t similar movies but they have similar stuff going on so it is easy to compare them at least in a superficial way.

Its licensed music is noteworthy, as some of the scenes seem to have been directly influenced by many of these songs, and these particular scenes are the ones that shine the most, they feel like little music videos with high production and artistic values to them, sadly, its original score isn’t as good, it is more notorious when there is something more serious or sad going on, and a generic trailer quiet but moody keyboard piano kicks in, it makes the atmosphere feel the same as any other studio horror movie.

After watching Baby Driver I was expecting to see Edgar Wright’s newest movie, as I consider Baby Driver as Wright’s best movie to date. Last Night in Soho, wasn’t the most terrible film ever made or anything but it has a lot of issues that I think if avoided would make for a way better movie, although, even when it feels longer than it should it certainly makes an impression.… Expand

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7

Mauro_LanariNov 28, 2021

(Mauro Lanari)
Eros and Thanatos of importation, at least for those who are not Japanese or British. Lolithism (if not even worse) has landed among us young Westerners through manga and anime: even today, when some site requires me to disable(Mauro Lanari)
Eros and Thanatos of importation, at least for those who are not Japanese or British. Lolithism (if not even worse) has landed among us young Westerners through manga and anime: even today, when some site requires me to disable the adblock, advertising for a porn movie of that category can pop up; instead the late adolescent malaise, anguish, disturbance reached us through the English music that we called dark while it was correct to define it goth rock, a contamination with the occultism of Ossianic mythology. 21-year-old Thomasin McKenzie is simply perfect in her provocative Japanese comic book role: oval face, big eyes, lips, chin and breathtaking breasts. For the dance at the Halloween party, the choice of "Happy House" (1980) of Siouxsie and the Banshees is equally perfect in evoking unhealthy and spiritic atmospheres. Furthermore: the film states several times to be set in swinging London, in the beat generation of the second half of the 60s, yet it begins with "A World Without Love", a song written by McCartney and left to be recorded in February '64 by the duo Peter and Gordon precisely because The Beatles were about to make the big leap from beat to rock / brit pop (December 1965: "Rubber Soul"); the same for "(Love Is Like A) Heat Wave" in the beat version of The Who of '65. A remarkable temporal and cultural phase shift, as much as the mother-daughter doubling (Jocasta?), the multiple doppelgangers (Lynch) and mirror games (Welles), as well as the entire first half of the film that enjoys confusing dream and reality as in the video, shot by Michel Gondry, of "Let Forever Be" by the Chemical Brothers (1999). Did the eye in the cocktail glass remind you of Someone's Korova milk bar? If this work by Wright poses a problem, it is on how to judge quotationism: an added value or a lack of originality?… Expand

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6

Stream2BigScreeNov 2, 2021

Happy Halloween, Streamers! Unlike S2S, I am not a scary movie person, but I do like a good psychological thriller. If there are some horror elements in the movie as well, then I'll roll with the punches. This weekend Edgar Wright's latestHappy Halloween, Streamers! Unlike S2S, I am not a scary movie person, but I do like a good psychological thriller. If there are some horror elements in the movie as well, then I'll roll with the punches. This weekend Edgar Wright's latest film, Last Night in Soho, promised to offer a good mix of psychological thriller and some horror. Let's see how spooky this one gets.

Edgar Wright has an eclectic filmography from those Simon Pegg genre comedies like Shaun of the Dead, Hot Fuzz and The World's End to Baby Driver and Scott Pilgrim vs. The World - films brimming with a lot of style and some humor. Last Night in Soho seemed to be a departure for Wright where he's replaced the humor with horror but the style is still front and center. Last Night in Soho is a high concept flick about a young fashion student, Eloise (Thomasin McKenzie), who moves from her secluded life in the countryside to bustling London for school. Eloise idolizes London in the 1960s - everything from the music to the fashion, but school isn't all it's cracked up to be as she struggles to fit in. Eloise has some secrets from her past that haunt her as well. Eventually, after moving into a room in a boarding house run by Mrs. Collins (Diana Rigg), Eloise begins to dream of a dazzling, cosmopolitan woman from the 1960s, Sandie (Anya Taylor-Joy) and gets enthralled by her, until the lines between the dream and reality begin to blur in unexpected and terrifying ways.

The concept is exactly what you want from a psychological thriller. There's mystique and style especially in the sequences with Taylor-Joy and the mysterious Jack, played by Matt Smith. The music, production design and costumes draw the audience into that world. It all becomes very alluring and understandable how Eloise gets entranced by it all. Also, there is some really interesting editing within these dream sequences. Unfortunately, as the 1960s sequences bleed into present day, the "psychological" part of this thriller becomes silly and frustrating. It never really veers into the truly scary, which is disappointing if that's what you're expecting.

As a side note on the actors: This is not Thomasin McKenzie's finest performance. She's okay, I guess, but she's doing the same doe-eyed thing she's been doing in all the films I've seen her in. Anya Taylor-Joy, on the other hand, fits perfectly for the role of Sandie. She's so good you will wish there was more of her story in this.

Last Night in Soho sets up a premise with a lot of potential. It delivers on some of it, but it eventually falls apart. The film never gets to be as scary, or thrilling, as it could be. In some sequences, it is quite silly, which might be the fault of the central performance from McKenzie. Nevertheless, it is entertaining throughout. Better yet the film is “not boring” and will keep you interested for its runtime, which is less than 2 hours. It would be best to see this at night, but I wouldn’t recommend the nighttime prices at the theater – maybe the latest matinee movie possible at 5 p.m., since daylight savings time is ending soon.… Expand

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4

JeffRsonJan 10, 2022

This review contains spoilers, click expand to view. Bad rating because the movie is boring and not engaging. I think the movie does not deserve to be praised at 7.1. Are people more forgiving with bad movies since the cultural downfall of Hollywood? While watching, I just did not get what was the plot: is it a movie about her dead mother? or is it a movie about the main character's delusion? or is it a critic of "toxic masculinity"? Moreover, I don't really get the premise of the movie: as viewers, we should emotionnally be with the main character when she is happy and when she is scared but it doesn't work at all. Her greatest dream being London in the 60s, I don't even see how anyone can be nostalgic of that so I don't really care. Please compare this with the dream life explored in Midnight in Paris (2011) or Mulholland Drive (2001) to see how weak it is here. Her worst nightmare is old men fancying her youth... Well that's not really a nightmare since it is like that in real life anyway for most women, that's just life. Besides, it is like that in the main character's life as well (e.g. the cab driver). Therefore I don't feel anything for the main character because I just don't care about her passions.
Acting is great that's why I voted 4.… Expand

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6

akashp2001Nov 13, 2021

An average horror movie with some surprises and good music and a twist in climax .

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7

mikesgold2KMay 15, 2023

Edgar zrobił ten film tylko po to, żeby przebierać Anye Taylor-Joy w zmysłowe ciuszki z lat 60. XX wieku

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6

lwtosNov 11, 2021

This review contains spoilers, click expand to view. Its intresting and has a lot of action but from the trailer, it semmed to be much better than really is.… Expand

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6

LunaJButtsNov 18, 2021

Any film that could loose the first 30 minutes without effecting the narrative whilst simultaneously benefiting the film as a whole if never going to be great. Edgard Wright has never been an actors director and fact that is clearly evidentAny film that could loose the first 30 minutes without effecting the narrative whilst simultaneously benefiting the film as a whole if never going to be great. Edgard Wright has never been an actors director and fact that is clearly evident in this field with performances that would be more at home in Hollyoaks than on the silver screen. What does save it do is Soho, that is to say the beauty and dynamic way in which Edgar Wright captures the Soho of the past and present beautifully. Overall it felt like an ok film with a great film just bubbling under the surface.… Expand

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6

adamtaylor792Aug 4, 2022

It's pretty but shallow, with depth coming from superficial places that are never completely fleshed out in meaningful ways.

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10

bvdkinueSep 3, 2023

oh i wish i could watch this for the first time again, the acting, the cinamatography? i love it

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10

Vindom_LSep 7, 2023

No words needed. Everything is were it should be to take the place of the protagonist. Really nice art dir. It's among my ten and it's not the last

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